Roe Moore’s WALKIES is a quietly powerful short film that explores the weight of mental health struggles through an unexpected lens: a robotic dog named Luno. In just a brief runtime, Moore crafts a narrative that feels both intimately human and subtly futuristic.
The film centers on Esther, portrayed with raw vulnerability by Mariana Aroxa, whose performance anchors the story. Esther’s world is one of muted colors and repetitive routines, a visual and emotional reflection of her battle with anxiety and depression. Moore’s direction, avoids heavy-handedness, instead letting Esther’s isolation unfold through understated moments—like the way she watches others from a distance, yearning for connection yet paralyzed by her inner turmoil.
Enter Luno, a robotic dog (played by Jennie, a real-life creation from TomBot) that becomes Esther’s unlikely companion. The choice of a robotic pet is a stroke of brilliance, blending science fiction with grounded emotion. Luno isn’t just a gimmick; it’s a symbol of accessible, non-judgmental support, offering Esther a reason to step outside her fog. What sets WALKIES apart is its refusal to offer easy answers. When Esther encounters another robotic dog owner, their shared moment of understanding feels authentic rather than contrived, a testament to Moore’s ability to find hope in small, human connections. The film doesn’t shy away from the reality that healing is neither linear nor complete, but it celebrates the courage of taking that first step.
With its blend of emotional depth, innovative visuals, and a heartfelt message about mental health, WALKIES is a testament to Roe Moore’s skill as a filmmaker who can balance tenderness with technical precision. It’s a short film that feels expansive, reminding us that even the smallest companions—robotic or otherwise—can light the way toward healing.
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