FEATURED

Post Malone Continues His Stratospheric Success with His New Album “Hollywood’s Bleeding”

Austin Richard Post has had a run of a few successful few years. All 18 songs from his second album ‘Beerbongs and Bentleys’ charted in the US. He’s smashed streaming records. And he’s been nominated for a Grammy. Now the American rapper has dropped a brand new album hoping it will follow the same path, called ‘Hollywood’s Bleeding’. One of the main reasons Post was such a phenomenon last year was his ability to stay outside the box and not confine himself to a genre. With his third album studio album he’s done the same thing, much to his fans delight. On ‘Hollywood’s Bleeding’, Post Malone once again combines country, rock, hip-hop and modern soft soul into one masterpiece of a record.

In line with the darker tones of his recent supernaturally-charged music videos, Malone aims for more of a cohesive sound than his past works, settling into a groove of spaced-out, melancholy and reverberating trap-pop. His lyrics continue to be as poetic as ever, Malone worries at length about the motives of the people surrounding him. He criticizes women who “never took the time to get to know me,” as he puts it in the opening title track just after he imagines his funeral.

This new record leans more towards a pop vibe but you wouldn’t think that with the guest line up for it, Meek Mill, Swae Lee, Young Thug, Halsey, Future, Ozzy Osbourne and more all feature. Last year around the Christmas period Post Malone caught our attention with the first single “Wow”, and since then he’s continued to impress.

For all it does to solidify Malone’s reputation as the sad king of streaming, what’s interesting about “Hollywood’s Bleeding” is that it actually moves beyond the bleary, decentered sound he perfected on his first two albums, both of which remain in the upper reaches of the Billboard 200 even as this one enters the world. Unlike “Stoney” and “Beerbongs & Bentleys,” this album feels more stylistic, and focused more on his stories of life and love.

Where ‘Beerbongs & Bentleys’ was criticised for a lack of ideas, here is a record that darts off in many different directions. Sometimes it feels as though he’s still trying to figure this out as he goes, but it’s when he keeps things simple and goes beyond the clichés that he feels most like himself.

Rating: ★★★★☆

neillfrazer@hotmail.com

 

Advertisement. Scroll to continue reading.

 

Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like

Music

Billie Eilish is set to embark on a world tour to support the release of her third album, Hit Me Hard and Soft, set for...

Music

VEVO and Tate McRae have joined forced releases a short film called ‘Think Later’. In the Extended Play short film, Tate McRae speaks about how being...

Artist of the Week!

Hailing from Phoenix, Arizona, Piper Connolly is a brave creative in alt-pop/pop punk with her music being a vibrant blend of introspection and sonic...

INsiders Guide

Across three well-received EPs of “sad, hard music”, German quartet Letters Sent Home have made their name as a band who match infectious melody and huge...

INsiders Guide

Peyton Shay has unveiled her latest single, “Savior Complex,” a powerful anthem celebrating self-reliance and independence. This bold and emotive track is now available...

Music

Dance music maverick Gryffin has unveiled his newest single ‘MAGIC’ featuring babyidontlikeyou out now ahead of his anticipated third studio album PULSE, due out later this year via Virgin...

The Review

FLETCHER’s sophomore album, In Search of the Antidote, released on March 22, 2024, is a poignant collection of tracks that delve deep into the artist’s...

INsiders Guide

East Nashville-based rock band Her Leather Jacket is already making a name for themselves as the spirit of the early pop-punk scene prevails in...

Copyright © 2023 Outloud! Culture

Exit mobile version