Four years ago, Wryn’s world shifted. It rocked, it tumbled and it turned itself inside out as theylooked inward, reassessed their trauma and began a new journey of self-discovery. Whattranspired was a moniker change to their last name, Wryn—a nod to their evolving sound butmore pointedly their transformative relationship with gender. Wryn’s life began to embody a newshape. Their reinvention, in sound and spirit, became the ethos of their new album, aptly calledShapes.OnShapes, Wryn found themself using music as a way to process their feelings of complexPTSD and trauma. “My music got better, more personal because I was able to look at myselfmore clearly and see myself as separate from my trauma.Once I could see myself separate Icould see a lot,” they said. “It’s not just about gender. That’s just one of the things that camefrom this process.”WithShapes, Wryn can also see themselves and theirwork more clearly now. “There is workbefore this that was reflective of my experiencesbut not of myself,” they said. “I am now able tosee under, through and past the causes of things.”
NASHVILLE, TN Gibson, the iconic, leading American instrument brand has shaped sound across generations and genres of music, becoming one of the most relevant, played, and loved brands around the world. As part of Gibson’s commitment to artist-first culture and elevating new music from emerging musicians around the world, Gibson’s Artist Spotlight Program highlights an evolving roster of musicians who are celebrated across Gibson’s global and international channels.
Today, Gibson is thrilled to introduce ANGEL WHITE as part of Gibson’s Artist Spotlight.
ANGEL WHITE is a fifth-generation Texas cowboy, beekeeper and singer-songwriter who artfully blends elements of folk, country, soul, and rock to create a sound that’s uniquely his, reflecting the vast landscapes of his upbringing and the untamed spirit of the West.
On March 7, ANGEL WHITE will release of his full-length debut album, GHOST OF THE WEST: THE ALBUM, which takes listeners on a journey through soulful melodies, captivating narratives, and introspective lyrics inspired by the wide-open spaces of his hometown of Cleburne, TX, where his roots run deep with a family lineage of cowboys and century-old tradition of raising horses.
“Gibson has played an integral role in so much of the music that has shaped me as an artist, and their guitars have been right by my side throughout the process of writing and recording my debut album. I can’t begin to express what an honor it is to be working with a brand that I’ve admired since day one.” –ANGEL WHITE
Molto Ohm unveils the second single and music video, “The Party,” ahead of the forthcoming debut album, FEED, arriving March 21 via New Focus Recordings. The latest offering from the audiovisual project of New York–by–way–of–Italy artist Matteo Liberatore presents his unique take on electronic music that aims to capture the fragmentation and alienation of modern life.
Following up lead single “Sponsored #1,” second preview “The Party” pulses with a captivating blend of euphoria and unease. The track subversively contrasts a dark, driving strain of uncanny EDM in its first half with deconstructed abstract minimalism in the latter, immersing the listener in an auditory landscape that feels familiar and surreal. The accompanying video amplifies this tension through iPhone screen recordings with facial recognition technology at a rave and a barrage of sponsored ads served by Instagram. The result is a haunting reflection on how modern surveillance culture fosters a pervasive sense of vulnerability and anxiety. Reflecting further, Liberatore adds: “Dancing is a right, a ritual, a resistance—but in a world where everything is for sale, even our joy can’t remain untouched by the machine.”
f there is anything Kosha Dillz is a master at, it’s managing to find a way to speak up for his side.
Since Kanye went on his first rant, Kosha dropped a diss record called Death Con 3 that reached millions of people from twitter to instagram and youtube.
When Macklemore came out last spring, Kosha responded with “Time For A Conversation” offering the fellow rapper an Israeli perspective.
On his new song “Time For A Conversation 2”, Dillz begins addressing Macklemore’s “Fucked Up.” but adds a lot more to the social commentary mix with heavy bars, including the Super Bowl protestor, Kanye and his Swastika T-shirt sale. , Horseshoe theories, as well as Elon Musk, the break of the ceasefire, and the remaining hostages in Gaza. If there is one thing for certain, Kosha Dillz continues to stand on his experience and history, having been to Israel five times since the war started, interviewing Israelis and Palestinians alike.
Watch Kosha Dillz “Time For A Conversation 2” Video: https://www.youtube.com/watch?v=bBJ4tdVbLoc
Wendy Eisenberg announced signing to Joyful Noise Recordings. The prolific New York City-based songwriter and guitarist’s work spans a vast range of genres–from jazz to noise to avant-rock–and their new partnership with Joyful Noise celebrates this eclecticism, covering both their solo work and a variety of other projects. Notably, this includes Editrix, Eisenberg’s acclaimed noisy indie rock trio with Steve Cameron and Josh Daniel. To mark the signing and herald a new chapter of artistic output, Eisenberg has released new single “I Don’t Miss You,” available digitally and as a lathe-cut 7″ record–limited to just 150 copies–each handcrafted at the Joyful Noise headquarters.
On the song, Wendy reflects: “This song was written during a period of my life when I was casually dating, which is a style of romance that does not come naturally to me (my tendency is to take things way too seriously for way too long). The people entering and exiting my life were fascinating and complete worlds unto themselves, and the brevity of our connections felt like the world was holding a mirror to me and breathing on it- alternately reflective and opaque. Of course I miss them. I miss everyone I’ve ever met!”
Ill Tone & Black Soprano Family prepare for the forthcoming The Outcome with a two-single Pre-Game release, which features two new singles from Benny The Butcher & Conway The Machine.
Ill Tone’s The Outcome will feature guest appearances from Benny The Butcher, Conway The Machine, Westside Gunn, Ghostface Killah, AZ, Smoke DZA, Flee Lord, Elcamino & Jae Skeese among others.
But like any true Buffalo native, you have to Pre-Game, and Ill Tone does that with the release of two new singles, Benny The Butcher’s “36 Ounces And A New Mercedes” and Conway The Machine’s “Pick A Side.” Both singles are now available at all DSP’s.
Liam St. John today released his latest single, the poignant, blues-inflected “Devil In Disguise,” featuring the alt-rock group Houndmouth. This soulful roots song is highlighted by the haunting and distinct vocals of both Liam St. John and Houndmouth lead singer Matt Myers. “Devil in Disguise” reveals passionate and deeply personal lyrics, with a stirring sound that transports listeners to the contemplative expanse of the Wild West, where the song was written and featured in the visualizer here.
“I wrote this song in the middle of the Rocky Mountains in Condon, MT,” said St. John. “Well, I didn’t really write it as much as it forced its way out of me during a time of intense introspection. The Rockies will do that to a man. It was one of the more difficult songs to write as I had never really approached the feeling that comes with comparing the man I aspire to be with the mistakes I’ve made in my life. I’m very proud of this song, and I am honored to have Matt from Houndmouth sing on it with me. I love his voice, and he brings the second verse to life in such a raw, honest and truly beautiful way.”
““The thing that struck me first about the song was how soulful it was,” says Houndmouth’s lead singer Matt Myers. “That’s something that I appreciate in any genre of music, and with that in mind, it was an easy ‘yes’ when Liam asked me to contribute to the track.”
“Devil in Disguise” is the follow-up to St. John’s debut EP, “Believer,” which “Holler” called “an evocative, rock-tinged anthem that oozes gravitas and atmospheric, weighty verses.” The “Believer” EP dug into St. John’s emotional past, exploring struggles with faith, substance abuse, difficult relationships and more. “Devil in Disguise,” the first track to be released from an upcoming collection, remains deeply rooted in authentic, intimate storytelling through an expansive sound with instrumentation nodding to Western blues–harmonica, slide guitar, and haunting harmonies.
Currently on tour with Dexter and The Moonrocks, the unlikely “Western Space Grunge” heroes of West Texas, St. John is crossing the Southeast and Midwest US through the end of February, when he’ll join ZZ Ward’s “Dirty Sun Tour” through April. A full list of Liam St. John’s tour dates are below. For up-to-the-minute information, visit http://liamstjohn.com
Where we at wid it!! Boldy James, AKA, “Mr. 227” will return on 2.27.25 with a new project, Token Of Appreciation, a joint project with Chuck Strangers. No guest features and the project is produced entirely by Chuck Strangers.
In addition to announcing their collab project, Boldy and Chuck also released the project’s first single and visual “Whale Fishing,” which is now available at all DSP’s.
Token Of Appreciation will be released on 2.27.25 and is mixed and mastered by The Alchemist.
Labile Records is proud to announce the release of FAMINE, the latest album by Neutrino Effect, the musical project of Omaha-based composer Jon Sanford. FAMINE marks Sanford’s powerful return after years of creative dormancy, delivering a winter-born soundscape of desolation and quiet resilience. The album is available now on all major streaming platforms.
Detroit’s dynamic duo, Shaudy Kash & Top$ide are back, as they present the highly anticipated On The Yeah Side Deluxe, which is now available at all DSP’s and includes ten new tracks; overflowing with Top$ides signature funky, psychedelic production, and Shaudy’s fly raps, delivered in his trademark conversational flow.
For years now, rising stars Shaudy Kash and Top$ide have been making waves in Detroit’s music scene with their electric collaborations, and the duo has continuously delivered slaps that blend the best of Detroit’s underground sound with a fresh twist that speaks to everyone. With On The Yeah Side Deluxe you get more of their undeniable chemistry, energy and style, and more of the raw, authentic sound the two have become known for pushing boundaries; and keeping Detroit at the forefront of hip-hop culture.
Top$ide continues to prove that he is one of the culture’s top emerging producers, and his ability to fuse psychedelic elements with smooth, funky beats has earned him recognition as one of Detroit’s most exciting talents, which his work with Shaudy Kash verifies. Top$ide has also collaborated with other notable artists such as Babyface Ray, Veeze, Westside Gunn, Lucki, Baby Smoove, Peezy, Wizz Havving and more.
On The Yeah Side Deluxe is now available for streaming and download at all DSP’s.
