Bess Chew’s journey into music began in Singapore, where she discovered a passion for the performing arts through musicals, drama, and choir. At 16, she moved to Perth, Australia, where she found a more freeing academic environment and later earned a degree in psychology from the University of Western Australia. However, her passion for music won out, leading her to pursue it full-time. Since releasing her debut single “Getaway” in June 2024, which landed on major Spotify playlists like Poses and New Music Friday Singapore, Chew continues to hone her craft. Her previous single, “Scarborough Sand,” received praise from outlets such as FEMMUSIC, Jammerzine, and Outloud! Culture.
Mara Liddle is a British pop artist, whose music fuses dance, electro and hyperpop to create a vibrant, addictive soundscape. With her bold energy, infectious hooks and relatable lyrics, Liddle depicts life as a young woman in the age of the internet, taking inspiration from artists including Charli XCX, Pinkpantheress and Shygirl.
Her latest release “Hush Hush” is a mysterious, sultry dance song that explores love triangles and the secrecy of hidden relationships. Inspired by romcoms and reality TV shows such as Love Island, Liddle touches on how love triangles are formed as a way to create drama and good television, but when it comes to our real life relationships, it can negatively influence them.
The songwriter shares, “My music is largely influenced by the digital age and media, the things that we see on Instagram or on TV, or the way that having a constant line of connection to someone can perpetuate anxiety in relationships. I liked the way that the line “put it on the screen, everybody sees” followed on from the line “caught you with my face on your screen” in my last single, “girl of your dreams”, and the idea that we live our lives through what we see online.”
The fast-paced track glistens with iridescent synths, ethereal vocals and a vibrant, kaleidoscopic melody, offering a more mature and nuanced side to Liddle.
Liddle’s music has been featured on BBC Introducing, nominated for Song of the Year 2023 by Future Hits Radio, and she has performed at various venues and festivals across the UK. As she enters an exciting new chapter, Mara Liddle is set to turn heads with “Hush Hush”.
Nashville’s Katie Schecter releases the infectious new single and video “Pay It No Mind.” The song serves as her personal mantra, but reminds us all not to sweat the small stuff. “It’s not about ignoring all things unfavorable and living in a bubble of ignorance…it’s about saving your energy for when it really counts, for the stuff that really matters” she shares. Stream / Watch the official video.
Schecter wrote the song in its entirety while sitting behind the drum kit. “That’s not my typical approach to writing, but I’d been listening to Bill Withers ‘Use Me Up’ on repeat just after he had passed, and I was pretending I was James Gadson (falling short obviously), and ended up landing on a groove that felt right and sang aloud to the beat. I put chords to it afterward.”
Recorded live to tape at New York City’s legendary Diamond Mine Studio, “Pay It No Mind” was produced by her husband and creative counterpart Nick Bockrath, lead guitarist for the rock outfit Cage The Elephant.
Featuring her close friends, the rhythm section of dreams Nick Movshon and Homer Steinweiss, Phil Towns on organ, and Matthan Minster on background vocals, it’s easy to understand why the track gets stuck in our heads after just one listen.
Born and raised in Toronto, Victoria Staff was always an “anxious child.” The string that connected much of her young life was using music to communicate with family, friends, teachers, and even therapists. Over time, this coping mechanism developed into a passion for music that would lead to her career as an indie-pop artist. Staff continues to use the written word to communicate with her audience. Her debut EP, Records & Honesty, was released in 2023 under the guidance of Canadian music producer Dan Hosh.
Sophomore EP, I Wake Up Smiling 🙁, is about living in the fact that sometimes you’ll be happy, and somedays you won’t and that’s okay. Happiness is super elusive, and that’s what Staff is constantly reminded of as she gets older. There are days where she actually does wake up smiling, but there are many, many, MANY days where she doesn’t. Sometimes it can feel like you’re chasing down happiness but it’s always faster. Like you’re always behind and can’t catch it but it’s about just giving it your best shot.
I Wake Up Smiling 🙁 features highlighted single, “My Whole Life Long,” the first song Staff has recorded that isn’t sad. Instead of being a cathartic outlet, “My Whole Life Long” is about finding the correct words and finding a way to communicate with someone when you’re lost for words. So many relationships are one sided, but “My Whole Life Long” tells a story where both people were in it together as equals.
Niko Ceci is a fast-rising teen actor, dancer, and singer to watch from Toronto, Canada. Niko has had his sights on the entertainment industry since the young age of three when he would watch classics like Annie on repeat and dream of singing and dancing like Fred Astaire. He landed his first on-stage role at the age of six when he was cast as the young Michele in a drama production of the great classic Matrimonio all’Italiana. It was that experience that inspired Niko to continue chasing his passion for performing and eventually pursuing it as a career.
In 2016, Niko booked his first professional role when he was cast as the voice of Eureka in the children’s animated series Creative Galaxy (Prime Video). His first big break came when he starred as the voice for the musical and animal loving Pablo in the remake of the popular animated series Clifford the Big Red Dog (PBS Kids/Brown Bag Films).
Since then, Niko has amassed a significant body of voice work including playing leads in productions such as Corn and Peg (Nelvana/Nick Jr./Nickelodeon/Treehouse TV), Blue’s Clues & You (Nickelodeon), Xavier Riddle and the Secret Museum (Brown Bag Films), and Remy & Boo (Universal Kids).
Niko also continues to build his film and television portfolio with roles on Odd Squad (TVO Kids/PBS Kids), Resolve (Sunstone Pictures) and Incorporated (CBS Television Studios).
Coming up next, Niko will be celebrating his biggest role to date starring as Kev in the highly anticipated teen television series I Woke Up a Vampire following the story of Carmie Henley who wakes up on her thirteenth birthday to discover she suddenly has supernatural powers. The show is set to make its premiere this Spring on the Family Channel and later in 2023 on Netflix.
multi-platinum rap star DDG delivers his explosive new single “WHAT U BAD FOR.” The latest anthem from the Pontiac, MI-bred star features a guest performance from Real Boston Richey and is produced by EINER BANX and SHEFFMADE. Alongside the single, DDG and Real Boston Richey team for the official music video, directed by RingRing, out now.
Get “WHAT U BAD FOR” featuring Real Boston Richey at all DSPs HERE and watch the official music video HERE.
On “WHAT U BAD FOR,” DDG invites Real Boston Richey, the Florida star behind the Billboard Hot 100 hit “Help Me,” to assist him with the ladies’ anthem, which is inspired by empowering and supporting women through unpredictable circumstances. “She’s so bad, she damn near dangerous,” raps DDG over a booming trap instrumental, switching flows and urging ladies to “brag more.” Real Boston Richey, whose own ladies anthem, the Glorilla-featuring “Get In There,” has become a social media sensation, acts as a seamless pairing for the new record. Anticipation for “WHAT U BAD FOR” has been at a fever pitch since DDG first tased it, with clips of the track having generated over 15 million views across TikTok before release.
DDG charges towards 2025 having secured another Gold plaque this year, for his 2023 release “I’m Geekin,” which recently helped to propel him to a career landmark of over 1.5 billion streams. Having previously secured certifications across his catalogue—including the now-Double Platinum “Moonwalking In Calabasas” and Gold “Arguments” and “Hood Melody”—DDG has become a force within hip hop. His status has been cemented further by covering the coveted XXL Freshman Class and being named to Forbes 30 Under 30 for music.
With more new music on the way, DDG’s star continues to rise.
the highly anticipated music video to Tosh Alexander‘s Reggae-fusion single “My Ting Different” featuring Lady London is finally here. Fresh from releasing the intoxicating dance-ready audio earlier this month, the official music video serves as the soundtrack for the two Jamaican-American trailblazers, chronicling Tosh and London’s extravagant takeover of recent weeks while capturing unforgettable moments from their appearances at the 2024 Caribbean Music Awards, 2024 Miami Carnival, Howard University Homecoming [Lady London’s Alma Mater] in addition to time enjoyed in Jamaica. The video, shot in a vibrant and dynamic style, is a visual feast that perfectly complements the tropical flare of the track.
Jarrid Lee, the soulful voice of Canadian country rock, releases his latest single “Too Good To Be True” today following an exclusive premiere on Live in Limbo. Co-written with Ashley Ghostkeeper, this track marks the first single from Jarrid’s highly anticipated upcoming album, Give It All Back, coming out next year.
“The reason why most relationships fail in today’s world,” Jarrid reflects on the song’s theme, “is because people are loving things more than they’re loving people.”
The inspiration behind “Too Good To Be True” dives into the growing disconnect in modern relationships, as people often become too absorbed by distractions to fully connect with others. Jarrid’s message is simple yet powerful: by being mindful and fully present, we may realize we’re already in the perfect moment to connect with the right person.
Written from two perspectives, “Too Good To Be True” blends Jarrid’s experiences as a husband who remains deeply in love with his wife, and Ashley’s viewpoint from the dating world, where vulnerability and trust often feel elusive. Together, they crafted a song that captures the longing and excitement of romantic connection. With its heartfelt message and relatable lyrics, Jarrid describes the single as a “wedding song” — an unexpected result that emerged naturally from their collaborative process.
“Grace has a melodic way of writing that not only stays in your head but reads what’s sitting in your soul. She writes what I’ve always wanted to say.” — Ruthie Foster (Grammy®-nominated blues artist)
Grace Pettis‘ much-anticipated sophomore MPress Records release, Down To The Letter, captures the Nashville-based (formerly Austin-based) singer-songwriter at the peak of her songwriting powers. Chronicling the end of a marriage and the reclamation of self after betrayal, codependency, and loss with heartbreaking detail, the lyrics deftly toe the line between personal pain and universal catharsis.
Mary Bragg — who also produced Pettis’ debut album on MPress, 2021’s Working Woman — was Pettis’ first choice for Down to the Letter as well, in spite of their second album calling for a markedly different approach. “I knew this album would be challenging,” says Pettis. “I was too close to these songs and the subject matter to be all that objective with things like song and production choices. But I was in good hands with Mary.”
Bragg and Pettis, along with good friend Josh Kaler (Frances Cone, Heather Nova), who contributes the majority of the electric and acoustic guitars on the album as well as pedal steel, make up the musical heart of the project. The three of them tracked much of the album in five days while holed up at musician/producer Jon Estes’ home studio in Nashville, when Jon and his family were out of town. While Grace played and sang and Mary contributed back-up vocals and acoustic guitar, Josh did the engineering until it was his turn to play something. Then Mary took over the engineering while he laid down his guitar parts.
Pettis reveals: “It was a very different process from the way Mary and I made our last record together. We recorded Working Woman at Sound Emporium, which is this big, beautiful, historic studio in Nashville. We brought in a raucous rock and roll band and we tracked it live, for the most part.” But Bragg’s instinct for Down to the Letter was ro record the project somewhere more familiar and intimate in a cozy and personal atmosphere. “It was just the three of us working on it for days,” Grace explains: “That was smart, because it was the kind of safe and supportive environment I needed, where I was among friends and could be emotionally vulnerable with in the way I needed to be, to get the vocals we wanted to get.” She concedes that she cried in her car after some of those days in the studio, so cathartic was the experience for her. “Mary was so great about allowing me to be human, while also encouraging me to make the best art possible.”
Kaitlyn Olson is a singer-songwriter born and raised in Los Angeles. After years of writing dance-pop and KPOP hits for other artists, Olson is returning to her roots with her debut EP, After The Rain, perfectly encompassing who the artist is and offering a mid-tempo, soulful sound that embodies her personality. The four-track, bedroom pop release is focused around themes of love and heartbreak, capturing raw emotion and vulnerability with every song and drawing listeners into a deeply personal journey of self-discovery and resilience.
Entering with “Everytime,” an unrushed confession that arrives as the antidote to the cool girl era we’re in. “Everytime” oozes with open-hearted sensuality over a hypnotic bassline and introspective synths. “This is just a straight up love song because we need more love in this world, especially right now!” shares Olson. Embracing her vulnerability, Olson finds strength in being unapologetically open about her desires and needs.
The title-track, “After The Rain” was created one day over some simple chords Olson wrote on the piano in a session with friends Tyler Shamy and Palmer Reed. The inspiration behind the song began when Olson was woken up on the morning of the session by a call from an ex-boyfriend that had broken her heart that she had begun talking to again. He randomly Facetimed her to show off his family’s extensive heirloom collection of fine jewelry that he had taken out of the safe and put on display for Olson. The songwriter explains, “The visual was so striking to me as I was half asleep, because I couldn’t believe that the same guy I was crying on the floor over years ago was now chasing me down dangling jewelry!” She ultimately decided he wasn’t for her.
“After The Rain” then morphed into an empowering anthem for her best friend who was going through a horrible break up at the time. Olson shares, “I was so inspired by my wake up call that day, that I wanted to write a song for her to let her know that everything was going to be okay! The song is for anyone with a broken heart who’s hoping to have the last laugh over someone who wasn’t worth their tears in the first place, because “After the rain, roses sprout out of the ground.” The message in the song, however, is more about finding self-love than anything, which is always a place I try to write from, as embodied in the lyric, “You find light you never found, even when no one’s around.”
HoodTrophy Bino, born Tadashi Sayres, is a Los Angeles-based rapper whose music tells the story of overcoming hardships and leveling up in life. Raised by a single mother in a large family in Palmdale, California, and later in the tough projects of South Central LA, Bino was heavily influenced by gang life but found a vital outlet in music. His path led him to meet Soulja Boy during a stint in jail, which resulted in Bino signing with Soulja Boy’s S.O.D.M.G. label. Despite numerous challenges, Bino has turned his life around and now advocates for youth facing similar struggles, raising awareness about PTSD, anxiety, and depression.
Bino’s resilience is showcased in his growing discography and the award-winning documentary HoodTrophy Bino: Breaking the Generational Curse, which premiered at SXSW and has received widespread acclaim and awards on the film festival circuit. The documentary offers an authentic look at Bino’s life, from overcoming adversity to pursuing his dreams. Bino has opened for major artists like Soulja Boy, Tee Grizzley, Snoop Dogg and many more. His debut album HoodTrophy was released this year as an independent artist and features collaborations with heavy hitters such as Mozzy, Kalan Fr.Fr., and Peso Peso. With his second album set to release January 2025 and recent North American tours with Bravo the Bagchaser and Soulja Boy, HoodTrophy Bino is cementing his place as a prolific rapper and a motivator for his generation.
Odd Marshall is that strange guy in the backwoods. His songs speak of world travels, but it kind of feels like he’s come out of nowhere.
Don Kerr has produced his debut album with Mike O’Brien on lead guitar and Jason Haberman playing bass. If they’re not known as Canada’s ‘Wrecking Crew’ they should be.
Odd Marshall’s debut album, Sand & Glue is a collection of songs both dark and bright. From start to finish the album takes listeners around the world with a strong back beat and infectious hooks.
JOHNNY LLOYD is back with the new single ‘Manchester In Bloom’.
Taken from his upcoming first solo material in over 3 years, ‘Punchline’, the track finds the Tribes frontman finding inspiration from the Northern capital in this wistful, soul-searching lovesong.
COWZ, the vibrant alt-pop meets electronic duo from Brighton, are back with their latest single, ‘UR FAVE SONG (miss the fun)’ – a bright, punchy anthem that brings their unique signature pop-twist to a breakup track. This dynamic duo made up of Natasha Nicholl and Saga Wahlström, wrote, produced, and performed the song, making it a fully immersive creation that spotlights their distinct musicality and style.
‘UR FAVE SONG (miss the fun)’ is available now on your streaming service of choice via APOLLO Distribution.
Reminiscent of 90’s alt-icons like Fiona Apple and Alanis Morissette – Ash Molloy is vulnerable, raw, and unfiltered in her approach to writing music. A multi-instrumentalist with a degree in neuroscience, she’s full of surprises as she bares it all with her deep-cutting takes on sexuality, body-shame, and life as a woman. Not fitting the mold of her small town in Newfoundland, Ash is an absolute force of an artist, making a name for herself with her mesmerizing live show, powerhouse vocals, poignant lyrics, and sheer tenacity to get her message out into the world. Saying all the things we’re afraid to say out loud, Ash Molloy bleeds authenticity and induces goosebumps for anyone lucky enough to see her live in these early days.
Continuing to establish himself as a fearless storyteller, the Americana troubadour known as TT shares his third music video, “My Confession.” His forthcoming debut album, Man on the Corner, is rooted not only in his own eclectic musical tastes and personal experiences, but also observations made, lessons learned, and social implications of various challenges.
“’My Confession’ tells the story of a man struggling with a feeling of hopelessness as he and his wife find themselves facing financial hardship,” TT shares, admitting that, “There have been many times in my deeper relationships (and not just romantic) when I have felt inadequate. Deep down, I just want to care for those I love, whether that’s a partner, children, friends, or others in need, and I struggle with feeling like I never give enough.”
Magenta Moon’s cover of “Moonage Daydream” fuses Bowie’s rich and iconic sound with its distinctive voices. As listeners are taken on a musical soundscape, they are able to hear vocal layers, guitar riffs, and cosmic instrumentals. “The guitar solo marks the zenith of the song, starting at double speed, and when cut-time hits, soaring notes slice through the ether, illuminating the way on this sonic journey,” says the pair. “The track culminates in a swirling outro with cosmic vocals and a deeply emotional violin solo.” Recorded and Mixed at Dead Stare Audio by Andrew Solis and mastered by Nick Townsend, Magenta Moon’s reinvention of “Moonage Daydream” is more than just a cover, it is a testament to the band’s raw ability to tribute a classic track by reshaping it for a modern twist. Listeners’ ears are swarmed by drums from Pat Mannella, Joey Petrarca on the guitar, bass, and vocals from Elaina Whitesell, and keys by Broadway B. The guitar serves as the backbone, adding electrifying riffs that seamlessly transition from double speed to an intense cut-time. This immersive track lets listeners experience and embrace their twists and navigate their lives with Bowie-like bravery.
Patrick Smith is a saxophonist based in Toronto (originally from Ottawa). He has studied with Mike Murley, Kelly Jefferson and acclaimed American saxophonist Mark Shim.
He has established himself as a gifted and in demand saxophonist in the Canadian music scene. In recent years he has extensively toured Canada, the US, and Europe with Legends of Motown (featuring Michael Dunston and Gary Beals), My Son The Hurricane, Chelsea Mcbride’s Socialist Night School, and Forever Seger.
He keeps an active freelance schedule in Toronto and around North America appearing with artists such as Yemen Blues, Erez Zobary, Heavyweights Brass Band, Dee Dee and the Dirty Martinis, Eighth Street Orchestra, Dan Pitt Quintet, King Cardiac, Queen Pepper, Kazdoura, and Shout The Band., An active bandleader, he currently leads three projects. His quintet which plays hard hitting original modern jazz. His chord-less trio called “3-Oh” which draws from the spirit of Sonny Rollins and plays music from the standard jazz canon as well as unique interpretations of more contemporary material.
And Pangea, which is a UK Jazz fused with Neo-Soul, World Music and R&B. A jazz fusion concept group featuring some of the top members of the Toronto music scene. This group draws from the spirit of John Coltrane reimagined in the 21st century in the age of connectivity across the globe. It features local heavyweights of the Toronto music scene. Darryl Joseph-Denie (Ahi, Listening Room), Kae Murphy (BADBADNOTGOOD, Whitney), and Jon Catanus (Erez Zobary, Diskarte)
He has released several albums over the past 5 years with his various projects.
Brooklyn-based musical jack-of-all-trades Harrison Lipton releases his cheeky new breakup anthem “On My Own” via Amuse. The facetious, 70s-inspired dad rock song uses the all too familiar coping mechanism of poking fun at inherent sadness to make it through the day. His voice full of smooth earnestness, Lipton ushers listeners towards the greener grass on the other side — Stream.
“The song started in a small bedroom studio in Carroll Gardens during a session with Aidan Ludlam of the booyah! kids, who uses lyrics like an impressionist painter uses paint,” shared Lipton. “He helped me balance the dissonance between being dumped and finding how to be okay with it.”
Shot on 16 mm film, today’s official music video was directed by Yishen Wang. An ode to the city and people of New York, Lipton finds himself lost in a sea of recognizable faces, even Times Square’s Naked Cowboy — Watch.
Equal parts raw, stylish and disruptive, Uche continues to flaunt his rare lyrical integrity across “AWAKE”. A vigorous atmosphere laced with distorted synths and power-charged percussion produced by JU and Die Next Weekend, the young talent quickly emerges with vengeance, delivering infectious flows bursting authority and menace.
Speaking on the track, Uche mentions: “Life’s been a whirlwind, the world’s been in a frantic place and as a result I’m lying awake all the time trying to get to where I’m going. ‘AWAKE’ is that energy.”
Sharpening his aesthetic while modelling for Nike Air Force 1’s global campaign, Uche continued to hone his craft across Chicago with performances at city mainstays like Reggies, Metro and the key non-profit organization Young Chicago Authors, before expanding his creative reach to the vibrant streets of Los Angeles.
Guiding his path to success while imprinting his artistic affinities onto the culture, Uche dropped his powerful debut EP Lost last year – a true homecoming that re-introduced his unique, subversive sound. The multi-hyphenate later shifted focus to his acclaimed studio album There’s Fire On the Lake. With vivid storytelling on standout track “PHONE” (watch) elevating the album’s sonic and visual universe, Uche created some of his most potent visual art to date – a pivotal moment that’s become a cornerstone of the electrifying legacy he’s building.
Already making waves with the likes of WONDERLAND, COLORS, BBC 1XTRA and Charlie Sloth’s ‘Fire In The Booth’ all proclaiming a potent force, Uche’s blend of individuality and vision marks him as a serious new talent breaking international borders.
Anandita is an Indian-American soulful pop singer-songwriter who is characterized by her dynamic vocal prowess, cathartic lyricism, and relatable storytelling. The 17-year-old was born and raised in the Bay Area of California by Indian immigrant parents. Introduced to music when she was just a toddler, Anandita began playing tunes on the mini toy keyboard that her parents bought for her. Even at such an early age, she was a music perfectionist, slamming the keys and having small breakdowns over wrong notes. Speaking only Tamil, when she was a preschooler, Anandita learned to communicate in English by singing popular American hit songs.
As a teen, she became inspired by not only Indian classical music, but also by Ariana Grande and 90s icons including Mariah Carey and Whitney Houston, admiring their incredible power and spectacular vocal versatility. Soon, her own singing ability became undeniable and she began to study under famed vocal teacher, Michael Orland. Orland is well-known for his work with American Idol and has helped launch countless young talents’ successful careers. Their collaboration proved to be written in the stars, as Orland encouraged Anandita to begin writing her own music. Teaming up with producer Miklos Malek (Jennifer Lopez, Anastacia), the trio met in Dubai to record and write Anandita’s debut single “Anything”.
“Anything” is a heart-gripping song that features a mix of powerful vocals and a profound chorus that is as timeless as it is captivating. The track begins with Anandita singing the first verse softly, gradually taking the listener on an honest and emotive journey that culminates into a dramatic anthem of strength and vulnerability. Lyrics such as, “That the way you treated me / Would lead me to a broken heart / I can’t feel anything,” echo the relatable and universal narrative of being stuck in an unfulfilled relationship or friendship while trying to find the courage to break free. Anandita confides, “I’m sure everyone has been in a situation where you’re involved with someone that you deeply care about, and you just know that the feeling isn’t reciprocated. “Anything” is actually about a toxic friendship. Still, the attachment is so strong and you’re not able to leave, and after getting hurt so many times in this endless, toxic loop, eventually, you just become emotionally numb to everything…you can’t feel anything.”
Now based in India, Anandita continues to write and record music, perfecting her craft every day. She hopes her music helps listeners feel like they’re not alone in difficult situations and that they are inspired to embody confidence, authenticity, and self-respect. “No one wants to experience negative emotions, but one good thing that comes from this is that it can form really close bonds with others going through similar experiences.” Anandita is one to watch as she steps into the spotlight with her stunning debut single. “Anything” is out now.
Sons of Levin is a blues-driven jam band rooted in Boston, MA, led by brothers Dylan and Connor Levinson. With a dedication to delivering high-energy performances, their sound seamlessly melds classic blues-rock influences with an improvisational edge. At the heart of the band are Dylan’s dynamic vocals, Connor’s captivating guitar riffs, funky dueling keyboards, and a rhythm section that gets audiences moving. Drawing inspiration from rock legends like The Allman Brothers, Led Zeppelin, and the Grateful Dead, Sons of Levin crafts music that honors the past while infusing it with a fresh and modern twist.
Formed during their childhood days in Fairfield, CT, the Levinson brothers have been performing together since middle school, evolving their passion into the compelling act known today. They’ve graced venues across New England, showcasing their ability to engage audiences through skillful instrumentation and merging cerebral jam sessions with melodic hooks, creating a memorable and electrifying experience.
The band’s songwriting spans from introspective explorations of one’s self and classic tales of blues heartbreak to lighthearted, feel-good tracks that highlight their versatility and authenticity. Sons of Levin’s upcoming 2025 EP dives into their blues-rock roots, capturing the spontaneity and raw energy of their live performances through carefully crafted tracks. Produced with an emphasis on live tracking and instrumental jams, the project offers a genuine reflection of the band’s evolving sound.
Sons of Levin stands out not only for their musicianship but also for their genuine love of music and their ability to connect with audiences. With a blend of classic influences and modern sensibilities, they are making their mark as a jam band ready to bring joy, groove, and an unapologetic dose of dad-rock to listeners far and wide.
Blurry Paige is a captivatingly talented multi-instrumentalist and producer whose soulful melodies and poignant lyrics have set her apart from the crowded soundscape of today. With a voice that effortlessly blends raw emotion with a subtle elegance, Blurry paints relatable stories through her music, inviting listeners on an intricate journey into the depths of her personalized human experience.
Early Beginnings: Blurry Paige’s journey into music started at an early age. As a young girl growing up in San Antonio, TX music first presented itself as a form of escape from her own personal struggles with depression, anxiety, and self-doubt. This catharsis would gradually transform itself into a lifelong passion, sharing her personal experiences with the world through melody and music. As she grew more comfortable with being uncomfortable, Blurry blossomed into a gifted songwriter and musician. Her lyrics often read like pages from her diary, revealing the innermost thoughts and feelings of a young woman navigating the complexities of life while also battling to overcome her own demons. Her powerful voice provides the backdrop, giving her audience an intimate glimpse into her emotional honesty while also inviting listeners to find solace in a shared experience.
Breaking Boundaries: As a young artist in an ever-changing industry, Blurry Paige is unafraid of pushing boundaries while challenging traditional conventions. She believes that music is a powerful platform for growth, and she uses her voice to amplify messages of empowerment and self-discovery. In a world that continually seeks to categorize and file everything away into convenient little boxes, Blurry and her music are certainly the exception. Her music is often described as gritty yet soft, approachable yet defiantly unapologetic. Drawing inspiration from a wide range of styles and genres, she molds her influences into a message that is distinctly her own by combining raw authenticity with an almost surreal delivery.
Philanthropic Soul: Beyond her musical endeavors, Blurry Paige is a passionate advocate for using the power of music to make a positive impact. She collaborates with various charitable organizations to raise awareness and support for causes that are close to her heart. Blurry currently sits on the board of Texas Music Project (TMP), where they focus on helping children and families in need through the gift of music.
Personal Insight: When Blurry Paige is not busy creating music, she often finds inspiration in nature and art. Her impassioned commitment to authenticity and vulnerability mirrors almost all aspects of her everyday life.
Her musical journey is a testament to the transformative power of music, reminding us to be unashamed of who we are and to always stay true to self. That while sometimes chaotic, beauty can be found in the harmony of melody and emotion. She is an open book whose tattered pages and evocative storytelling leave an indelible mark in the minds of those fortunate enough to experience her artistry firsthand.
Emerging indie alt-rock band, Your
Favorite Color, has just dropped a surprise for their fans: an electrifying cover of the
Thompson Twins’ 1984 hit, “Hold Me Now.” The release marks a milestone for the
band, who promised fans the song if they hit 10,000 followers on Instagram. Now, with
nearly 16,000 followers, the band has more than exceeded their goal. Your Favorite
Color’s take on “Hold Me Now” is now available on all streaming platforms.
“The band has always drawn inspiration from the 80s,” Your Favorite Color shares.
“‘Hold Me Now’ was a track we noticed hadn’t been covered many times before. We
thought we’d take a crack at it, and we’re happy with the outcome.”
Rising indie-pop duo The Ivy share their captivating new single, “Every Little Ladder,” out on all streaming platforms today. Known for their distinct blend of dreamy synth-pop, lo-fi textures, rock riffs, and R&B-inspired grooves, the Tulsa-based duo—composed of singer/guitarist Wyatt Clem and synth player/bassist Shawn Abhari—has crafted a sound that’s both deeply nostalgic and refreshingly unique.
Written in Los Angeles with acclaimed songwriter Sam Beresford (Winnetka Bowling League, Losboycrow, Gatlin), The Ivy’s latest single, “Every Little Ladder,” is a feel-good anthem of hope and ambition. Showcasing their knack for creating dynamic yet utterly catchy indie-pop, the song captures the essence of small-town dreams and the desire to climb out and reach for something greater.
Wyatt and Shawn elaborate: “‘Every Little Ladder’ is an anthem of chasing a bigger life while capturing themes of growing up in a quaint, humble environment where everyone’s lives seem to mirror each other in familiar, unchanging ways.”
rising London-based alternative artist ssolana continues to push the boundaries of contemporary music with the release of her haunting new single, ‘Whatever’. The track, an introspective and atmospheric listening experience, merges eerie, isolated vocals with electronic synthesis. This distinctive sound captures the melancholy of remembrance with an eye toward the future.
‘Whatever’ is available now on your streaming service of choice via APOLLO Distribution.
Erin Greider’s musical journey began early, crafting songs with friends and picking up the guitar at just eight years old. With a bold, unapologetic style influenced by pop-rock, she has amassed over 500,000 Spotify streams and reached 14,000 monthly listeners. Following the release of her debut full-length album in 2021, Greider graced iconic Los Angeles stages, including The Mint and Whisky a Go Go. Her artistry has earned acclaim from outlets such as Wonderland Magazine and Guitar Girl Magazine, and in 2023, she was featured on Music Connection’s Hot 100 Live and Unsigned Artists and Bands list.
Email:neill@outloudculture.com
Socials: @neillfrazer
