Osgood Perkins’ latest venture into horror, The Monkey, is a film that both defies and embraces the conventions of the genre, presenting itself as a chaotic blend of humor and horror. Following the success of Longlegs, Perkins shifts gears dramatically, crafting an experience that is less about the chilling dread of the unknown and more about the absurd randomness of death. The Monkey starts with an immediate plunge into its world – a bloodied pilot (Adam Scott) frantically trying to pawn off a cursed toy monkey. This opening scene sets the tone for what’s to come: a horror-comedy that doesn’t take itself too seriously, yet never shies away from the horrific.
The Monkey is about twin brothers, Hal and Bill Shelburne, portrayed with dual charm by Theo James. Their childhood discovery of their father’s old toy monkey leads to a series of bizarre, often hilarious deaths, setting the stage for a narrative that spans decades. As children, played by Christian Convery, the twins are a study in contrast, providing an early glimpse into the dynamics that will later define them as adults.
Perkins’ direction in The Monkey is a masterclass in tone management. He seamlessly blends the grim with the comedic, ensuring that the film’s humor does not undermine the horror but rather complements it. The kills in The Monkey are inventive, almost cartoonish in their execution, reminiscent of the Final Destination series but with a dash of dark comedy. Perkins plays with the audience’s expectations, turning what could have been a straightforward horror into a joyous, if twisted, celebration of death’s absurdity.
Theo James delivers not one but two compelling portrayals, navigating the emotional landscapes of both Hal and Bill with depth. His ability to differentiate the twins through mannerisms and emotional tone is commendable. I can’t review The Monkey without delving into its sound design and score, which are pivotal in setting the film’s unique mood. The soundtrack, with its playful yet ominous jingles, mirrors the film’s oscillation between comedy and horror. The monkey’s drumbeat, in particular, becomes a character in itself, a sound of pending doom that’s both ridiculous and terrifying.
The Monkey isn’t without its flaws. The lore of the monkey, while engaging, occasionally feels underdeveloped, leaving some questions unanswered or perhaps under-explored, which might frustrate those looking for a more of a history on the mythological character. Despite this though, The Monkey is still an entertaining film, and will appeal to those who appreciate horror that doesn’t take itself too seriously.
The Monkey is a testament to Osgood Perkins’ evolving directorial voice, showcasing his ability to innovate within the horror genre. While it may not be for everyone, it’s a film that invites viewers to find humor in the darkest of situations, and to appreciate the art of storytelling that can make you both laugh and think.
Email:neill@outloudculture.com
Socials: @neillfrazer
