Breakthrough artist Tanis is here with her sharpest and most relatable single yet, “Turn Off The News,” out today on all major platforms. Equal parts witty and wistful, the track captures the absurd rituals of post-breakup life — scrolling, comparing, and trying (and failing) to move on — with the self-awareness and humor of an artist fully in her stride.
Built around dreamy synths and buoyant electropop textures, “Turn Off The News” channels both heartbreak and healing. Tanis’ voice floats between sarcasm and sincerity, as she confesses to the messy truths of starting over.
“The song was inspired by my brother actually, who was complaining about how much amazing content his ex-girlfriend suddenly started posting right after they broke up and how he didn’t really need to know that much,” Tanis said. “It made me laugh at first but then it made me think back to how many times I’ve heard this same pattern of post break up behaviour and thought maybe I’d tell a little story about it.”
The track’s music video playfully mirrors its themes, featuring static TVs, text message bubbles, and kaleidoscopic visuals that blur the line between irony and introspection. Throughout, Tanis performs on drums and piano, showcasing her multi-instrumental range and self-assured artistry.
Born in Paris and based in London, Tanis is a classically trained composer and global artist with a truly borderless perspective. Fluent in four languages and raised across six countries, she’s scored international films (Trail of the Panda, Motel Melati, The Deepest Dance), earned the Elmer Bernstein Award at NYU’s Steinhardt College, and released music through Warner France.
Her songwriting — heard on past singles like “Priority” and “Kid” — marries sharp observation with emotional depth, exploring love, self-worth, and identity through a cinematic lens.
As Tanis explains, “Songwriting uses a different part of my brain. I love doing them both. I wouldn’t switch one for the other. When I am scoring a film, the images guide me to create the sound to bring out the emotions of the film. When I am writing my lyrics and creating the melody, I form the image and emotion.”
Stream “Turn off The News”: https://tanispresave.lnk.to/turnoffthenews?fbclid=PAZXh0bgNhZW0CMTEAAae6LdLrb8_QS4Jc1EDDPklDvc1fos8nGx34cwsUZJ_HJADsY_lWc5CXB-Zs6g_aem_5GhUYJj2oQeTEBfZNwEjdQ
Liverpool-based duo The Wood have made a striking return with their new single “Cold Fire,” the first glimpse of their upcoming EP of the same name, out October 31 via Riverdream Records.
The track finds Alex Evans (vocals) and Steve Powell (guitar, bass) joined by Brooke Combe, a rising Scottish soul singer fresh from an appearance on “Later…” with Jools Holland. She’s been on recent tours supporting Lionel Richie across the UK and Ireland, as well as alongside Benson Boone in the U.S.
Her powerful, expressive voice is a great match for The Wood’s warm blend of soul, gospel, and rock — a collaboration that feels both natural and necessary.
Opening with balmy electric piano chords, “Cold Fire” unfolds into a timeless, slow-burning groove. Combe’s intimate vocal takes center stage — commanding yet vulnerable — as gospel harmonies and sultry rhythms build around her. When Evans’ voice enters, its gritty soul edge brings the track to a simmering crescendo, fusing gospel, jazz, and blues with effortless authenticity.
This summer, The Wood turned heads with their funk-driven reimagining of the John Fitch & Associates rare soul classic “Romantic Attitude.” Anchored by Powell’s six-string fireworks and Evans’ vocals, it showcased the duo’s ability to channel vintage soul through a modern lens.
The “Cold Fire” EP was produced by Steve Powell and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies, Nine Inch Nails).
Evans and Powell first crossed paths at Powell’s Ark Recording Studios in Liverpool’s historic docklands. Their 2024 debut album “Days” (previewed by the single “Let It Loose”) featured Martin Smith and Simon James (The Coral, Shack) on brass and Jake Howden-Woodward (Nova Twins) on drums.
With “Cold Fire,” The Wood reaffirm their place as one of Liverpool’s most compelling soul-rock acts — crafting songs that are as timeless as they are unclassifiable, blending emotion, craft, and groove in equal measure.
Stream “Cold Fire” on: Spotify, Apple Music, and Bandcamp
Irish avant-pop artist Christian Cohle stepped into a new chapter with his latest single, “Oh It Must Be Nice.” Marking a fresh sonic evolution, the track blends shimmering new wave textures with Cohle’s trademark emotional candor — a radiant, rhythm-driven reinvention that still carries the heart of his confessional songwriting.
With his jet blue-black hair and new-romantic tailoring, Cohle embodies the spirit of an era reborn — channeling David Bowie, Roxy Music, and Future Islands, yet remaining unmistakably himself. Over lush piano chords, pulsing basslines, and 80s-inspired synth flourishes, he sings in a lower, more intimate register, his voice revealing both ache and resolve. The result is a sound that feels cinematic, sensual, and unflinchingly human.
“I wrote this song just before leaving for India last year, at a time when I felt exhausted and disillusioned with the music industry,” Cohle said. “At its core, it’s a bittersweet reflection on desire, loneliness, and hope — sparked by a conversation with an old friend who had found love, while I was still searching for my own sense of connection.”
In his most vulnerable writing to date, Cohle admits the song became a kind of self-reckoning:
“This is where I’ve been, this is where I am, and this is me, unguarded,” he said. “In writing it, I admitted things I’d never shared in my music before — the hypersexuality, the empty cycles of intimacy that only left me feeling more alone. They’re not parts of myself I’m particularly proud of, and it wasn’t easy to share, but as an artist I always want to challenge myself and take risks.”
Following his critically acclaimed 2023 album “WETLANDS” — praised by MOJO, Clash, The Irish Times, and featured on BBC 6 Music, France Inter, and Radio Eins — “Oh It Must Be Nice” represents both a reinvention and a reclamation. It’s Cohle at his most alive: confessional yet liberated, brooding yet buoyant, pulling his cinematic instincts into something immediate and deeply human.
Stream “Oh It Must Be Nice”: https://ymlps5.com/62a70usjwapaeqmejalawbsadauyhw/click.php
Long Island acoustic punk duo Bitters and Distractions return with their latest single, “The Threads,” out now via Berkeley-based indie label Sell The Heart Records. Raw, reflective, and heartfelt, the track distills the duo’s signature blend of punk urgency and stripped-back intimacy.
Made up of Jeremy Quitko and Travis Johnides, Bitters and Distractions channel punk’s spirit of rebellion through acoustic guitars — proof that attitude doesn’t require amplification.
“The Threads” wrestles with the pull between chasing the future and mourning what’s already passed. Lines like “spread our wings and stretch our legs” speak to perseverance, while the self-aware refrain — “that’s why we can’t have nice things” — finds beauty in imperfection.
“The song is a bittersweet toast to the journey, the struggles, and the moments that define us,” the duo shared. “It’s about holding onto hope while acknowledging the scars along the way.”
Recorded, produced, mixed, and mastered entirely in their homes, the track features guest backing vocals by Natalia Neal, a former student of Quitko’s — adding another layer of connection to the song’s introspective tone.
What began as Jeremy’s personal songwriting outlet, inspired by his youth in Colorado and the loss of a close friend, evolved into a collaborative force when Travis began composing around his words. Since then, Bitters and Distractions have released nine projects and earned a cult following for their no-frills, full-heart sound.
Now backed by Sell The Heart Records, Bitters and Distractions are gearing up for their busiest and most exciting season yet — one stitched together by resilience, friendship, and the unbreakable threads that tie punk to its emotional core.
Stream “The Threads”: https://show.co/WvnOPO3
Montréal-based dark synthwave producer Das Mörtal released the highly anticipated EP “ORIGINS” via Lisbon Lux Records, alongside the focus track and video “I Just Want To Hold You (Part I).”
The video, directed by Jamaican-born, Montréal-based filmmaker Stacy Lee, captures the EP’s nocturnal energy with a hypnotic blend of fashion, music, and cinematic storytelling. Lee — known for her work with Backxwash, Jessica Moss, and Godspeed You! Black Emperor — brings a lush, surreal edge to the visual narrative.
Following the heavy-hitting single “Falsche Daten,” which drew praise from YourEDM, Post-Punk, and Decoded Magazine, “ORIGINS” finds Das Mörtal diving even deeper into his signature fusion of techno, occult electro, and retro sci-fi atmospherics. With over 28 million Spotify streams and performances at major festivals like Osheaga, Transmusicales de Rennes, and FME, Das Mörtal continues to push darkwave into bold new territory.
Across the EP, he moves from the searing chaos of opener “Minimal Chainsaw” to the futuristic grooves of closer “…Now,” crafting a soundscape that’s both cerebral and fiercely danceable.
The focus single “I Just Want To Hold You (Part I)” reimagines Italo disco through a dark, lustrous lens — its vocoder hooks and funk-driven pulse evoking the cinematic sensuality of Daft Punk, Justice, and Kavinsky.
From Berlin’s underground to Montréal’s electronic vanguard, ORIGINS marks a new peak for an artist forever chasing the edge of shadow and sound.
Stream “ORIGINS”: https://open.spotify.com/album/7fFcNLFQ0lzRpyZisIxhb2
Emerging electronic artist Textbook Maneuver continues his ascent through the IDM and experimental electronic world with a reimagined version of his track “Adrenaline Slip,” out today via his own label, Life Science Records, LLC.
The song — originally featured on his 2025 debut album of the same name — arrives with an equally mesmerizing visual accompaniment.
Since its initial release, “Adrenaline Slip” has earned nearly 130,000 streams across platforms and glowing coverage from outlets like Magnetic Magazine, Illustrate Magazine, WWAM (We Write About Music), Music For All (Brazil), and Good Music Radar, establishing Textbook Maneuver as one of experimental electronic music’s most intriguing new names.
Behind the alias is Michael Keane, a Bronx-born, New Jersey-based composer who fuses the precision of classical training with the free spirit of punk’s DIY ethos. His music bridges the cerebral world of IDM and the emotional pull of ambient and progressive electronica — echoing influences like Jon Hopkins, Nils Frahm, and Boards of Canada, while nodding to Genesis, Rush, and Gary Numan.
“Adrenaline Slip” pulses with shifting rhythms, glowing synth bursts, and cinematic tension, evoking both movement and meditation.
“I am trying to capture those moments of adrenaline rush, like skateboarding, dancing, roller blading, just hanging out with friends, whatever gives you a rush,” he said. “I find, in those moments, there is also a moment of calm because you are doing something that you love or enjoy with people that you are connecting with in the moment.”
With this release, Textbook Maneuver continues to expand his world — where electronic experimentation meets emotional storytelling, and every beat carries the thrill of discovery.
Stream “Adrenaline Slip” on: SoundCloud, Spotify, and Bandcamp
Rising UK country-pop star Stella Lain is stepping into the spotlight with her highly anticipated debut EP, “Stella.” A dazzling introduction to her world, the record celebrates authenticity, sparkle, and self-assured femininity — where twinkling guitars, honeyed vocals, and unapologetic pink power meet heart-on-sleeve storytelling.
Already making waves with her singles “Sun-Kissed,” “Boy Bye,” and “Country Girl,” Stella’s debut captures both her playful charm and emotional depth. The final two tracks, “The Problem” and “Go!,” round out the EP with warmth, wit, and wisdom — showing that behind every rhinestone lies real heart.
Working with producer Ariel Delgado and vocal engineer Edward Sargisson, Lain crafted an EP that sparkles with both personality and polish.
The opening track, “Sun-Kissed,” radiates with summer nostalgia, painting vivid scenes of sand, stars, and young romance. It’s followed by the cheeky, Carrie Underwood-inspired “Boy Bye,” a boot-stomping anthem for anyone who’s ever strutted away from heartbreak in glitter and red lipstick. “Country Girl” continues that confident stride, celebrating Stella’s identity and femininity with the empowering hook: “Maybe from a different part of the world, but I’m still a Country Girl.”
Heartfelt and introspective, “The Problem” slows things down with reflective lyricism and tender guitar melodies — a reminder that even the boldest cowgirls have soft sides. The EP closes with “Go!,” a cathartic, slow-burning release that transforms heartache into healing, closing the collection on a note of calm confidence.
Hailing from Norfolk, UK, Stella has been writing songs since the age of 10, crafting her distinctive “Country Barbie” aesthetic — a mix of empowerment, glitter, and unapologetic joy. Drawing influence from Dolly Parton, Taylor Swift,and Carrie Underwood, she brings a vibrant British twist to Nashville’s storytelling tradition.
Stream “Stella”: https://www.submithub.com/link/stella
Birkenhead-born singer-songwriter Ty Freeman is back with his most powerful work to date, unveiling his new single “Better Man,” today via all major streaming platforms.
Recorded at Real Sound Recording Studio in Milan, the track was written and composed by Freeman, mixed by Chris Taylor (Blossoms, The Coral, Miles Kane), and mastered by Graeme Lynch at Kempston Street Studios.
Raw and soul-drenched, “Better Man” marks a pivotal moment for Freeman — a cathartic reckoning from an artist who has stopped chasing perfection and started embracing truth. Written during a period of emotional upheaval, the song captures both the pain and peace of transformation, reflecting on trauma, abandonment, and the long road to self-redemption.
Drawing on the influences that shaped him — The Verve, Jeff Buckley, Cast, The Coral, and Radiohead — Freeman blends vulnerability with grit, crafting a sound that feels timeless yet deeply personal. “Better Man” was recorded live with friends in the studio, lending it a warmth and spontaneity that amplifies its emotional core.
The single arrives alongside a cinematic music video directed by Frank Felsen, mirroring the song’s themes of rebirth and reconciliation.
A Merseyside-born, Liverpool-raised musician now based in Zurich, Ty Freeman’s story is one of resilience. From a childhood in foster care to years busking and performing across Europe, his journey has been anything but ordinary. Earlier this year, he played a sold-out 200-capacity headline show at Zurich’s Dynamo Werk 21 and made his official UK debut at London’s Shacklewell Arms to a rapturous crowd.
With his debut album — produced by Chris Taylor — already in the works, “Better Man” signals the arrival of an artist fully stepping into his own.
Stream “Better Man”: https://ditto.fm/better-man-ty-freeman
