featuring @dee.jun0 @janetdevlinofficial @spillmyink @kennywhitmire_ @emilyroman @celinasavage @izzaroze @mavennenow @tillylouisemusic @ellie1williams
Paris-based artist (D)Juno releases her brand new EP ‘(D)’ today, marking the next chapter for one of the most distinctive new voices emerging from the French music scene.
A playful, poetic and genre-defying artist, (D)Juno moves freely between singing, rapping and spoken-word sensibilities, bringing together R&B, neo-soul and bossa nova with the sounds of DMV and plug. Rooted in the language and references of her generation, her music balances infectious energy with a deeply personal approach to storytelling, creating a sound and visual identity that’s entirely her own.
Her breakout single ‘BB Bringue’ has become a defining moment, surpassing 3.1 million streams on Spotify, 700,000 views on YouTube and 60,000 TikTok creations. (D)Juno has also caught the attention of international artists including PARTYNEXTDOOR, SZA, Kelela, Ayra Starr, and Theodora, hailing her as an artist to watch well beyond France.
But ‘BB Bringue’ is only one side of her world. Across the nine tracks of ‘(D)’, (D)Juno explores a wider emotional and sonic landscape, moving between mischievous self-assurance, tenderness, desire and darker introspection. The EP captures an artist equally at home in moments of uninhibited release, and personal vulnerability.
(D)Juno invites listeners deeper into her world: one where confidence meets contradiction, poetry meets instinct, and genres are there to be bent rather than obeyed. Following the momentum of ‘BB Bringue’, the EP signals the arrival of an artist whose ambition extends far beyond a summer hit, and whose next chapter is increasingly international.
Janet Devlin has shared the brand new visual for her latest introspective Country ballad ‘How Do Cowboys Say Goodbye?’.
The thought-provoking video sees Janet move between different personas, each representing a distinct stage of a breakup, from sadness and acceptance to anger and, ultimately, moving on. The visuals capture striking shots of flowers burning, as though the romance has long since turned to ashes, whilst peppered with clever equestrian references that nod to the imagery in Janet’s lyrics. Set entirely within a singular room, the video creates an intimate space in which to experience the full spectrum of Janet’s emotions alongside her. Each shift in character and mood draws us deeper into the story, allowing viewers to connect with her heartbreak and find a more personal understanding of the lyrics.
‘How Do Cowboys Say Goodbye’ is a cinematic track with a dark Western feel, that finds Janet looking back at a relationship she already knew was coming to an end, and asking herself the deceptively simple question: how do you actually leave?
Written on the precipice of a breakup, ‘How Do Cowboys Say Goodbye?’ is steeped in low, moody guitar establishing the track’s tone from the very beginning. Recorded with a Nashville band, the production combines country textures with a rich vocal arrangement that builds towards one of Janet’s favourite moments, a soaring, TOTO-esque harmony stack in the second pre-chorus.
“I was doing that kind of reflection you do when someone’s asleep, because you’re scared they’ll see it written all over your face,” Janet explains. “It was about coming to the realisation that just because you’re sober from substances doesn’t mean you’re sober in love.”
• Grammy-winning singer-songwriter INK releases “American Reject,” a defiant declaration of belonging.
• INK’s credits include Beyoncé’s chart-topping “TEXAS HOLD ’EM” and Kendrick Lamar and SZA’s 13-week No. 1 “Luther,” earning her Grammy nominations for Song of the Year and Album of the Year. She has also written for Jennifer Lopez, Justin Bieber, Kacey Musgraves, Childish Gambino, Lil Nas X, and Latto.
• The track launches alongside the announcement of her upcoming EP, American Reject, and an official music video. INK will perform the single tonight on CBS’s Fire Country, marking her TV debut.. Pre-save the EP HERE.
EMILY ROMAN
“Crying 2”
• Emily Roman releases “Crying 2,” a heartbreak pop anthem about giving everything to the person you love, even as it quietly costs you.
• “‘Crying 2’ embodies the quiet pain and beauty of self-sacrifice for the sake of another. Love is a giving act, until it slowly drains the life out of you, without anyone knowing.” – Emily Roman
• Produced with Slush Puppy (Nessa Barrett, KATSEYE, Katy Perry), the single is released alongside an official lyric video edited by Matt Frazier (Local Natives), with creative by Jack Thalmann (Connor Storrie, Chloe Cherry, Samara Weaving).
KENNY WHITMIRE
“Leavin’ Lucy Lonesome”
• Rising country traditionalist Kenny Whitmire releases “Leavin’ Lucy Lonesome,” a classic heartbreak story delivered with the raw, lived-in emotion fans have come to expect from the Georgia native.
• The release caps a breakout year for Kenny, who signed with MCA, released his debut EP Fool In A King Size Bed, made his Grand Ole Opry debut, and recorded “Movin’ On’s Movin’ In” with Country Music Hall of Famer Vince Gill.
• Kenny remains on the road this fall with his Ain’t Hard Livin’ Tour and will go on a 2027 support run with Emily Ann Roberts. Tickets HERE.
CELINA SAVAGE
“Perfume”
• Celina Savage releases “Perfume,” a hazy, tender pop song capturing the dizzying feeling of falling hard for someone, as the small intimacies of a shared life leave you tongue-tied and shy.
• Celina is an emerging pop singer-songwriter whose latest single, “U Know” with Sleepy Hallow, positions her as an artist to watch.
• The single was produced by Collin Eldred, Chris Anger (Wyclef Jean, Led Zeppelin), David X Prutting (J. Dilla) and Michael Savage and mastered by Grammy‑nominated John Shyloski (Dianna Ross).
MAVENNE
“Pandora’s Box”
• Mavenne’s “Pandora’s Box,” featured in Love Is Blind Season 11, is a cinematic single about self-sabotage, fearing love, and tearing everything down to quench your curiosity.
• “I brought this idea to my songwriting mentor, Pam Sheyne (‘Genie in a Bottle’ by Christina Aguilera) who helped me fully develop this concept into a full crafted song. I then produced the song with increasing cinematic suspense and brooding textures to vividly bring the song to life.” – Mavenne
• The track was mixed by Rich Pilkington (Tiësto, Martin Garrix, Nicky Romero) and mastered by Rob Kleiner (Labrinth, Sia, The Weeknd, Britney Spears), and arrives alongside an official lyric video edited by Matt Fraizer (Local Natives).
IZZA
“Stylish”
• Izza releases rap-infused pop single “Stylish,” an unapologetic, high-fashion anthem about living life on your own terms and choosing yourself over others.
• “Fashion is another way for me to tell a story before I’ve even sung a word. With ‘Stylish,’ I wanted to bring that attitude into the music. ‘Act II’ is about giving myself permission to take up space, want more, and have fun with it.” – Izza
• Arriving alongside an official music video through Vevo, “Stylish” offers the first look at A Night at the Ballet: Act II, coming this winter as the follow-up to Act I, which transformed ballet into a modern pop universe.
Liverpool indie-pop artist Tilly Louise explores the excitement of finally meeting a long-distance crush in real life on her new single ‘Sushi’.
‘Sushi’ is out now on your streaming service of choice, via APOLLO Distribution.
Listen to ‘Sushi’ below: https://ffm.to/tilly-louise-
Musically, ‘Sushi’ pairs Tilly’s rich, weighty vocals with fuzzy guitar distortion, punchy instrumentation and a playful mix of synths, and percussion. There’s a punky streak running through its alternative pop sound, giving the song an edge that sits in contrast with its romantic subject matter. Drawing from the likes of Paramore and Hayley Williams alongside the offbeat pop of Darwin Deez, Sigrid and Caroline Polachek, Tilly brings these influences together without losing sight of her own instincts.
Speaking on the story behind the song, Tilly Louise shares: “Sushi’ is a song that tells the story of dating, in my case, long distance dating. Finally getting to meet the person in real life instead of over the phone and you find yourselves completely smitten! The guard comes down, you want to spend all your time together, the rose tinted glasses are nowhere to be seen!”
Kate Voegele is a singer-songwriter, recording artist, and actress whose career has been built on vivid storytelling and an unmistakably personal approach to songwriting. She first broke through with her debut album Don’t Look Away and reached a global audience through her recurring role as singer-songwriter Mia Catalano on One Tree Hill, where her music became closely woven into the series.
In the years since, Voegele has released a body of work spanning five studio albums, toured extensively throughout the U.S. and internationally, and continued to evolve as both a songwriter and performer. In 2026, following an 83-show tour celebrating the music of One Tree Hill, she entered a new chapter with Age of Alchemy, an album written entirely by Voegele that reconnects with some of the raw, guitar-driven energy of her early work while exploring who she is as an artist now.This fall, Voegele brings those two eras together on her Then & Now Tour, an intimate, story-driven live show pairing One Tree Hill hits, fan favorites and rarely performed songs from across her catalog with new music from Age of Alchemy.
Her latest single “Bad Taste” is a raw and autobiographical alt pop rock banger. She shares, “I wrote ‘Bad Taste’ about the very specific kind of satisfaction that comes from realizing someone who once had power over you doesn’t anymore. It’s about getting to the other side of a particularly shitty situation, being genuinely happy, and knowing that your happiness most likely drives that person absolutely crazy. There are a lot of things in this song that you’re probably not supposed to say out loud, which is exactly why it was so much fun to write. It’s petty, unapologetic, and probably one of the most fun songs on the album.”
LA-based singer-songwriter Ellie Williams unveils her new single ‘Jealous’, a dreamy R&B/Pop track that takes an unexpectedly understanding approach to romantic envy, validating the jealousy of another woman who wishes to take her place. ‘Jealous’ is available now on your streaming service of choice, via APOLLO Distribution
Listen to ‘Jealous’ below:
Ellie Williams – Jealous – Single
“I wrote Jealous about not being jealous when I was, in fact, jealous. In theory, it’s a song about being secure in your relationship and not being phased when people flirt with your partner in front of you. In reality, it’s an elaborate illustration of my own insecurities,” shares Ellie.
On the surface, her lyrics are remarkably assured, insisting that she cant blame someone for wanting the love that she has. Yet beneath this confidence is the quiet act of self-convincing, with the song acting as her own affirmation of security and reassurance that her relationship is safe.
The track opens with a delicate guitar rhythm before Ellie’s vocals arrive with an effortlessly angelic quality, soft and weightless against the shimmering production. Gentle gospel choir-like ad-libs drift throughout the track, adding an almost heavenly warmth to the song. Her vocals are wrapped in celestial instrumentation, with bright, shimmering synths giving the arrangement a magical iridescence and creating a soundscape that feels ethereal and whimsical in every way.
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