Following on from the highly anticipated release of Emei’s debut EP ‘Scatterbrain’ on the 20th October, today, Emei drops an official music video for the first track off the project, ‘711’. Directed by Aser Santos Jr., the video acts as a gorgeous accompaniment to this fan favourite.
Watch the official music video for ‘711’ below
Speaking on the meaning behind the song ‘711’, Emei shares that “711’ is about social anxiety and being constantly worried about giving off a bad impression. I feel like we’re all under the pressure of trying to be this person that other people want us to be and saying things that they want to hear (always being ready with the regular acceptable “party stories”). 711 (the convenience store) is often a safe haven for me and my friends after a bad night out where we can get our favorite snacks and unload. The sonics of the song is inspired by the hectic feeling of a night out and the pounding in your head from being so worried about what other people think.”
The track ‘711’ is a bright and bold single taken from Emei’s EP ‘Scatterbrain’ which also features singles ‘Irresponsible’, ‘Cynical’, ‘Scatterbrain’ and ‘Don’t Know About The Word’. The EP was very well received and garnered reputable support from the likes of Wonderland Magazine, Ones To Watch and C-Heads, who described it as a project that “stands as a showcase of Emei’s journey, reflecting both her deep-seated musical talent and her commendable work ethic. It presents a potpourri of emotions, from the fervency of powerful pop numbers to the hushed introspection of tracks like ‘Dear Emily”
Middle Part – Andy Selkōw’s artist moniker – is hellbent on pouring his heart out and proving that earnest emotion and endless hooks can coexist within the distorted landscape of his nostalgic sound. Drawing inspiration from the late ’90s and early 2000s, Selkōw’s unique brand of unconventional pop music pays homage to the era, resonating with the confessional lyrical prowess of artists like Alanis Morisette, Third Eye Blind, and Michelle Branch. Selkōw, confides, “I’m so sensitive and hate to show it, but it just bleeds through all of my music.”
The debut album from Middle Part, Disruptor, intricately combines elements of distorted maximalism with an undercurrent of heartfelt sincerity. Exploring themes such as depression, self-acceptance, and the challenges of aging, the album creates an immersive sonic journey. Infusing post-grunge and new millennium tones with innovative twists, the LP captures a fresh sense of reinvention. Selkōw’s poignant label for the album as “a depiction of insanity” alludes to the persistent theme of the Sisyphean struggle against corporate-level productivity and the pervasive emotional deprivation we often face.
The album’s opening track, “Get Fixed,” sets the tone for the record—a spirited and raucous anthem that could easily soundtrack a coming-of-age comedy set in the early 2000s, reminiscent of American Pie. It channels the angst of growing up while grappling with the acceptance of aging and the weight of regrets.
With the second single “Nowhere”, Middle Part writes a self-reflective song spawning from a moment of ego death. He proclaims that the song is “a refrain from all the anger that populates a lot of the record. It’s a confession of wanting to choose self-acceptance over continuously worrying about what others may think. Appreciating the present moment rather than placing oneself at the center of the universe is the key theme.”
Much of the album was written and recorded between New York and a friend’s cabin in Maine near Sebago Lake, with Middle Part collaborating alongside long-time friend and producer Brian Zaremba, as well as producer Michael Andrews, Frank Corr of The Drums and Morning Silk as well as James McDermott of DBA James & Bayfaction.
Beyond the music, Middle Part places a significant emphasis on the visual narrative that Disruptor inhabits. The album’s visual landscape pays homage to the golden era of MTV, subterranean societies, gritty bedrooms of troubled souls, and the squalor of downtown streets. The visual center piece of this album is a glass box; their most vulnerable and exasperated states on display, representing an exaggerated epitome of the “Tortured Artist”. Worn VHS tapes skitter and bend across screens, inhabiting liminal spaces, while mirrors reflect mirrors, casting a cascade of funhouse-like imagery, paying homage to some of their favorite directors like Greg Arraki, and David Lynch.
Initially conceived as a personal outlet during his time in Alaska from 2017 to 2019, Middle Part was born when Selkōw relocated to New York and connected with Zaremba. Laying the foundation for Middle Part’s distinctive sound he released his debut EP, I Wish I Was Alive, in 2021. It featured the lead single, “& Cry!”—a track that has already amassed over 4 million streams on Spotify. In an isolating time, the EP reached out like a hand in the dark, as Selkōw expressed, “I just want people to relate. I so desperately want to connect, and that might be the message.”
Selkōw quickly followed up with his second EP, Time Is Elastic, marking an evolution in the Middle Part’s sonic landscape. A concept record coined as “Dream-punk” by Earmilk, it incorporates influences from shoegaze and alt-pop while maintaining his signature brand of heartfelt indie rock. Described as a “fever-dream-type Y2K nostalgic escapism” the EP delved even deeper into emotive lyrical content exploring the dichotomy of “this messed-up world” and the dream world Selkōw was creating.
Recognizing that music thrives within a community, Selkōw has discovered a sense of belonging within Brooklyn’s Bushwick music scene. Middle Part’s audacious sound and captivating stage presence have secured coveted opening slots for prominent acts such as Biig Piig, Arlie, and Yot Club. Their journey soared to new heights in the autumn of 2023 when they orchestrated an immersive festival experience in the heart of the neighborhood. This undertaking, coupled with their unforgettable performance, firmly cemented their status as an indispensable and dynamic force within the vibrant live music landscape of Brooklyn.
With Disruptor, Middle Part aims to bring the darker, more profound aspects of life to the forefront of alternative pop music, setting out to disrupt the placid rhythm of the mainstream. The mission is clear: to shake up the musical landscape with a distinctive blend of heartfelt authenticity and innovative sound.
Fervent singer-songwriter Atelo Songs has released his evocative new single, “not in the mood.,” which highlights the perspective of an individual fixating on self-improvement and productivity. Using off-kilter, punky-tonk piano, and Costello-esque lyrics, the song takes an introspective look at the need to grant oneself a well-deserved respite and acknowledge that pursuing perfection is a fruitless endeavor. “not in the mood.” is available to stream on all digital platforms.
Fueled by a flawless blend of self-deprecating bitterness, unapologetically frank perspectives, and the raw wisdom that can only be gained by surviving and growing despite the trauma, “not in the mood.” spotlights the tenacity, perceptiveness, sensitivity, and awareness that Sam Gleason possesses and used to propel his diaristic songwriting under the moniker Atelo Songs.
Lizzy has always been one to search for the deeper meaning of life, especially after coming to terms with her grief after the loss of her mother. She has always been in touch with her creative roots as she was born to an American musical theater composer for a father and a French choreographer for a mother. Her warm, compassionate tone allows Lizzy and the Palm’s music to resonate with all generations as her sound transcends genre.
Lizzy and the Palm earned her stage name from her mother, Marie de la Palme to whom she dedicated her musical journey. After finishing her schooling, she found a home in Berlin, surrounded by like-minded creatives. Splitting her time between Berlin and Southern California has allowed Lizzy to find a voice in multiple communities and connect with a global audience.
Listen to Lizzy and the Palm on all streaming platforms now. Follow Lizzy and the Palm on Spotify to be notified about new releases and keep up with her unique story by visiting her Instagram at @LizzyandthePalm.
emerging New York City singer/songwriter denn. continues to make waves in the NY bedroom indie-pop scene, with his captivating acoustic guitar strums and euphonic vocals on new track ‘uh uh uh uh UH?’
Take a listen to ‘uh uh uh uh UH?’ below
https://cecilparkrecords.ffm.to/uhuhuh
Speaking on the inspiration behind his new single, denn. shares: “uh uh uh uh UH?” is a cry of desperation masked by pop brightness centered around pushing past the rose tinted glasses we often wear during an obsessive or intense relationship to realize you are being mistreated and deserve more. People often masquerade as kind and righteous whilst draining you to fulfill their own validation and need for attention. It’s a reminder that the ultimate “fuck you” is not to wage destructive war but instead letting go and reigning victorious with quiet revenge based in improving one’s self and undergoing rigorous reflection to regain self worth and anatomy over your actions once more and triumph over someone who hurt and broke you.”
Having only come onto the scene in 2022, denn. has since curated a discography of tracks that are cohesively themed towards the style, sound and personality at the core of denn.’s artistry. Writing songs that are approachable and relatable to his Gen Z audience, touching on topics that come from deep within him, makes him well understood as an artist when listening to the music he makes.
denn.’s new single ‘uh uh uh uh UH?‘ is the follow up to their recent song ‘it’s happening’, which was released on the 30th October, and credibly described by tastemakers The Line of Best Fit as being built on “quivering and heavenly vocals spilling out confessions with an earnest vulnerability.” denn. continues to keep the ball rolling after the success of ‘it’s happening’ by bringing his audience today’s single which is equally as authentic a track as the last.
Milwaukee Hip Hop scene lead dawg Chicken P shares his latest off the wall, trunk-popping project, BussaBrick Vol. 3 :ReallyRich4eva. Get it HERE via 10K Projects.
The tape shows off Chicken P’s versatility and continued dominance as one of the most respected and influential rappers in the city. On tracks like “Know Sumn,” Chicken P glides effortlessly over pitter-pattering 808s and aggressive bells that morph the best of Detroit and Milwaukee style production into one cool and cohesive mashup. Elsewhere, the seven-track mixtape also features “Rollin,” trading melodic bars over pulsating 808s.
Every year, a new regional rap scene rises to prominence and in 2023 Milwaukee put its name on the map. Respected rapper Chicken P led the ascent, tallying millions of plays on tracks like “Dawg Ass Chicken,” “Still Bout It Bout It” and “Buss One 101.”
Los Angeles-based singer/songwriter Salem Ilese unveils the deluxe version of her 2023 album High Concept (Deluxe). Get it HERE via 10K Projects.
Known for her unique storytelling approach, Salem Ilese elevates conceptual songwriting to the next level in her new album High Concept. Each track on the album is born from a distinct concept, setting the stage for witty and clever lyrics that invite listeners into her imaginative world. As she combines catchy pop melodies with high-concept narratives, Salem invites her audience to explore deeper layers of meaning with each listen. Exploring through Salem’s favorite songwriting concepts, High Concept meticulously crafts to deliver ear-catching tunes as well as lyrical experiences that unveil something new with every play. One of the new, standout tracks, “Taylor Made” describes salem’s affinity for Taylor Swift, and her progression from fan to songwriter.
Despite taking time away from her own music to expand her horizons as a songwriter, Salem Ilese’s RIAA-certified Gold hit single “Mad at Disney” with “PS5” following. Beyond her own music, she has also worked with some of music’s biggest names including Gwen Stefani, TXT, Ke$ha, Addison Rae, Charlie Puth, Bebe Rexha, Alan Walker and more, even earning credits for her work on Demi Lovato’s recent album, HOLY FVCK, and Bella Poarch’s hit single, “Build a Bitch.”
As 2023 comes to a close, Nashville-based alt-pop sensation Caroline Romano reveals her new single, “Tell Her I Said Hi,” out on all streaming platforms today.
“Tell Her I Said Hi” is a cathartic release of anger packaged into a wholly addictive alt-rock anthem. Equal parts tender and tenacious, Caroline bravely navigates the messy emotions that arise after a transformative heartbreak.
“‘Tell Her I Said Hi’ is me closing the final chapter on a particular heartbreak I’ve been writing about for a while,” she explains. “I wrote this song after finding out he had already moved on with someone else just days after we broke up. I was thinking about it nonstop, playing out different scenarios in my head about what I’d say to him if I ever saw him again, and ‘tell her I said hi’ is the line that came to mind. There’s a finality to that sentence that’s both heartbreaking and cathartic. The song itself is jealous, angry, pretty, and exhausting, all at once, much like the ending of our relationship.”
At just 22-years-old, the Nashville-based singer and songwriter has repeatedly demonstrated her ability to create anthems that capture the highs and lows of young adulthood. She memorializes her messy, relatable emotions into buoyant, unflinchingly honest songs.
In 2022, Caroline shared her debut album, Oddities and Prodigies, to widespread support from tastemakers like EARMILK and Sweety High. She has continued to come into her own with her more mature and intentional sound which she showcased on her 2023 EP, ‘A Brief Epic.’ With millions of streams already, and more music on the way, Caroline Romano is an artist whose star will only continue to rise.
Canadian pop singer and songwriter JESSIA reveals her new single, “One Before The One,” out today on all streaming platforms. “One Before The One” closes out an impressive year for JESSIA. Her first year releasing music independently, she has amassed millions of streams across her 2023 singles, toured Asia with OneRepublic, and supported Dean Lewis on a sold-out Canadian tour.
On her new single, JESSIA transforms her emotions into a cathartic pop ballad, delivering heart-wrenching lyrics that will strike a chord with anyone who has ever experienced heartbreak.
“One Before The One’ is for the singles this season who are bombarded with pictures of their exes in new relationships. It’s for anyone who felt like they were always used as the ‘practice run’ partner,” she says. “People become reflective and reminiscent this time of year, which can be hard when there are so many songs about love and connection being played everywhere. I want this song to give the brokenhearted a safe space to feel seen. Though the song is subjectively sad, I feel warm every time I listen to it as I wrote it from a place of acceptance and finding power in that. I’m excited to release a scream in your car, cry to your ceiling, breath of fresh air kind of song to get us through the holidays.”
With over 375 million collective global streams, JUNO Award-winning pop songstress JESSIA has taken the music industry by storm, capturing the hearts of fans across the world with her raw talent, dazzling pop melodies, and heart-wrenching lyricism. She made her explosive introduction in 2021 with the viral single, “I’m not Pretty.” Racking up over hundred of millions streams and views, the single caught the attention of Grammy-nominated artist Bebe Rexha, who later joined JESSIA on the track remix. She kept the buzz going with the release of her debut EP, ‘How Are You?,’ which was met with widespread support from iHeart, SiriusXM, and Billboard.
Now releasing her music independently, JESSIA has continued her meteoric rise with a steady stream of dreamy pop singles and an ever-growing global fanbase. With her undeniable talent and steadfast determination, the sky is the limit for JESSIA.
Saint Ahmad is a Brooklyn-based rapper, singer, dancer, and songwriter. Radiating authenticity and an unapologetic sense of personal freedom, Saint Ahmad’s sound is not confined to just one particular genre. With a musical style that incorporates UK club, Jersey Club, pop, R&B, and throwback hip-hop, Ahmad is a versatile artist who can truly do it all. Ahmad radiates natural charisma and infectious energy, while busting out dance moves and flashing his signature big smile while commanding the spotlight. A hopeless romantic and an out-and-proud gay man, his music is confidently built around themes of personal empowerment, wild nights, love, and sex, where he explores the out-of- this-world fantasies that ruminate in his head.
Born in Tashikawahi-shi, Tokyo, Japan, Ahmad first discovered his love for singing and performing while at church and holds a BFA in Dance from Florida State University. Music for him has always been his chosen medium of self-expression, inspiration, and self-healing.
The songwriter began releasing music in 2021 with alt hip hop singles “It’s Just Me” and “Clouds”, earning him significant media acclaim by way of his fluid approach to music, avant-garde aesthetics, and top-notch choreography. Now in 2023, Saint Ahmad has evolved into his most raw and baddest self yet, creating a musical vortex of rich imagination filled with unhinged sounds, kaleidoscopic visuals, and messages of self-empowerment that culminate into a provocative dance playground.
Saint Ahmad’s recent single “lgc” features celebrated NYC artist Lolita Leopard aka “The Leopard Lady.” The invigorating club track captures the essence of a fierce, feminine confidence. Inspired by decadent club nights, hedonistic after hour parties, freedom of expression, and letting go both physically and metaphorically, “lgc” is the ultimate bad bitch self-love anthem. The song features a striking beat by Glasgow DJ and producer CASEMENT, with an energetic UK club sound and an addictive pop hook. Insanely high intensity BPMs collide with in-your-face hyperpop vocals and pulsating bass, defying sonic realms and lulling the listener to an otherworldly space.
Australian producer/DJ EDDIE releases his new single ‘UP/DOWN’ out now on Rezz’s label HypnoVizion.
Unraveling with the off-kilter spirit that has made EDDIE one of HypnoVizion’s most promising talents, ‘UP/DOWN’ is a zealous midtempo arrangement befitting dark dance floors. On his latest HypnoVizion release, EDDIE crafts a mystifying soundscape filled with ominous, glitching tones and intriguing bass-heavy builds as a mechanical voice chants “up, down” throughout. A daring display of EDDIE’s risk-taking production style, ‘UP/DOWN’ is intensely captivating with its cybertronic edge.
“I am absolutely thrilled to finally release ‘UP/DOWN’! I’ve had about 4 different versions in different BPMs and styles, so I really took my time with this one. It’s a genuine EDDIE midtempo club banger. It started with a vocal idea I had written and had a friend (s/o “Yanzo”) do a take for me. From there, it was just fun experimenting!” – EDDIE
CHLOE LOWERY
“Girls Like Me”
• “Girls Like Me” is the first new offering from Chloe Lowery since her 2019 album, The In-Between. The song addresses the challenge of meeting societal or self-imposed expectations that often raise questions about one’s worth. The lyrics reflect on insecurities and fears, ultimately emphasizing the journey and inner strength gained from embracing vulnerability. For fans of Adele, Sia, and Rachel Platten.
• “This song is so special to me, because it was written during a time of healing and self-reflection. I hope that everyone who hears this song can relate and remember ‘You are enough.’” — Chloe Lowery
• Lowery is currently on tour through the end of the year as an ensemble member with the arena rock juggernaut Trans-Siberian Orchestra.
After building up buzz and teasing its arrival, rising California-born and Utah-based singer, songwriter, and performer Jessica Baio unveils a brand-new single entitled “bad tattoo” out now via 10K Projects. Get it HERE.
The track illuminates the scope of her signature style, underlining anthemic pop with stark trap drums and rich 808s. Without filter, drawing from the concept of a broken relationship, inking raw emotion atop the production. It climaxes on the catchy chorus, “You’re a stain on my heart I can’t remove, boy, you’re like a bad tattoo.”
About the song she shared, “I’ve always been drawn to music that evokes emotion even if it isn’t something I am currently going through. I’m married to the love of my life and our relationship is something I don’t take for granted.” She continues, “I think there’s something really special about telling a story through music that allows people to feel something; allows them to heal. When I go into writing sessions, I try to write about concepts that feel universal. I might not be going through a breakup now, but I have and can put how that felt into lyrics for someone else to relate to.”
the unstoppable force that is Unusual Demont shares his new EP ‘CHRYSALIS’, which exhibits him as the incredibly talented and multifaceted creative that he is recognised for today.
Listen to ‘CHRYSALIS” below
The project features a colourful array of genre diverse tunes, coming straight from the heart of its creator. The EP consists of 5 tracks- two of which being Unusual Demont’s recent singles ‘NIGHTTIME’ and ‘ALL THAT U WANT’, alongside new tracks ‘STARBURST’, ‘SOMETHING’ AND ‘COMPANY’. So far in this campaign, Unusual Demont has found impressive support from the likes of Metal Magazine, Ones To Watch, KALTBLUT, and Wonderland Magazine, and with the success of these first two releases under his belt, there has been an definite buzz surrounding the release of the project as a whole.
Enveloped in bold flavors of Brockhampton and Frank Ocean, Unusual Demont’s sound is packed with a medley of styles, cultures and emotions, with an alternative, out-of-the-box creative approach at the center of it all. Complete with a flood of punchy instrumentation, Unusual Demont’s signature raspy vocals and a fiery energy that is impossible to deny, the EP is the prime example of his promise as an artist to keep a keen eye on in the alternative scene right now.
Speaking on the making of his single “COMPANY”, Unusual Demont shares that; “COMPANY” is the last song I made on CHRYSALIS. I met someone when I first got to LA, and during all the high and lows I was facing at that time they m ade things feel better for a bit. They made things feel better for a bit but the baggage that came with the feelings became too heavy for me to bear and we eventually split. I wrote this one very shortly after to vent. Even though it does stem from a sad experience, I wanted to make the song upbeat. Lending itself to the concept of CHRYSALIS; that dichotomy of seeming/sounding fine, but below the surface there’s a lot more going on. I’ve found that contrast to be a bit of a staple in my music thus far and I love it. This relationship, like the rest of the project, was a fleeting but crucial part of this transitionary period of my life.”
New Zealand underground rap force SXMPRA has unveiled his new record, “BUSINESS MAN” with the one and only, Juicy J via 10K Projects. Get it HERE.
Following his hard-hitting phonk track, “BANDS!” SXMPRA is closing out the new year with one of rap’s legends, Juicy J. “Business Man” combines SXMPRA’s signature triplet and rapid flow with Juicy J’s consistent bars, making a track that is truly boundary pushing. Produced by Juicy J and Hitkidd, the new track exemplifies the connection between phonk and its Memphis roots.
Fresh off his 25-date North American tour with HAARPER and Sinitzer, his recent tracks “GUTS!” with 1nonly, “Army of Dead” with HAARPER and “COWBELL WARRIORS!” with Ski Mask the Slump God, the New Zealand-based rapper shreds on his new track, “BANDS!”. Earlier this year, SXMPRA also teamed up with the powerhouse duo Terror Reid and Pouya collab “Midnight Sun” leaving fans stunned on their seamless collaboration.
Japanese legend Shinichi Osawa makes his label debut with his new FCKNJP EP out now via Dirtybird Records.
An ambitious debut from one of Asia’s most eclectic electronic visionaries, FCKNJP is a hyperactive two-track exploration into the spontaneous spirit of Shinichi Osawa’s iconic style. The EP kickstarts with ‘LUVTECHNO’, a percussive-heavy opener that spirals with acidic energy and dizzying progressions over its five minutes. Its companion, ‘FCKNJP’, is equally equipped with erratic and volatile parities as it weaves through tenacious countermelodies and high-powered builds. Attention-grabbing from start to finish, FCKNJP is a sublime experimental offering from Osawa.
Shinichi Osawa is a Japanese musician, composer, DJ, and producer. His current projects include the critically-acclaimed MONDO GROSSO, RHYME SO, and an orchestra project, Thousand Tears Orchestra. As a producer/remixer, Osawa has worked with various artists such as Boys Noize, Benny Benassi, Felix the Housecat, Digitialism, Duck Sauce, and more. Osawa is active in a wide range of fields, from creating music for ads, spatial music, anime and soundtracks to producing an analog record-focused music bar. In 2017, he revived his MONDO GROSSO project with a new album Reborn Again and Always Starting New, the first following a 14-year hiatus. FCKNJP marks Shinichi Osawa’s debut release on Dirtybird and first original EP under his given name in nearly 15 years.
Shinichi Osawa invites the flock on a wild ride with his new FCKNJP EP out now.
GRAMMY-nominated, multi-Platinum producer and acclaimed Atlanta artist Southside has unveiled the second single, “Gimme Da Lite,” ft. Lil Yachty from his upcoming album. Teased at ComplexCon and Camp Flog Gnaw earlier this year, the track is a dynamic two-minute sprint showcasing some of Southside’s most compelling production work to date, tailor-made for Lil Yachty’s distinctive augmented arpeggios and vibrant flows. The accompanying video, directed by Zhamak Fullad, has the two adorned in high fashion as they bring visual cues from the lyrics to life. The song follows the first single, “Hold That Heat” ft. Future and Travis Scott. Further details of his debut studio album will come in the new year.
Embarking on a journey of love, loss, and life’s twists and turns, Toronto singer-songwriter, J8KE, drops his latest single, “Same As Me.” J8KE captures the difficulty of maneuvering through dead-end relationships and unreciprocated feelings. Life’s onward journey is at the heart of the song’s message, encapsulated by J8KE’s soulful vocals and evocative lyrics. “Same As Me” is now available to stream worldwide.
“Same As Me” opens with a mellow acoustic guitar as J8KE’s euphonious vocals portray the heartache that comes with pleading not to lose someone even though it’s not working out. The song picks up with the addition of piano and drums, ensnaring fans into the finish. J8KE shares his perspective on the new release, saying, “This song is my personal homage to loss and heartbreak. When things go sour, and you’ve hit dead ends. When you feel a certain way and it’s not necessarily reciprocated. In the end, life moves on, as do we.” J8KE takes listeners on an emotional ride through the intricacies of human connection while delivering the authenticity and musical prowess that define his artistry.
Emerging from the depths of his basement studio in Vaughan Ontario, Canada, 20 year old Aidan Skira is driven by a visceral need to get his dark and yet hopeful perspective out into the world. Growing up in a working-class suburban family, Skira’s “sheltered upbringing”, hid him from the atrocities of the modern world. Now deep into the trials & tribulations of adolescence, he is discovering the realities of adulthood & using his music and animations to make sense of it all. A one man show, he has a vision all is own; he is self-taught, self-produced, & self-animated. With an organic following of bedroom-music-heads & kids from the suburbs who relate to the heartbreak of being exposed to the truths of adult life, Aidan Skira knows he has a unique perspective to share – and is bringing his people with him. With early traction on Soundcloud and tastemaker YouTube channels, Aidan Skira is making his carving out a lane all is own.
Email:neill@outloudculture.com
Socials: @neillfrazer
