In the realm of alt-pop, Piper Connolly emerges as a fierce innovator, her music a vibrant mélange of introspection and sonic exploration. Hailing from the arid deserts of Phoenix, Arizona, Piper’s journey began with a passion for the unconventional and a determination to forge her own path.
Comparisons to industry icons like Avril Lavigne and Paramore underscore the appeal of Piper’s sound. With her “unique voice cutting through the noise of today’s ‘lazy whisper range’ popular music scene”, Piper emerges as a standout new artist that seamlessly blends elements of rock and pop, new and old, inviting listeners on an enjoyable musical tumble.
From a very young age, Piper found solace and expression in songwriting, her compositions reflecting the raw emotions of life’s complexities and newfound experiences. Drawing inspiration from all manner of music, from early rock and roll, and jazz, to 90s grunge and ska with a steady undercurrent of R&B and soul, she’s worked to hone a sound that defies blunt categorization, blending elements of indie songwriting, alternative and pop into a storied sonic landscape.
Her single, “kiss like me” is an irresistible and cheeky rebuttal to a crush the artist had. She shares, “It is the ultimate “the grass is greener on THIS side” song. It’s fun and flirty and we wrote it as a fusion of old and new- it features asolid homage to Billy Idol, whom I love, & a modern nod to Olivia Rodrigo.“
Onstage, Piper commands attention with a magnetic presence and an infectious energy honed over years of live performance. From intimate club settings to expansive festival stages, she captivates audiences with her dynamic performances.
Beyond her music, Piper is a vocal advocate for authenticity and self-expression, using her platform to champion individuality and empowerment. As she explores the boundaries of alt-pop, she continues to inspire others to embrace their true selves through her music and activism, serving as a beacon of creativity and authenticity in a world hungry for genuine voices and connection.
With their Autumn tour imminent – SOLAR EYES – launch back into action with an official video for new single: “Deep Trip”.
WATCH “DEEP TRIP” HERE
Shaded with the technicolour LCD-infused daydreamings of early Pink Floyd, and streaked with the sonic chem trails of shoegaze trailblazers like Spacemen 3, “Deep Trip” is the blissed-out new single from Solar Eyes. Mysterious, trippy, and titanic, in equal parts, of the new single the band say:
“”Deep Trip” was inspired after watching ‘True detective’ – the second series, where the girl is playing in the bar. It has a Pink Floyd feel too, the guitar at the end is Epic.”
Cited by Solar Eyes as possibly their “favourite track” of their self-titled 2024 debut record ‘Solar Eyes’, the album closer is now released with a suitably lo-fi official video. Set against the spectacular coastal backdrop of Biarritz, France, at the height of summer, the video features footage of frontman Glenn Smyth lost in thought interspersed with footage of marine life in all their enigmatic elegance. Filmed after the band played a festival in the Basque Country earlier this year, fans can tune into the video now here:
A Galaxy Far, Far Away – Galactic Empire, the galaxy’s favourite metal band, have released a cover of the Beetlejuice Theme song ahead of the release of the Beetlejuice 2 movie. Watch the video for Beetlejuice Theme HERE or by clicking the image below.
Featuring collaborations from members of Break Science, Lettuce, Halle Tomlinson, Gordo Flea, and more, LVNDR.SOUND’s upcoming album In The Dark marks a significant evolution of the group’s sound to introduce a more vocal centric approach and embeds an emotive style of storytelling in their meticulously crafted and immersive sound design.
In The Dark also features recent singles “Never Found ft. Halle Tomlinson,” “You Must Think,” and “All Night ft. Gordo Flea” which have seen LVNDR.SOUND receive acclaim from EDM Joy, Your EDM, The Nocturnal Times, Grateful Web, The Music Essentials, CULTR, and more. Known for their one-of-a-kind sound and signature modern production style, LVNDR.SOUND fuses styles such as future bass, electro soul, house, hip hop, and nu-age funk to push the boundaries of genre to create something truly unique, such as on their debut album Lavender which Magnetic Magazine called “a must-hear album for anyone looking to discover the next big thing in electronic music.”
GRAMMY-winning global superstar unleashes the official music video for “Breathe Me,” off her record-setting debut studio album, TYLA. The “Breathe Me” video, directed by Nabil, marks the fourth song off Tyla’s self-titled debut LP to receive a video feature since “Water.”
Havelin (Alex Zaichkowski) is an acclaimed (unofficially) singer-songwriter (allegedly) whose passion for music began at a young age and will continue until his untimely demise (which will likely come at the hands of some great warrior or foul beast… or, more likely, slipping on a banana peel).
Alberta-born Zaichkowski has been described as “a real pleasure” to listen to by Shania Twain one time (a thing which actually happened, there’s proof). His songs weave rich narratives into pleasant melodies, while his storytelling strives to unpack complex emotions in a way that is both uniquely personal and heart-wrenchingly universal.
His upcoming record “Who Among Us…” (release date TBA) deals with themes of life, death, love, heartbreak, and identity. It’s a tribute to feeling intensely and embracing the strangeness and beauty this world has to offer.
Neo-psychedelic French creatives La Femme are back with their latest offering “Clover Paradise” the second single taken from their highly anticipated full-length album “Rock Machine” written entirely in English.
Following on from their last release “Ciao Paris!”, “Clover Paradise” proves to be another reminder as to why La Femme are revered as one of the most exciting and refreshing groups emanating from Europe right now. Syncopated percussion lays the perfect foundation for trippy synths intertwined with smooth and nonchalant vocals, whilst powerful guitar solos remind us of the band’s true musicality.
Active for well over 10 years, La Femme have racked up a hugely impressive catalogue, inspired by a range of genres and sonics from new wave and rock to electro and punk. Described by PITCHFORK as ‘perhaps the biggest rock band in France right now’, the group boast numerous gold records, won Victoires de la Musique (the French equivalent to the Grammy Awards), played well over 600 shows and supported Red Hot Chilli Peppers on their European tour in 2016. The band are renowned for their monumental live shows and are the last bastions of ‘real’ live music defining pure, unbridled, and hypnotic energy within their sets, without the use of computers or pre-recorded backing tracks.
In terms of music, the band burst on to the scene in 2013 with their Psycho Tropical Berlin album, reinterpreting cold wave with 1960’s surf guitars atop psychedelic music. Inspired heavily by the lives of Velvet Underground, Kraftwerk, François Hardy and Jacno, follow up albums Mystère and Paradigmes blended a range of styles within one, dipping into the likes of soul, motown, breakbeat, slow-dance and electro. Merging different sounds and experiences together to cement the territory that is strictly La Femme’s; it can be certified that no one else is doing it like them.
With over 1.5M monthly listeners on Spotify and totalling well over 430M streams across their entire catalogue, La Femme have garnered a huge amount of tastemaker attention too, with coverage coming thick and fast across the likes of THE TIMES, ANOTHER MAGAZINE, i-D, DORK, THE LINES OF BEST FIT, THE DAILY STAR, DIY and GOD IS IN THE TV, with TEETH MAGAZINE describing their latest album, Paradigmes, as “transcending genre in a dadaist dimension”.
Backed by FJAAK’s new techno label CROWD, following placement across the Berlin duo’s BBC RADIO 1 ‘Essential Mix’, the four-track EP instantly distils the raw energy and sound of techno while holding grooves across hard house, breakbeat and acid. Punctuated with tribal kinetics and powerful, sample-driven elements, the culture clash of sound becomes warped by Luc’s deep understanding of musical subcultures to create a bigger, richer, more multi-layered tone from the offset.
Opening with the potent “I Don’t Get Down Like That”, UK-infused synths and rolling drum breaks set pace as the punchy sound waves quickly fuse into the title track “Do As You’re Told” – a certified club weapon with seismic low-end and choppy percussion perfect for any darkened rave setting.
Growing up in Florida, Luc’s artistry is a product of his ever-evolving creative environment. Studying and embracing subcultures while travelling around the world, Luc has been exposed to some of the most vibrant influences across music and community. From classic house and hip-hop in Chicago to London’s bubbling rave scene bridging jungle and UKG, the rising talent travelled to Colombia in the midst of the pandemic. The underground electronic space merging South American flavours massively shifted his creative palette and enabled him to explore a completely fresh sound before bringing his own immersive experience back to events across Berlin and Amsterdam.
An experienced DJ who’s previously supported the likes of DJ Heartstring, Denham Audio, Rebekah, Borai, Samurai Breaks and more, Luc earned serious stripes following his first official releases last year, catapulting his sound waves into the spotlight with significant playtime across BBC RADIO 1, Boiler Room and the iconic Berghain. Moving into 2024, Luc entered this year with two single releases under Nastia’sNechto Records and AK Sports’ Club Madhouse – both heavy co-signs that have become a pillar of the electrifying legacy he’s building to achieve.
Lily Lane is a dark pop princess and alliterative artist hailing from the east coast and now taking over the west. A former Wilhelmina Curve model and outspoken advocate for body positivity, women and LGBTQ rights, this bicoastal, bisexual bombshell has been turning heads with everything she does.
Her latest single “Crisis” is inspired by the beginning of a relationship, the excitement of the unknown and the start of something new. The songwriter explains, “This song stems from a phrase I had written in my journal 6 months after a monumental breakup when I met my now fiance. “I’m in a crisis, but I kind of love it.” I had promised myself I’d be single for a year and just do exactly what I wanted to do and be selfish and all the things I felt like I hadn’t been doing in the relationship I was in for 5 years prior. Meeting my fiance really threw me into a crisis because all of a sudden the thing I wanted to do was be with them and that was contradictory to everything I thought I wanted.”
The intoxicating soul-infused, electro pop track shimmers brightly with a feel-good melody, dance-worthy beat and empowering lyrics that uplift the listener and inject them with a burst of energy. Lane shares, “The sounds of this song were inspired by Pride Month, the club and the feeling of dancing with your friends in the summer, sweaty and uninhibited.”
“Crisis” touches on the emotions of giving up power and being vulnerable and how it can be scary but beautiful at the same time. Capturing the feeling of butterflies, the track perfectly depicts the mix of excitement and nerves along with the infatuation you get for someone at the beginning of a potential new romance.
“Crisis” follows the release of Lane’s previous single “I Do,” both of which are from her new self-proclaimed “lovergirl era.” Lane shares, “The last song I released was really about the end of the courting stage, getting married, feeling safe and settled, this song is the exact opposite. It is about the beginning, the unknown and the thrill of it.”
Lane has had a lot of success in the sync space landing placements with the likes of Pretty Little Liars, Netflix and numerous makeup advertisements. Her music has been featured in numerous Spotify editorial playlists and garnered rave reviews from the likes of NYLON, Just Jared and Earmilk. She is a captivating performer and has rocked stages from a packed Madison Square Garden singing for the Knicks, opening for Big Time Rush, JoJo and Hot Chelle Rae at KIIS Concert at the Xfinity Center in Massachusetts, to an unforgettable set at West Hollywood Pride Festival opening for Jessie J and Madison Beer to a sold out headline show at the Peppermint Club in Los Angeles.
Bearings have released a reimagined version of single, ‘Gone So Gone’. The single is taken off the bands deluxe version of their record The Best Part About Being Human via Pure Noise Records, due out 24th September 2024 and produced by Sam Guaiana (Silverstein, Between You & Me). The record will feature three new songs and three re-imagined.
Speaking about the new single the band said, “Gone So Gone: The original way the song was demoed. Was fun taking it back to where the songs original vision one was and having some fun with it.”
pop newcomer Bana shares her bold new single ‘Bag of Hearts’. Listen HERE.
Firmly established as a popstar in her home region of Kurdistan, Bana’s newest English language material fuses musical elements of her roots with a maximalist pop sheen – and her latest track showcases this to full effect.
Frontrunning the hub of surging talent from her hometown, Bana has arrived to empower, and proudly represent Kurdish women in the industry. Her distinctive brand of unapologetic lyrics and punchy production has been crafted to instantly steal attention, as the starlet prepares to show the world what she is made of.
A song about a trickster who steals people’s hearts, ‘Bag of Hearts’ brims with a fierce, no-holds-barred attitude that’s matched with pulsing beats and catchy, Kurdish infused melodies which allow Bana’s outstanding vocals to take centre stage.
Speaking about the release, Bana says: “The song Bag of Hearts expresses the side of me that I have kept hidden for years. I have never sung with such passion in any of my songs before”
Emerging Toronto-based indie-pop artist Akeem Oh is set to captivate audiences with “FOMOTION,” dropping on September 12th, 2024!
With this release, the multi-instrumentalist delves into elaborate layering while embracing a more polished pop sound compared to his previous offerings. This percussion-heavy track marks a bright and dancey era for him, resulting in a memorable indie-pop anthem that both fits into and challenges the current musical landscape. Fusing the timelessness and melodic sensibilities of The Beatles with the indie-pop alt-cool of Foster The People, Vampire Weekend and Arcade Fire,
Akeem Oh is poised to set a new standard in modern pop.
Backed by previous support from CBC Music, HOT, and campus stations everywhere, Akeem Oh has built a solid foundation and plans to release more music throughout the year, leading up to the highly anticipated release of his EP in Spring 2025.
emerging London-based shoegaze band, sadplanet, share their latest single ‘walk’. This new song perfectly captures the essence of introspective reflection, blending evocative lyrics with a sonic landscape that invites listeners to journey through the corridors of emotion and memory.
‘walk’ is available now on your streaming service of choice via APOLLO Distribution.
London-based pop artist YAZ is back with a bang, making her highly anticipated return to music with the release of her dreamy new single, ‘Retrograde’. This marks her first offering in two years and promises to be the start of an exciting new chapter in her career. Seamlessly blending pop with smooth R&B influences, ‘Retrograde’ draws listeners into YAZ’s world with its catchy pop soundscape and relatable lyricism. ‘Retrograde’ is available now on your streaming service of choice via APOLLO Distribution.
Irish-born, London-based pop artist matthew ryan thomas shares new upbeat single ‘change of heart’ – a camp pop track, which ultimately is a fun expression of Queer Joy. With lyrics entertaining the possibility and autonomy of love and the production’s thinly veiled references to ABBA, this track is a celebration.
‘change of heart’ is available now on your streaming service of choice via APOLLO Distribution.
SPANISH LOVE SONGS, a band that has been at the forefront of the emotive punk scene and alternative scene have released an acoustic version of “Clean-Up Crew”, ahead of their US tour supporting Alkaline Trio.
rising house music maverick Adam Ten links up with ethereal R&B star Rhye to officially release “3 Days Later.” The new single, which expands the scope of Adam’s distinct sound, is out now via Higher Ground.
Originally writing the track (which serves as a reimagination of Rhye’s “3 Days,” off his seminal 2013 debut album Woman) as an edit to play at his Burning Man sets last year, Adam was frequently called upon by fans to find a way to release it. After getting Rhye on board, who enthusiastically approved of the new version, the track was cleared just in time for this year’s edition of Burning Man. The track returned to the playa as beloved as ever. You can check out clips of Adam playing the song during his return to Robot Heart at Burning Man this past week here.
“I made this edit around one year ago for my morning set at Robot Heart art car in Burning Man. I loved how the original makes you feel something deep. I remember the first time I heard it, and it brought tears to my eyes. I went to the studio on a mission to catch that feeling and transcend it to the dancefloor, to make people feel connected to themselves and their loved ones. The feedback has been amazing and people are always asking for it. We reached out to Rhye, and he loved it and approved the sample, so I’m very excited that ‘3 Days Later’ as we called it, is finally being officially released on Higher Ground!” — Adam Ten
Izza is a pop singer, songwriter, and producer known for her electrifying melodies and empowering lyrics inspired by 2000s dance pop. She blends high-energy beats with positive messages, aiming to uplift listeners with music that serves as emotional medicine. With a strong presence on social media, Izza recently gained widespread attention through a clever Coachella campaign, amassing over 100 million views on Instagram. Her creative posts consistently draw significant engagement, spotlighting her music and innovative approach. Beyond her music career, Izza champions self-love and advocates for mental health awareness. She has showcased her talents at prominent events like the 320 Festival, sharing stages with artists such as Chris Martin of Coldplay, Elohim, and Social House. Genius has praised her unique ability to infuse her music with confident playfulness and genuine emotion.
Her upcoming EP “Because I’m Blonde” explores her identity as a blonde woman navigating relationships, self-confidence, and meaning in a world full of stereotypes. She confides, “While being blonde makes me feel confident and sexy at times, I also can feel like I’m not taken seriously when it comes to dating. The insecurities of being labeled the “fun blonde” or the girl that’s only wanted for a “good time” has made me question my appearance and its connotations. Ultimately, writing and producing this EP has taught me to celebrate my blondeness and use it as a strength.”
Her single “Sweat” is a sexy, high tempo, pop hit. The song is based on the feeling and sensations many people have behind closed doors with their significant other. She shares, “I wanted to write a 2000s pop hit type of song that you could dance to and feel like your best self. This is my favorite era of music so I wanted to put my own spin on it.”
Internationally acclaimed artist and Latin GRAMMY winning Nicky Jam has released his highly anticipated eighth studio album, Insomnio, under Sony Music Latin – listen HERE. This album marks a pivotal moment in Nicky Jam’s career as he continues to be a dominant force in the urban music scene alongside the premiere of his single and music video for “La Cyber” featuring Rapper Luar La L – watch HERE.
Insomnio comes three years after his last album and takes listeners on a deep personal journey inspired by late-night creativity. The album features 14-tracks and includes collaborations with renowned artists such as Sean Paul, Feid, and Eladio Carrión, making it another standout project in Nicky Jam’s already impressive discography. The album effortlessly blends a variety of genres, from the vibrant merengue mambo of its lead single to the signature urban sounds that have defined Nicky’s career.
The title track, “Insomnio,” along with “La Cyber,” a collaboration with rising star Luar La L, is available now on all major digital platforms.
Toronto-based multi-platinum artist and producer elijah woods is thrilled to announce his upcoming EP, Hey There Elijah, slated for release on September 27th. Alongside the exciting announcement, elijah introduces his electrifyingnew single, “Sunlight!,” out on all streaming platforms today.
Hey There Elijah is a six-track project that offers an intimate glimpse into the experiences that have shaped elijah over the past few years. “It’s a blend of the emotions tied to turning 30, introspective lyrics about love, and personal stories, capturing everything I’ve been through in the last few years. Ultimately, this EP is my quest for maturity,” he shares. Seamlessly blending nostalgic pop soundscapes with edgy indie-rock undertones, the EP is a captivating exploration of life’s complexities, wrapped in a sound that’s both familiar and refreshingly new.
The lead single, “Sunlight!,” is a glimpse into the sonic and emotional landscape of Hey There Elijah. With its infectious pop-rock energy, the track pulses with an upbeat tempo that belies its deeper, more introspective themes. Beneath the catchy hooks and driving rhythms lies a poignant narrative of searching for clarity in the fog of uncertainty. elijah’s dynamic vocals navigate the turbulence of self-discovery and the struggle to find direction when everything seems adrift. The song is a powerful anthem of resilience, capturing the essence of finding hope and light even in the darkest moments.
Rising New York-based electro-pop artist Matty Marz makes a bold statement with the release of her debut album, m.w.u, out now. Matty Marz is part of a new generation of young trans women who are fearlessly pushing the boundaries of pop music. Through her innovative sound and authentic lyricism, she invites listeners to follow her into uncharted territories and embrace the unknown.
m.w.u. is a vibrant sonic adventure—a maximalist pop record bursting with infectious melodies, pulsating electronica, and intricate arrangements. But beneath its shimmering surface, the album unfolds as a profound meditation on life’s dualities. Across the album’s 7 evocative tracks, Matty delves into the delicate balance between light and dark, joy and sorrow, and growth and loss, crafting a narrative that resonates deeply with the human experience.
“‘m.w.u’ stands for ‘moment with you’ and embodies the essence of living fully in the present, embracing each emotion and experience as they come,” Matty shares. “This album also represents my personal journey of discovering and embracing my identity as a trans woman. I hope it inspires others to find confidence in themselves and to believe that anything is possible when you dedicate yourself to experiencing all that life has to offer.”
Matty Marz masterfully combines her nonconformist pop prowess with a rich background in classical music, vocals, composition, dance, performance, production, and songwriting. Already garnering attention from influential outlets like INTO and KALTBLUT Magazine, Matty has quickly built a dedicated following with her electrifying singles and dynamic live shows. The release of m.w.u. marks the beginning of an exciting new chapter for Matty Marz, solidifying her place as a rising star in the music industry.
Lola Brooke, the bold, Brooklyn-born, breakout rap sensation, is back with her glossy new song “No One Else” featuring Jeremih. Released today via Team Eighty Productions/Arista Records, this unique blend of Rap and R&B, [Listen HERE] & [Watch HERE] courtesy of the official music video, is a testament to Lola’s versatile musical style and ability to make feel-good tracks that listeners can enjoy from the hood to the Hamptons and all roads in between. The freshly squeezed offering, produced by HitMaka, flaunts a smooth dose of ‘flava in ya ear’ as Lola and Jeremih deliver a potent performance for this latest R&B/Rap banger.
Lola further shared, “With No One Else, you hear more of Lola, the lover girl. We all have feelings, and your girl is in a soft girl mood that you will hear more about with this track and maybe a few more. Going into making this track, I wanted to create something timeless with feel-good energy based on the music I listen to. I’m a rapper who loves R&B, especially the sound from the 90’s. From the special sauce, Jeremih adds to my PG-13 lyrics [laughs], there’s an element here that everyone can vibe to for cuffing season with bae, HA!”
Sidney Bird is a southwestern darling making a name for herself in Arizona. Bird holds her own in the scene of western pop artists like Kacey Musgraves and Leon Bridges, but also leans into the indie pop scene like artists Maggie Rogers and Noah Kahan.
Sidney has opened for artists such as Natasha Bedingfield, Hans Williams, and Quarters of Change. And recently performed with country singer Dierks Bentley in Scottsdale in front of 10,000 people. She co-wrote her songs, “Bad Timing” and “Wild” with artist Noah Kahan.
Her new album is entitled desert person and is a 10 track collection of cactus pop songs chronicling various relationships including friendships, family relationships, love relationships and even the relationship we have with ourselves.
BERRIES return with a second glimpse into their s/t new album, in the shape of new single ‘Balance’.
STREAM ‘BALANCE’ ON ALL SERVICES HERE || WATCH HERE
|| PRE-ORDER THE ALBUM ‘BERRIES’ HERE
A tempered and touching acoustic lullaby by the trio, it marks something of a handbrake turn from the sound and fury of previous single, ‘Watching Wax’.
“Let’s balance out time like we said we would” coos vocalist Holly Carter, atop a single laden with silky guitar lines, hushed harmonies, and a pin-drop atmosphere.
Urging us to find that time to sit back and enjoy the moment, BERRIES say of the track:
“Balance talks of those promises we make ourselves. Filling our time with things we want to do, not just need to do. It’s quite easy to get caught up in busy schedules, rushing around with busy brains but this song reminds us to stop and take it all in.”
Fast-rising pianist, vocalist and composer Ashley Henry delivers his stunning new cut “Take It Higher” – released via his own label Royal Raw Records and naïve.
Laced with sleek, swirling strings and glossy vocal layers flirting in perfect harmony, “Take It Higher” asserts another spellbinding record from the South Londoner on his dominant return this year. Emerging with stylish silhouettes rolling atop syncopated jazz percussion, Ashley quickly commands the smooth beat with high-octane piano acrobatics, delivering free-form vibrations with distinctive flair before he chants “Let’s get away” – a liberating call back as the rising talent blossoms in a renowned sense of serenity and self-assurance.
Speaking on the track, Ashley mentions: “Sometimes life can trick us into feeling limited. ‘Take It Higher’ is about tapping into emotions, aspirations and a world beyond; it explores the power of music to transport us, together, despite everything, to an elsewhere. I hope it takes people to a place to rest, enjoy and respect childlike creativity as a life norm so we can thrive.”
Kings Elliot, the Swiss-British indie-pop sensation known for her heartfelt and stirring music, releases her latest single ‘I Hate The Sun’. An anthemic and poetic release, this track delves into the complexities of social anxiety, inspired by Kings Elliot’s personal struggle with the pressure to feel a certain way simply because it’s a beautiful day. The result is a melodic, melancholic sound that is sure to resonate deeply with her audience.
This new song is released ahead of Kings Elliot’s upcoming EP ‘I’m Not Always Sad, Sometimes I’m Angry’, which is set for release this November.
singer-songwriter Avery Lynch unveils her highly anticipated new EP, As Written, Vol. 2. The collection of nine tracks features reimagined versions of fan-favorite songs, recorded in their purest form, alongside a selection of brand-new material. As Written, Vol. 2 serves as a captivating sequel to Avery’s widely successful 2021 EP, As Written, Vol. 1.
“My ‘As Written’ projects are where I get to re-record some of my favorite songs from past works exactly as they were written,” Avery shares. “This project also allows me to present my music in the raw, intimate format that first resonated with listeners. The first ‘As Written’ is a fan favorite and I feel like this second volume shows so much growth from the first, so I’m so excited for everyone to hear it. It’s been the hardest secret to keep over the last year and I’m so proud of it!”
Born and raised in Pennsylvania, Avery started playing piano at the age of 7 and writing her own vocal compositions just a year later. As she’s continued to come into her own as an artist, her soft, romantic vocals and raw piano stylings have remained the cornerstone of her sound. She starts each of her songs alone with her piano before bringing the demos to her close-knit team who help her bring the music to life.
Grammy-winning, Ivor Novello-nominated live electronic trio NERO have revealed their long-awaited third studio album Into The Unknown. The album arrives nine years following its predecessor, Between II Worlds, and after much anticipation built with singles ‘Truth’, ‘Blame You’, ‘Draw Energy’, ‘Too Many Questions’, and ‘Solar’.
Into The Unknown is NERO’s post-apocalyptic tale of humanity’s dichotic destiny; where science and fantasy, beauty and brutality, creation and destruction meet in harmony. It’s a reflection of the stories NERO foretold with their first two albums: the disconnectivity of a worldwide epidemic, the rise of technology, and the need for society’s rebirth for the progression of humankind.
Emerging as one of the most compelling voices in the indie-pop scene today, West-London singer-songwriter Eden Rain returns with her mesmerising new single ‘Crashmat’. Co-written with SOFY, the track aims to captivate listeners with its atmospheric and hazy soundscape. This release marks the latest installment from her highly anticipated upcoming EP, which promises to showcase the stunning evolution of her artistry.
Following the success of their acclaimed debut album Traumatic Livelihood, Jazmin Bean has had a very busy and successful 2024. The momentum continued with the announcement of The Traumatic Livelihood World Tour, which gives fans another chance to experience Jazmin’s captivating live show. To celebrate the success of the record, today Jazmin reveals Traumatic Livelihood (Extended) which features acoustic versions of fan favorite tracks, available everywhere now.
ANTHONY ORTIZ
“LUV U”
• “Music for me is a daily self-expression. The day that I made ‘LUV U,’ I was dealing with hardships in a relationship, but I felt the confidence to push through and put the effort in where it was needed. This experience is reflected in the song’s hook, ‘practicing my A E I love yous.’” — Anthony Ortiz
• This indie-pop love song was produced by the talented team of Dashawn White (Alec Benjamin, John Legend), Kevin Beggs (Lil Wayne, Tyga), and Marco Flores. The track is complemented with a music video from director Ben Allen (Rubi Rose, Desiigner).
• “LUV U” serves as the follow-up to July’s single “Too Good to be True,” marking another milestone for the Los Angeles-based singer-songwriter. Fans can expect more new music this fall showcasing Ortiz’s singular pop sound.
MAISY KAY
“Love Is A God”
• Hot off her collaboration with Tiësto, Maisy Kay has released “Love Is A God,” the first single from her upcoming EP, Wonderlust: The Dusk. Produced by Mike Avenaim (Lil Nas X, Bebe Rexha, Hailee Steinfeld), the track details love’s profound, almost divine nature.
• “To me, love is an all-encompassing thing. The closest thing I can describe it as is a spiritual experience, a driving force that gives me purpose in life. This song is about the power of love and how my soul is driven to it, like a kind of deity. I wanted the big choral ending to capture that prayer-like experience.” — Maisy Kay
• Fans can catch Maisy Kay on tour this fall supporting Tori Kelly’s Purple Skies World Tour across North America.
Scottish singer-songwriter Theo Bleak is excited to share her second single of the year. Written and produced with bandmate Mark Johnston and collaborator Dan Gautreau (Ben Howard and Paulo Nutini), “In My House” is an examination of the feelings that bubble up once you’re left to your own devices within your own space. Being home alone can be a source of solace, but opens the door to rumination that only time with yourself brings. Displaying her ability to infuse levity into the most melancholy songs, “In My House” brings melody to the forefront, accompanied by airy acoustic guitar and swirling production.
LISTEN TO “IN MY HOUSE”
“’In My House’ is a lighter song about how much I love being alone,” Bleak says. “I felt so uncomfortable in January of this year, I just had a bad feeling. A really important friendship had broken down and I knew it was close to the end. I went into the studio and thought about escapism, the safety of my romanticized perception of life. Somewhere that their disdain of me couldn’t reach. I love astrology and thought about all the traits of being an Aquarius, and leaned into the solitary aspect. ‘In My House’ is about the person I actually am, shielded from even the worst interpretations of my personality.”
Email:neill@outloudculture.com
Socials: @neillfrazer
