The Holdovers may not initially appear to be extraordinary, but it undoubtedly ranks among director Alexander Payne’s finest works. This film is filled with humor, moments of tenderness, and serves as an outstanding example of the meaningful connections that can be formed within an unconventional family. Taking place in a strict New England boarding school in 1970, it easily passes the test as a must-see movie.
Reuniting with Paul Giamatti, who starred in Payne’s acclaimed film “Sideways,” Payne and screenwriter David Hemingson incorporate elements reminiscent of “A Christmas Carol.” The story follows a group of students at the prep school who are unable to return home for the holidays, requiring supervision during the two week period encompassing Christmas and New Year’s. Giamatti portrays Paul Hunham, a history teacher known for his penchant for tormenting his students. He has been assigned the unenviable task of supervising these holdover students, partly as a consequence for failing a privileged student and partly because he has no one to spend the holidays with himself.
Amidst this group of misfit students is Angus, played by newcomer Dominic Sessa, whose mother has embarked on a vacation with her wealthy new husband, leaving him behind.
Additionally, Mary, portrayed by Da’Vine Joy Randolph in a show stealing, award-worthy performance, is the school cook who faces loneliness as her son tragically lost his life in Vietnam. The heart of “The Holdovers” tells a tale that transcends both time and place, with carefully chosen music, authentic hairstyles, and pop-culture references, such as the film “Little Big Man,” seamlessly immersing the audience in the year it is set.
While it is predictable that Paul and Angus will eventually form a bond during their time together, the film surprises audiences with unexpected detours and revelations that expertly develop the characters and expose the sources of their guarded exteriors. Giamatti delivers a snide and delightful performance, reminiscent of his iconic role as the wine connoisseur in “Sideways.” One memorable moment includes him confidently assuring a student who declares he cannot fail his class that, after reading his work, he is quite certain the student can indeed fail.
The Holdovers falls into a category of films, like the beloved John Hughes classic “Planes, Trains & Automobiles,” that take place during the holiday season but are not solely about the holidays. These films are destined to stand the test of time, creating their own traditions and finding a permanent spot on the shelf. True to its title, The Holdovers captivates viewers and reminds them that families are not solely defined by inheritance but by the choices and connections we forge for ourselves.
The Holdovers is in cinemas 11th of Jan
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