Directed by Alejandro Monteverde
Written by Rod Barr
In the powerful and old-fashioned epic Cabrini, we delve into the remarkable life of Francesca Cabrini, an Italian Catholic missionary nun. Not only did she establish a peerless orphanage in New York at the turn of the 20th century, but she also resolutely built a worldwide network of charitable organizations and homes. Cristiana Dell’Anna portrays Cabrini with quiet command, capturing her unwavering determination and resilience.
Set in 1889, the film transports us to a New York that was ruthlessly hostile towards Italian immigrants. The opening cards remind us of the city’s brutal past, still echoing the era of “Gangs of New York.” In this environment, where women faced predictable antagonism, helpless children were dying without care. Undeterred by the odds and her own health struggles, Francesca settles in the slums of Lower Manhattan’s Five Points. Her mission: to fight for her countrymen, women, and children.
Much of the film revolves around Cabrini’s false starts. We witness her tenacity—the kind of womanly stamina she talks about in a poignant scene with the New York mayor. Despite being dismissed for her gender, she persists. Alongside her colorful array of supporters—a kindly local priest, a precocious orphan, and a prostitute—Cabrini faces endless ups and downs. The film captures her fortitude, which grows away from the prying eyes of men.
In a terrific scene, Cabrini finally wins over the villainous New York mayor (played by John Lithgow). They toast to their newfound understanding. The mayor, clueless and patriarchal, remarks, “It’s too bad you’re not a man. You would’ve been an excellent man.” Cabrini corrects him, asserting that a man could never do what she and her Sisters do. This exchange encapsulates the film’s essence—the unique powers of femininity.
Directed by Alejandro Monteverde, Cabrini is an impressive yet overlong Great Woman biopic. It celebrates the strength that emerges when one is constantly told “no” due to gender. Cabrini’s legacy lives on, not just in the serene Cabrini Boulevard but in the hearts of those who recognize her tireless work. Giancarlo Giannini as Pope Leo XIII adds gravitas to the narrative.
Cabrini is a testament to compassion, faith, and the fight against prejudice. Cristiana Dell’Anna’s performance is star-making, embodying an irrepressible woman guided by kindness and faith. While the film occasionally feels repetitive, it remains a moving tribute to a saint who refused to accept defeat—even when the answer came from the Pope himself.
Cabrini honors the indomitable spirit of a woman who left an enduring legacy of love and service.
It’s In Cinemas Now
Email:neill@outloudculture.com
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