Hot club swing meets big band bounce on Swingset Serenade, a new album spanning decades of musical heritage with jazzy, playful songs for all ages from the ensemble Mel and Friends. Fronted by vocalist/songwriter Melanie Dill, Swingset Serenade is now available digitally and is set for release on vinyl and CD on May 3, 2024.
“This album is probably not what comes to mind when most people think of children’s music,” says Melanie Dill. “Our musicians, many of whom are regulars on the Kansas City jazz scene, come from vastly different backgrounds and are recognized masters of a variety of genres and styles. Swingset Serenade is as much a jazz and swing album for everyone as it is a children’s album.”
“When Melanie and I were kids, the quantity of music produced expressly for children was relatively small, but the quality of much of the music and production was incredibly high. Those records were truly musical events, with a scale and a purpose all their own,” adds Swingset Serenade songwriter/producer Tom Johnson. “We wanted to bring that feeling back, and we also wanted to incorporate the styles of music our parents and grandparents listened to when we were growing up.”
Among the inspirations for Swingset Serenade were early Sesame Street songs, Muppet Show tunes, and Vince Guaraldi’s music for the Peanuts animated TV specials, along with French gypsy jazz, early swing, mid-century big band, salsa music, and bossa nova, or, as Tom says, “basically a warm smash of musical heritage spanning the decades from the 1920s through the 1960s. It’s vintage music reimagined for modern audiences, and it’s bilingual, to boot!”
In the labyrinth of New York’s sonic tapestry, where concrete meets culture, emerges NAIMA, a captivating musical force raised between the bustling borough of Brooklyn and the culturally rich suburb of New Rochelle. Her artistic journey is a seamless blend of analog roots and digital dreams, shaped by the diverse influences of her life. Growing up in an environment where music was a constant companion, NAIMA was introduced to a kaleidoscope of sounds that became the foundation of her musical psyche. From the early days of her youth, her mother exposed her to a wide range of artists and educated her about the lineage of Black music. Ella Fitzgerald, Tina Turner, Stevie Wonder, John Coltrane, Lenny Kravitz, A Tribe Called Quest, and Dionne Farris, are just some of the many artists that were in heavy rotation at home. Additionally, the infectious sounds of 70s & 80s Funk, Disco, and Pop were a major cornerstone to NAIMA’s musical upbringing. With the likes of Chaka Khan, Earth Wind and Fire, Sister Sledge, Janet Jackson, and The Brothers Johnson, being some of the major contributors to the soundtrack of NAIMA’s childhood. Meanwhile, her Panamanian father, a DJ and producer, further broadened her musical horizons with the global sounds of artists such as Ruben Bladés, Djavan, Fela Kuti Santana, and The Police. NAIMA further pursued her musical education at Berklee College of Music, where she delved into the intricacies of her craft. However it did not take long before the magnetic pull of New York City called her back home. Returning to her mother’s home borough, Queens, NAIMA found her artistic sanctuary. She immersed herself in a thriving community of like-minded artists. The legendary DIY underground stages of C’mon Everybody, H0L0, Trans-Pecos, and Palisades became her creative playground-allowing her to further hone her craft as a performer, producer, songwriter, and singer. This period marked the genesis of her distinctive voice, culminating in her upcoming debut EP, “CITY LIGHTS.” 
From NYC to Richmond to the deep Oregon forests, Ghost Piss’s sound has changed right alongside songwriter River Allen. Polishing their DIY sound and expounding upon new scenes, new feels and a new world, Dream Girl is an encapsulating nod to the growing pains River experienced throughout their 20s. Ghost Piss is now celebrating the release of their first full length album titled “Dream Girl” and the release of their third music video, “Rude Dudes.” Since River’s mother found a piano on the side of the road when they were three, the self-taught artist has been through many chapters of musicianship and life, developing a unique sound that allowed River to book over 100 shows across the country before releasing their debut EP ‘Blushing’ on Brooklyn label Styles Upon Styles in 2021. Ghost Piss’s versatile sound allowed for them to play alongside an eclectic array of musicians such as The Space Lady, Barrie, Sporting Life, and Fuck U Pay Us. River’s time spent performing and tending bar at NYC dance venues (as well as tending the garden at The Lot Radio), and tending to the Oregon forest while working as a botanist for the National Park service were equally important in crafting their tongue-and-cheek, and effortlessly personal Electro Pop sound. Ghost Piss combines River’s love of mainstream pop hooks, heavy house beats, and the succinct and minimalist compositions of their favorite composer Erik Satie- using repetition as a means of progression and meditation. River’s proficient mastery of the MC-505 can be heard on Dream Girl, accomplishing the goal of taking one piece of gear to its absolute limit. River started Ghost Piss to create a space for playfulness, but Dream Girl doesn’t shy away from biting, emotional confessions. ‘Dream Girl’ wears its heart on its sleeve, but not in the way you would expect. Ghost Piss manages to weave dark personal experiences of mistreatment, heartbreak and crippling imposter syndrome with empowering beats, playful production and complex textures. Inspired by sparkles, HitClips, rattling 808s, and imperfections, Ghost Piss hopes to remind you that emotions are beautiful, pink is punk, and life is fun.
In Roots of Fire, a group of musicians honor the rich history and cultural legacy of Cajun music. The genre’s contemporary scene in Louisiana has found mainstream success with Grammy Award nominations and wins, but shuttering venues and aging fans leave some questioning the music’s longevity. Featuring electrifying performances, this vibrant documentary examines the intersection between music and preserving tradition for future generations.
HERDD is the product of Frankie Cote, who brews up diverse electro-pop with a focus on being unafraid to challenge genre norms. On the upcoming album Afterlife, snapshots of Cote’s recovery from past mental health crises are navigated in a cathartic way, along with themes of sexual liberation and healing from past relationships. HERDD‘s unique take on songwriting has enabled him to work with multi-platinum award winning producer Rob Wells (Ariana Grande, Selena Gomez, Justin Bieber) and even earned him praise from Billboard as an artist similar to “early Gaga with shades of Daft Punk“. Afterlife will be unveiled to the world on May 10th.
Sonically containing a slower tempo than the previous singles released for this album, the titular track “Big Wave” casts Razor Braids in a more emotional light. An ode to heartbreak experienced as a result of a failed platonic relationship, the track oozes in melancholy and fits like a warm hug. Synonymous with a wave, these destabilizing feelings can swoop in and carry away their prey just as the Brooklyn three piece lament. With yearning vocals and surfy guitar tones, the new track is perfect for a breezy spring day.
f 0 0 d explores the grief, hope and uncertainty of letting go of a codependent relationship; in this case, one with food. The single distinguishes itself on beccs’ upcoming EP as the one track the artist, known for her powerhouse vocals, produced herself. In total beccs fashion, she takes a stigmatized topic and talks about it under the guise of a cool, textural alternative pop track. Written at an earlier point in her recovery after realizing her eating disorder, while seemingly inactive, still fueled her thoughts and intentions, beccs strived to see the world without the veil of her eating disorder obscuring it.
We can see/hear beccs on the precipice of letting go of patterns that no longer serve her, inspiring listeners to leave space to reflect, heal and let go of whatever is holding them back. The fluid track echoes trance-like sound baths sparking self actualization and healing. It flows with harmonic and rhythmic twists and turns, surprising and guiding listeners forward into a final body of water – a space to process.
Philadelphia’s Julia Pratt announces her new EP Family Feud with the release of “Chronos, Cruel Handler.” Set to arrive on May 10 via RECORDS, Pratt bares her most core anguish through music, from the destruction of her family, to her lived experiences as a woman of color, in hopes that laying it all out there makes some sense of her journey. While applying R&B techniques to indie-folk, her sky-grazing music exists as a deeply necessary form of therapy that aims to let listeners know they were never truly alone — Pre-save Family Feud.
Today’s new single, “Chronos, Cruel Handler” centers Pratt’s beatific voice over lithe, looping guitar lines and shifting brushed percussion. Named for the ancient Greek mythological symbol of time, the track’s imagist lines center on domestic imagery and questions of fault, the energy ramping to a pained confrontation. “Product of the past/ Don’t you know they lied to you?” Pratt’s heavenly falsetto wonders, more in sorrow than accusation — Stream.
“‘Chronos’ is the personification of time, and that is exactly what this song represents. In some sense writing ‘Carolina’ felt like it killed a part of me, and ‘Chronos’ is what came after a period of reflecting on that death,” Pratt contemplates. “It arose from thinking about generational trauma and about my father. In this song I contrast our upbringings, and unpack the cycle that has repeated in both of our lives — the cycle that has most likely repeated over and over again in the lives of those that came before us as well.”
“Feeling small and misunderstood, shunned and shut down, repressed and silenced. In this song, I come to understand how that led to the violence and destruction that was unleashed on me as a child. I empathize deeply, and yet it was wrong and undeserved.”
Charlotte de Witte is a techno force of nature. With a distinct sound full of palpable energy, she is at the frontline of the ever-growing global electronic music scene. Her trademark, haunting style of “dark and stripped-back” techno – combined with other electronic music styles for a distinct, multi-talented point of view – has helped bring what for years has been an underground genre into the mainstream, connecting with audiences through her meticulously crafted productions and DJ sets. The result is her position as one of the most listened to artists in electronic music today (with nearly 3 million monthly streams on Spotify). In addition to her craft, she is the founder of KNTXT, a multi-hyphenate, boutique experiential platform for techno that includes a record label, live event arm, concept shop and more.
UTK, also recognized as “Ghost” actor Utkarsh Ambudkar, teams up with respected rapper Kaly, in collaboration with producer Shankar Tucker, are thrilled to announce the worldwide release of their independent seven-track EP titled Too Grown Men that dropped today. The EP is available on all major streaming platforms. See track listing below.
Too Grown Men is the culmination of two years of meticulous crafting and two days of intensive collaboration in the studio. Kaly, known for his sharp lyricism and unique storytelling abilities, blends his talents with UTK’s to deliver a project that is both nostalgic and mature in its themes. Producer Shankar, renowned for his expertise in Indian classical and fusion music having worked with the likes of VidyaVox, Zakir Hussain, Shankar Mahadevan, and is the founder of ShrutiBox, adds an extraordinary musical depth to the EP.
Despite their long standing friendship, the trio had never worked together until the making of this album. The EP is a testament to their seamless creative synergy and ability to blend carefree vibes with profound narratives. Too Grown Men explores themes of heartbreak, struggle, and defying stereotypes, reflecting the personal growth and experiences of each of the artists.
“It’s been a minute since I’ve been in a group, and Kaly and I had been talking about collabing again for years and I was feeling all of Shankar’s production ideas so I was excited to dive in with full focus and zero expectations,” says UTK. “The recording process was so easy. We built everything in the studio and wrote together as a trio. It all felt so effortless even though we were working our asses off. Every idea led to a new one, and the spirit felt easy and pure.”
After emerging in 2020 with their distinct sound and high-profile collaborations with Lane 8, Bob Moses, and releases on Armada, mau5trap, Anjunadeep, and more, Kasablanca’s rapid rise was nearly derailed in 2023 when one-half of the duo, renowned producer Shaun Frank (known for co-writing The Chainsmokers’’ #1 hit “Closer“) received a devastating cancer diagnosis. With the same passion he brings to his craft, Frank bravely persevered through the remainder of their headline tour until urgently undergoing surgery and chemotherapy. Now awaiting full remission results, Kasablanca unveiled their poignant new single “Remission” with Lane 8 during an emotional comeback performance at Ultra Music Festival last month. The duo will be touring worldwide in support, with upcoming shows at EDC Las Vegas, Cityfox New York, Bonnaroo, and more.
Spurts is the sentimental slacker rock group composed of hometown friends Robert Sanlis (guitar / vocals), Nathan Graves (keys), Chris Schubert (bass) and Jack Kovacich (drums). With their DIY recordings and energetic live performances, Spurts deliver music that embodies listening to a playlist full of forgotten 90’s bangers. Though their tracks have a glaze of nostalgia imprinted in them, the four-piece offer a cynical, yet self-aware take on indie rock that is explored further on their forthcoming LP That Was Mean And I’m Sorry (due May 3rd).
acclaimed Irish indie rock band Pillow Queens dive into intoxicating feelings with punchy, cathartic track and official video ” Heavy Pour ” out now ahead of their LP release this Friday, April 19. The band’s triumphant third studio album Name Your Sorrow is due out April 19 and available for pre-order now . This June, Pillow Queens will perform live across the UK and will support Snow Patrol in Limerick, IR on July 12 ahead of their biggest show to date on July 13 at Dublin, Ireland’s Iveagh Gardens. Tickets are on sale now for all shows via pillowqueens.com/live .
Out today, the band share the honest, searing “Heavy Pour,” a track that lays the foundation for a story of unshakable conviction in the face of doubt and feeling inadequate. Sonically, lead guitarist and vocalist Cathy McGuinness shares, ” It feels like a bit of a bizarre journey or a fever dream.” Opening with a 90s grunge vibe, twangy distorted guitars and open strings, it gets progressively heavier before a cathartic release. McGuinness says, “The guitar becomes more palatable in the middle eight, totally contradicting the previous section of discordant chaos. It then falls into a glorious half time with ‘oohs’ to support the instruments, giving a feeling of clarity and resolve before snapping back to the chorus.” Lyrically, lead vocalist, guitarist and bassist Pamela Connelly adds, “A lot of the lines in this song could convey the typical sweetness of a love song, but it has brief moments of outside perspectives that cast doubt over the conviction represented. The song tries to show the “heavy pour” as a compulsion that while having moments of joy, ultimately heightens personal insecurities.”
The band also touches on gender and common misconceptions with the line, ” I want more, but I’m not man enough .” Vocalist, guitarist and bassist Sarah Corcoran says talk regarding that line has sparked conversations about gender, particularly the tendency to equate masculinity with bravery. “Intrigued by this dynamic, we wanted to delve into and dissect the idea that one’s gender expression is impacted by their perceived level of courage. Spoiler: it’s not. All genders can be courageous and/or scared.”
Critically acclaimed vocal powerhouse Sarah Potenza is back, and this time she’s partnered with Grammy Award-winning artist/producer Dave Audé on a new single, a club-ready, disco cover of Lady A’s smash hit, “Need You Now.”
Known to millions via appearances on The Voice and America’s Got Talent, Potenza has since parlayed that exposure into an impressive career as an accomplished solo artist.
The singer-songwriter’s 2021 sophomore album,“Road to Rome” debuted at number one on the iTunes blues charts and received rave reviews from Rolling Stone, Billboard, American Songwriter, and NPR. Potenza, was named amongst one of the top three acts seen at SXSW by Rolling Stone Magazine.
The newly out and proud artist is ready to debut the next significant chapter in her career, one that promises to further unveil her expansive, uplifting talents and larger than life persona to the world.
Alternative rock group The Early November has today shared “The Fool”, the second single from their forthcoming Self-Titled album. In tarot, The Fool symbolizes the embrace of new beginnings and the willingness to take risks. However the band’s latest single speaks to getting so caught up in the way things are that you almost miss those moments.
“This song taps into the repetition of cycles we go through on the journey of life, and sometimes how we’re so ingrained in these cycles we don’t even notice when an opportunity is there,” shares frontman Ace Enders.
Watch the new music video for “The Fool” here: https://youtu.be/8CRbDMh_WWM. The Early November is set to be released on June 14th via Pure Noise Records. Pre-order the album now at: https://purenoiserecs.lnk.to/TheEarlyNovember.
The Early November will be brining their new album across the US this summer as they hit the road for a a month long headline tour with support from Spitalfield, Hellogoodbye, Hit The Lights, and Cliffdiver. The tour kicks off on June 22nd in New York City, with stops to follow in Chicago, San Francisco, Orlando, Richmond, and more. Pre-sale tickets will be available starting tomorrow, with general on-sale starting this Friday, March 15th. For more information, please visit: https://purenoiserecs.lnk.to/TEN_music.
Swedish pop maverick Boy In Space (Robin Lundbäck) continues his new era with another new track The Last Time, out April 19th.
The Last Time marks as the third release of 2024 for Robin, perfectly encapsulating the energy and depth that Boy In Space is renowned for. His distinctive vocals glide over a soulful yet modern production, expressing the vulnerability and determination of moving on from past pains.
Produced by Freddy Alexander and written by Robin himself alongside Phoebe Ryan and Fredrik Häggstam, the track is a powerful ode to his newfound creative rebirth.
Boy in Space: “’The Last Time’ was written during a quite difficult time in my life, and the song became an outlet of what I was going through while also taking on a life of its own. A breakup story and a nostalgic description of what could be the last moment together, leaving trails of betrayal and a feeling of being let down. I tried to capture that feeling of bittersweet heartbreak, when you want to laugh and cry at the same time”
Boy In Space achieved international success at a remarkably young age. After embarking on a world tour with his brothers, he transitioned to launch his solo career in 2018, solidifying his position on the global music scene. His distinctive voice, whimsical writing style, and versatile productions quickly captivated the pop world, leading to an impressive tally of over half a billion streams on Spotify alone. All the while maintaining independence as an artist and touring extensively in the United States and Europe.
Multi-Platinum rising alt-star Jelani Aryeh returns with stirring new release, “Shudder” and visualizer off his highly anticipated upcoming LP, The Sweater Club, set for release June 14, 2024. The lyrically poignant synth led track mourns the waning of affections and the twilight of youth, consistent themes in the 23-year-old Filipino/African American singer-songwriter’s repertoire- Jelani’s explains, “As days go by you never get colder, you live in July, you never get older.”
“Shudder” becomes the third dynamic single release from his upcoming LP and follows in the footsteps of the critically acclaimed “I’m in Love” which Paper Magazine called,” bright post punk infatuated lyrics and nostalgic, trippy visuals” and homonymous titled second single, “Sweater Club” which Aryeh called his “imposter syndrome anthem” and Alternative Press designated as “One of the best new tracks.” Today’s exciting release of “Shudder” marks an evolving new chapter for the multimillion streaming rising star as fans eagerly await Aryeh’s familiar mixture of alternative, post-punk & pop melodies.
Mystery Records is thrilled to unveil the story behind Ronzoni Hines‘ much-anticipated debut single, “Stand Up.” More than just a musical endeavour, “Stand Up” reflects Ronzoni’s philosophy on life, highlighting the significance of work-life balance, cherishing family moments, and the joy of connecting with new people.At the heart of “Stand Up” lies a deeper message that resonates with many – the importance of striking a balance between work and personal life. Ronzoni believes in the power of dedication to one’s craft but equally values the moments spent with family and loved ones. His lyrics encapsulate this sentiment, urging listeners to find harmony in their lives and take the time to laugh, love, and live to the fullest.Ronzoni’s strong family ties have always been a driving force behind his music. He fondly recalls moments spent with his family, sharing laughs, and creating lasting memories. These experiences have profoundly influenced his musical journey, inspiring him to create songs that evoke feelings of warmth, love, and togetherness.In “Stand Up,” Ronzoni also touches upon the excitement of meeting new people and forging meaningful connections. He believes in the transformative power of human interaction and the beauty of learning from diverse perspectives. Through his music, Ronzoni encourages listeners to embrace new experiences, step out of their comfort zones, and build connections that enrich their lives.Producing “Stand Up” was a labour of love for Ronzoni. He not only penned the heartfelt lyrics and crafted the soul-stirring melody but also took charge of producing the instrumental and overseeing the song’s full production. His meticulous attention to detail and unwavering commitment to his craft shine through in every note, making “Stand Up” a true reflection of his artistic vision.As Ronzoni prepares to introduce “Stand Up” to the world, he hopes that listeners will not only enjoy the catchy tune but also resonate with the song’s meaningful message. In a world that often feels chaotic and fast-paced, Ronzoni’s music serves as a gentle reminder to pause, reflect, and find joy in the simple things in life after a week of work.Stay tuned for the release of Ronzoni Hines’ debut single “Stand Up” on Friday 12th April, followed by an EP of slowed-down and sped-up versions on 17th April.
Electronic tastemaker duo IS U IS U (Kito and Chrome Sparks) have returned with their new second single ‘Lights On’ out now via Mad Decent. ‘Lights On’ arrives with the announcement of the duo’s debut MelterEP, due out May 8th.
The follow-up to their debut single ‘All I Need’, ‘Lights On’ radiates with the bright, dancefloor-focused melodies that continue to establish IS U IS U as one of electronic’s most exciting new superduos. ‘Lights On’ will instantly grab listeners with its hypnotic vocal chop that is pitched and flipped throughout the track. From there, IS U IS U let their masterful production soar through dynamic movements filled with piano stabs and driving basslines. Kaleidoscopic and everlasting, ‘Lights On’ is a spellbinding sophomore single that will leave fans anticipating IS U IS U’s forthcoming Melter EP.
At a combined height of 12’ 3”, IS U IS U is the new DJ superduo poised to tower over dance floors worldwide. IS U IS U is made up of Australian-born, LA-based Kito, the skyscraper of sound, and renowned indie-electronic artist Chrome Sparks, the mountain of melody. Both equally accomplished producers, DJs, and songwriters, Kito and Chrome Sparks have built robust catalogs of solo releases and collaborations across many genres with artists such as Skrillex, Flume, Khalid, Channel Tres, and Jorja Smith. ‘Lights On’ serves as the pair’s second single as IS U IS U following ‘All I Need’, which earned them the cover of Spotify’s metropolis playlist.
Denver based duo, Elektric Animals – comprised of Nick Sanders and Will Hubert – are thrilled to announce their brand new EP, A Bear And The Bull., out April 19th via Open Your Ears Records, the band’s debut EP on the label. Written in between their home studios in Denver and produced by Eric Everhart, the EP chronicles their experience with loss, love, regrets, life and everything in between over these past few years of their lives. Weaving in moments of darkness and light, the duo hopes the EP serves as a reminder to listeners that there is always a light at the end of the tunnel.
To celebrate, the band also shared a brand new single, “Dreaming/Wishing,” out now. Written by Sanders and Hubert, produced by Eric Everhart and featuring lead guitar from Lincoln Parish (formerly of Cage The Elephant), “Dreaming/Wishing” is a western-influenced, indie-rock track about embracing the freedom of being young. Sit back in your chair, close your eyes, and let the music take you on a daydream.
Speaking on the single, the duo shares, “‘Dreaming/Wishing’ is a song about the pull of a moment. The allure of being young and reckless without the rationality of its lasting effects.”
Pioneering Detroit techno music producer and DJ Carl Craig is Tribeca-bound.
The Tribeca Film Festival (June 5-16, 2024) has officially selected Desire: The Carl Craig Story, the new documentary feature from Jean-Cosme Delaloye (Harley) celebrating the Detroit techno legend to screen in the Festival’s Spotlight+ section.
Desire: The Carl Craig Story follows Carl Craig’s genre-defying career, from his middle class roots to global acclaim, as the producer faces challenges that could keep him away from the dance floor. The film, which wrapped production in February, will have its world premiere at Tribeca on June 12, 2024 at 8pm at The Indeed Theater at Spring Studios. Tribeca will also host a press and industry screening on June 13 with subsequent Festival public screenings on the 13th and 15th.
Desire: The Carl Craig Story is an intimate portrait of legendary techno producer, DJ and record label founder Carl Craig and an ode to his beloved city, Detroit. Raised in a middle class African American family, Carl’s parents fostered his artistic pursuits, even if that meant breaking with his family’s tradition of pursuing higher education. With Detroit’s decline and recovery as a backdrop, “Desire: The Carl Craig Story” follows the career of a musical pioneer whose genre-defying techno music— which was inspired by a wide range of sounds, has been performed to jazz enthusiasts at the Montreux Jazz Festival and adapted for classical auditoriums around the world, including Carnegie Hall. Thirty-five years into his music career, Carl Craig, a leading figure of the second generation of Detroit techno artists, has now been embraced by the visual arts world through his Party / After Party installation, with recent exhibitions at MOCA in Los Angeles and Dia Beacon in New York. But at the pinnacle of his creative and deejaying success, the musician faces challenges that could ultimately force him to stay away from the dance floor.
The film features artists including Gilles Peterson, Roni Size, Laurent Garnier, DJ Minx, Kenny Larkin, Moritz von Oswald and James Lavelle, who worked with Craig and played a major role in bringing techno and electronic music to the masses over the years.
“Desire” is produced by Dan Wechsler for Switzerland’s Bord Cadre Films and Andreas Roald on behalf of the U.K.’s Sovereign Films. The companies previously collaborated on “Triangle of Sadness.” The film is supported by the Federal Office of Culture (Switzerland) and the regional film fund Cinéforom (Geneva).
Breakaway in partnership with MiEntertainment Group today announced the full lineup for their Breakaway Michigan festival presented by Celsius Energy. 21 nationally recognized artists and 4 local acts will perform across two nights of festivities along with a Silent Disco presented by Monaco featuring local talent, activations and onsite fan experiences.
Hosted by Bobby Hendrickson of social media famous @DJLoversClub, the festival will be held at Belknap Park in Grand Rapids, Michigan on August 16-17 2024 and feature performances by Marshmello, SLANDER, Alison Wonderland, Louis The Child (Playground Set), ALLEYCVT, ARMNHMR, Bob Moses (Club Set), BONNIE X CLYDE, Deeper Purpose, Forester (DJ Set), Ian Asher, Jessica Audiffred, Kai Wachi, Kasbo, Mojave Grey, Noizu, Pauline Herr, Smoakland, Sunday Scaries, Trivecta and zuezeu. A pillar of Breakaway’s culture champions supporting locals, and in doing so, they’ve invited Michigan locals Dylan Delato, LOWKE, RIINK and Simio to the lineup.
In addition to stellar lineups, Breakaway elevates the festival experience with a Silent Disco presented by Monaco featuring local artists and brand activations, by taking its unique, all encompassing music experience to a whole new level. Single day lineups, single day tickets, and more will be live in the coming months.
2024 is the biggest year yet for the nation’s largest multi-city festival which has expanded into 3 new markets. The year’s season kicks off with their newest event ‘Breakaway Tampa’ (April 26-27), before traveling to Charlotte for ‘Another World’ (May 3-4), Ohio (May 31 – June 1), Kansas City (June 14-15), their second new market, Minnesota (June 28-29), Michigan (August 16-17), Worcester for ‘Mass’ (September 6-7), Charlotte (September 27-28), their third new market, Nashville (October 11-12) and ending with Bay Area (October 25-26).
Sponsors for Breakaway Michigan include Bacardi, Beatbox, Celsius, Cuervo, Ignite, JUUCE, Loose Lucys, Lunchbox, Monaco, Seat Geek, SHEIN, Tito’s Handmade Vodka, and Voodoo Ranger Hard Charged Tea. Onsite, partners will host activations, branded bars and more engaging opportunities to add to the immersive fan experience.
California DIY duo The Palms announce their headline Wonderland Tour. Kicking off in San Diego, CA on July 26, the tour will then make its way across North America, hitting major markets like Austin, D.C., Brooklyn and Chicago. To close out the tour, the band will play a hometown LA show at the Troubadour on August 24. Throughout the run, The Palms will receive support from Marlon Funaki, Lucia Zambetti and future.exboyfriend. Tickets go on sale Friday, April 19 at 10 am local — see all dates here and below.
Earlier this month, the band released their newest album Wonderland — an opus to the state of California. Their first full-length record since 2020, Johnny Zambetti and Ben Rothbard have done a lot of creative healing and found their way back to their roots. Self-produced, Wonderland is the soundtrack for a top-down drive anywhere from Laurel Canyon to the Sunset Strip, an osmotic experience of surroundings and the band’s ever present motif of redemption based on their personal David vs Goliath journey — Stream.
Email:neill@outloudculture.com
Socials: @neillfrazer
