DreamWorks Animation’s Stylish Sequel ‘The Bad Guys 2’
DreamWorks Animation’s The Bad Guys 2 roars onto the screen with the same slick, heist-fueled energy that…
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The Review Page 19
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Nov 7, 2026latest story
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The Review: The Messiness of Modern Love – ‘Splitsville’
Michael Angelo Covino’s Splitsville is a comedic gem that takes the well-worn rom-com genre and flips it into…
The Review: Heather Graham’s ‘Chosen Family’
Heather Graham’s Chosen Family is a heartfelt romantic comedy-drama that showcases her multifaceted talents…
‘The Roses’ – A Riotous Romp Through Marital Mayhem
From the opening scene of The Roses, directed by Jay Roach, it’s clear this isn’t your typical romantic…
The Review: A Dreamy and Dark Descent Into ‘Somnium’
Racheal Cain’s debut feature, Somnium, is a blend of sci-fi horror and psychological drama that marks a bold…
The Review: Eva Victor’s ‘Sorry, Baby’ Is A Witty and Tender Triumph
Eva Victor’s directorial debut, Sorry, Baby, released by A24, is a cinematic gem that balances heartache and…
The Review: Josh Hartnett Soars In The Turbulent ‘Fight or Flight’
In the high-octane action-comedy Fight or Flight, director James Madigan delivers a gleefully unapologetic…
The Review: ‘The Ballad Of Wallis Island’
The Ballad of Wallis Island, directed by James Griffiths, is a charming gem that weaves together humor,…
The Review: ‘Pools’ Makes A Splash In Coming-of-Age Cinema
In the sweltering heat of a Chicago summer, Pools emerges as a heartfelt gem that captures the messy beauty…
The Review: ‘Relay’ – A Smart, Suspenseful Techno-Thriller That Redefines The Genre
Relay, directed by David Mackenzie, is a pulse-pounding return to the techno-conspiracy thriller, a genre…