The Review: ‘The Kidnapping of a President’
The Kidnapping of a President is a brisk, fact-based dark comedy from Finnish director Samuli Valkama. On…
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The Review: Christopher Nolan’s ‘The Odyssey’
Christopher Nolan’s The Odyssey is a cinematic behemoth that demands to be experienced on the largest screen…
The Review: A Heartfelt Highland Reunion – ‘Glenrothan’
Brian Cox’s directorial debut, Glenrothan, is a warm, earnest drama that proves the enduring power of a…
The Review: ‘The Blue Trail’ Drifts Between Dystopia and Adventure
The Blue Trail is an incredibly shot and visually hypnotic film that teases profound ideas about ageism,…
The Review: Rock, Desire, and the Coming Silence in ‘Narciso’
Narciso opens with fire—a charred body that sets the tone for a film haunted by its own ending. Set in…
The Review: The Tentacled Temptation of ‘Touch Me’
Addison Heimann’s Touch Me feels like a strange dream you didn’t know you wanted—or maybe one you'll regret…
The Review: A Time-Travel Triumph – ‘Nirvanna the Band the Show the Movie’
Nirvanna the Band the Show the Movie has arrived like a gloriously unhinged mixtape from your coolest (and…
The Review: “STALKER”, Brynolf & Ljung’s Mind Games
Venturing into the realm of magic shows is always a precarious affair for skeptics like myself. With the…