Following a breakout year with her viral hit “We Hug Now,” singer, songwriter, and multi-instrumentalist Sydney Rose kicks off 2026 with a brand-new single “Over” featuring award-winning singer-songwriter Tom Odell out now via Mercury Records/Island EMI Label Group. Listen HERE and watch the lyric video HERE.
Once again, the track places her vulnerable honesty front-and-center. The verses play out like confessions, and Sydney’s delivery barely breaks a whisper. Instead, her murmured words rest uneasily on top of creaky acoustic guitar chords. The tempo increases at the pace of a quickened heartbeat, and her breezy high register carries the hook, “Set myself up for disaster, wishing now that I was plastered, there’s a show in front of me, but you’re all that I can see.” Tom’s harmonies give way to another crescendo uplifted by cinematic strings. The final words, “It’s over,” echo in the distance and instantly evoke raw emotion.
About the collaboration, Sydney commented “Words can’t really describe in full how special it is to have Tom on my song. Like every sad teenage girl, I was infatuated with Tom’s writing and songs. I have always been inspired by what he’s created and it’s definitely had an influence on my own music. So to have him be on such an honest song of mine is a dream. There isn’t anyone else out there who could’ve fit this song better than him.”
Fresh off a sold-out headline run across Europe and the US, Sydney has been performing ‘Over’ live on tour and teasing the collaboration to rapturous fan response, with it quickly becoming a standout moment in her sets. This single also follows her cover of Charli XCX’s ’Sympathy Is A Knife’ featuring Medium Build.
It’s been a breakthrough period for Sydney; she’s just wrapped her biggest year to date, including two sold-out Omeara shows and a sold-out Islington Assembly Hall, and is now gearing up for an exciting year ahead with an Australia tour in March, new collaborations, and a larger project on the horizon. Her unfiltered storytelling and emotional honesty have earned her co-signs from Olivia Rodrigo and Addison Grace (who invited her out on tour), and she’s shared the stage with Noah Kahan at BST Hyde Park this summer, alongside Gracie Abrams, FINNEAS, and Gigi Perez.
Last year, Sydney broke into the UK Top 50 with her single ‘We Hug Now’, taken from her EP I Know What I Want which came out earlier last year. Written in just a few hours at the piano, the track’s raw reflection on lost friendship struck a nerve with listeners worldwide. Growing up in the suburbs of Atlanta, Sydney cites influences including Phoebe Bridgers, Bon Iver, Daughter, Conan Gray, and Cavetown — all evident in her quietly powerful, emotionally direct songwriting. Stay tuned for much more to come from Sydney in 2026…
Jamaican dancehall artist 1Ski OG releases “Miss Independent,” available now via Against Da Grain / Epic Records. Carried by melody and rhythm, the track continues a steady run of new music as anticipation builds toward his debut project.
[Get: 1Ski OG, “Miss Independent”]
On “Miss Independent,” 1Ski OG leans into a smoother side of his sound, sitting comfortably next to the trap-influenced energy he’s known for, and adding dimension to the range he’s been showing across his recent drops. The record centers on admiration and attraction shaped by self-assurance and independence, a nod to women who move on their own terms.
Alongside his recent singles, 1Ski OG has continued expanding his presence across key media platforms. He delivered a standout performance at On The Radar, joined Jamaica’s The Fix podcast for in-depth conversation around his artistry and creative vision, and was featured by Billboard, which spotlighted his rebrand and growing profile as a dancehall artist to watch. His music has also been highlighted by outlets including Okayplayer and The Hype Magazine, in addition to recent press runs in New York and Atlanta, setting the stage for a breakout year ahead.
An official music video for “Miss Independent” is coming soon, filmed in Jamaica, flowing through vibrant scenery and shifting settings as the song plays out. The camera follows 1Ski OG through shared moments with a captivating figure, letting poise, beauty, and connection unfold naturally. Vivid color and movement guide the visual, keeping him at the center while their chemistry carries each frame.
“Miss Independent” arrives as another step in a growing body of work leading into his upcoming album. 1Ski OG first introduced this chapter with the two-track “Double Life” bundle, pairing the introspective title record with the sultry “Feel Like.” He continued building momentum with “Stay To Mi Self,” before expanding his reach through “Bounce,” followed by the “Bounce” Remix featuring Fito Blanko, which helped extend his sound beyond borders. That run came next with the harder-edged “Ratatata,” earning recognition from Billboard in their Reggae and Dancehall Fresh Picks, and later “Have You Ever,” a melodic release that sparked organic engagement across platforms and live performance moments.
South Florida favorites Good Night Moon have returned with their first release in nearly 20 years. The band has announced their forthcoming self-titled EP, set to be released on January 23, 2026. The five song collection has been re-recorded and updated for a whole new generation of fans to discover, including production by Matt Marino (Fame on Fire, MGK) and Ian Marchionda (Suck Brick Kid, Superbloom), mixing by Aaron Marsh (Copeland), and mastering by Jonathan Berlin (Underoath, Anberlin).
“We only kept songs that translated well 20 years later,” vocalist JB Corey shares. “These songs about heart break, healing, and growing as a person still resonate at 36 as they did at 16. Maybe they are in different context but I still feel like the same person when we wrote these songs and their meaning just hits different now.”
Anchored by a scintillating, instantly recognizable vocal hook, the track is driven forward by an explosive, adrenaline-charged drop – one that ignited crowds throughout last year’s Get Cranked 2.0 Tour. Fusing his signature visceral, high-octane sound with an irresistibly seductive energy, “Movement” has captivated fans across the globe, emerging in 2026 as a defining moment in Crankdat’s ever-evolving sonic catalog.
fabric Records has enlisted visionary renegade DJ Tennis for the next installment of its prestigious mix compilation series, fabric presents. Set for full release on February 13, fabric presents DJ Tennis will showcase his diligent curation talents, along with featuring two new original tracks. The announcement arrives alongside the release of the first single, “I Wanna Know,” a collaboration with London producer Ashee, out now via fabric Records.
“fabric has always been a place where I shaped my taste—getting lost in the middle of the dancefloor, learning to really listen. This mix reflects how I approach music today: psychedelia, sound design, and groove shaped by early rave culture and an experimental, DIY background, beyond genres or formulas. Every track is something I would genuinely play in Room 1, and the cover of the mix says the same thing: a brain on a plate, memory, influence, and process, exposed.” — DJ Tennis
The Undercover Dream Lovers release the official video for the new single “Prom Queen.” Los Angeles-based musician and producer Matt Koenig is stepping away from his fuzzy, dream-pop sound, opting instead for an ELO-meets-Phoenix glittering wash of synths, guitar chops and weeping strings. The song opens with the familiar whir and clicks of a VHS tape coming to life, a nostalgic portal into a specific time, both in history and in life. Sonically and visually, there is a humanness to “Prom Queen,” like memories that turn into emotional architecture — Watch the video.
Koenig shared, “A lot of the ideas came from reflecting on youth and nostalgia (late 90s / early 2000s), and pulling from nuclear family character types (kind of a Donnie Darko-ish lens). The song flips between an alt-punk kid who’d rather skip prom and hang with his friends, and a mother figure looking back on her own prom queen era. Ultimately it’s about perspective and letting go of the idea that you need to be seen or act a certain way to feel worthy or appreciated.”
Directed by Alex LaLiberté and Grant Spanier, the video was shot run-and-gun style across various LA locations like the old Teen Wolf set and at the Mustang Motel.
Latin GRAMMY® nominee and U.S. Platinum-certified artist Manuel Turizo — returns with a sound rooted in emotion and rhythm with“Por un Pendejo No Se Llora (Salud Mi Reina).” The new single introduces a modern bachata filled with sensuality, melody, and the unmistakable romantic essence that continues to define his artistic identity – LISTEN HERE.
Co-written by Manuel Turizo, Julián Turizo and CASTA, the track unfolds as an intimate confession—where heartbreak evolves into empowerment, confidence, and self-respect. Soft guitar lines, danceable rhythms, and a memorable hook bring balance to a narrative that is both vulnerable and bold, capturing the emotional contrast that resonates throughout Turizo’s music.
The release arrives alongside the official music video, a visual story steeped in passion, connection, and subtle sensuality. Turizo takes center stage, delivering a heartfelt performance while sharing the frame with the woman who represents the emotional core of the lyrics—the muse, the conflict, and ultimately, the spark behind the transformation. With a cinematic and elegant aesthetic, the video amplifies the emotional tone of the song with intimacy and visual poetry – WATCH HERE.
After a year spent traversing the country – both as an opening act and as headliners – NYC’s Bandits on the Run welcome 2026 with a new single, “Am I Your Mirror?,” ahead of a string of performances at the annual Folk Alliance International conference in New Orleans, Louisiana. LISTEN HERE.
“As Bandits, we’re really interested in the space that exists between people who really love each other. So much is possible in that space- it’s fluid and infinitely creative,” Regina Strayhorn shares of the inspiration behind the new single, “At its worst, that space can feel like a hall of mirrors. A disconcerting maze full of false selves that makes relating feel like a nightmare. But at its best, that space is a window into what some would call the divine- a place to marvel at the dance souls can have with each other when they’re not trying to wear the same shoes and step on each other’s feet. ‘Am I Your Mirror?’ is about that dance.”
GRAMMY-nominated electronic artist ILLENIUM has unveiled “Feel Alive,” his latest track with GRAMMY-nominated alt-pop band Bastille and Canadian electronic artist Dabin out via Republic Records. Get it HERE. “Feel Alive” is the final release from ILLENIUM’s highly anticipated album ODYSSEY, out February 6th. In addition to the single, today ILLENIUM has also revealed the tracklist for the album which includes standout features from Ellie Goulding to Kid Cudi, Zeds Dead and more. The release comes on the heels of ILLENIUM’s iHeartRadio Music Awards nomination for Best Dance Song of the Year for “In My Arms” with HAYLA.
“Feel Alive” is a soaring, emotionally charged collaboration that brings together ILLENIUM, Bastille, and Dabin at the intersection of melodic bass and alternative pop. Anchored by shimmering guitar lines and expansive, cinematic production, the track slowly builds before erupting into a euphoric release designed for both festival stages and late-night drives. Bastille frontman Dan Smith’s unmistakable vocals deliver a sense of urgency and cut through the warmth of the track as ILLENIUM and Dabin layer pulsing synths and dynamic drops that amplify the song’s emotional core. The result is a powerful anthem about connection, release, and the moments that make you feel fully alive.
Last month, ILLENIUM released “War,” a high-impact track featuring rising alternative singer-songwriter Lø Spirit (listen HERE), and announced the stacked special guest lineup for his ILLENIUM Presents ODYSSEY shows at Sphere in Las Vegas this March and April, including Alok, Dab The Sky, Wooli, Levity, Audien, Ray Volpe, SLANDER, DJ Diesel and Tape B.
Without missing a beat, Girl Tones today release their first single of the year titled “Volcano.” Headstrong and unyielding, but making diamonds under pressure, the sister duo lays out their exact path. In 2026, it’s ride or get off the horse. Listen to “Volcano” via Parallel Vision x Big Loud Rock HERE.
The band’s singer Kenzie said that “Volcano” is about, “How helpless it feels when chaos strikes. One thing I’ve learned is to flip chaos on its head and make something new out of it. Pressure isn’t always a bad thing.”
Announced this week, Girl Tones join Amazon Music’s list of Artists to Watch for 2026. They are amongst peers like Fcukers, Florence Road, Folk Bitch Trio, NewDad and more. Last year’s alumni include massive names like Alex Warren, Addison Rae, Leon Thomas and Mk.gee.
Brooklyn rock band Local Weatherman are excited to share their new EP, Right One, available everywhere now via emerging tape label, Karol Records. Right One channels restless introspection into sharp, melodic songs that balance raw urgency with moments of tenderness. Across the EP, the Brooklyn four-piece lean into driving hooks and frayed edges, crafting songs that feel immediate while quietly wrestling with uncertainty and growth. Five tracks capture a band refining its voice without sanding down its emotional bite.
“The EP is about stitching things back together when they start to come undone, bandleader Fritz Ortman explains. “When I sat down to figure out a title, I wanted to name it after ‘Right One’ because it felt like it fit the whole release thematically. I feel like every song is about trying to work out some problems so that you can finally be the Right One for the people who love you most.”
BROOKLYN BAND LOCAL WEATHERMAN
UNVEIL NEW EP RIGHT ONE
VIA KAROL RECORDS – LISTEN
Moby announces his 23rd studio album Future Quiet, to be released on February 20th 2026 via BMG and shares the lead track, a new version of the Stranger Things hit “When It’s Cold I’d Like To Die” featuring Jacob Lusk, best known for his work with the acclaimed Gabriels.
Future Quiet signals a striking new chapter for one of electronic music’s most enduring and visionary artists. Across eleven tracks that encompass modern piano minimalism, immersive ambient soundscapes and a smattering of vocal collaborations, the album finds Moby reflecting on the tension between hyper-connected modern life and the deep human need for stillness.
teo tala, one of Southern California’s rising indie-pop artists, has released his newest break-up anthem, “let them go.” The simmering yet pensive single reflects on ruminating feelings for a failed relationship, while offering listeners a view into his upcoming EP, good grief. Oozing with confessional lyricism and abject heartbreak, “let them go” captures the melancholic urge to resist reality and the subsequent ache of dead romance. The single is now available on all major streaming platforms.
good grief, teo tala’s upcoming project, walks listeners through the five stages of grief: denial, anger, bargaining, depression, and acceptance. After cycling through the first four stages across earlier singles, the Filipino-American artist finally turns toward acceptance on “let them go,” which bookends the EP’s poignant arc. Surrounded by sunny production and bright, chirping ukulele strums, “let them go” marks the artist’s move toward closure, pushing away the harmful coping mechanisms that surfaced through previous singles “love doctor” and “she loves me so.” Looking back on the relationship after months of agonizing back-and-forth, teo tala concludes that “sometimes people change,” a soft but sad notion. He further reflects this shift with an earnest refrain, singing, “But we both know things aren’t the same / We might never get it back someday.” “I wrote ‘let them go’ about that part of grief when you have to make a heartbreaking decision to walk away from someone you fought hard for,” says tala. “The song captures that feeling of despite how much you’ve invested, knowing that setting that special someone free is the only way for you to move on and truly serve yourself.” Produced by Bryan Hernandez (Rosalia, Bad Gyal) and mixed by Martin Riley of Abbey Road Studios, the track leans into gleaming bedroom-pop soundscapes reminiscent of contemporary indie-pop artists like Khai Dreams. The anthem carries a glimmering polish that mirrors tala’s sun-drenched discography while underscoring quiet, deeply embedded resolve.
Wasteland, an art novel by Jason Haaf and Scooter LaForge, is a place you can sink into or try to leave. It is a time when you fell into lust and became glued; it can be a trap or an escape. Combining painting, prose, poetry and collage, authors Haaf and LaForge explore queer intimacy, anger and angst. From relationships to repetitions, Wasteland is an open invitation into a collaborative psyche. Wasteland will be released on February 24 via Doable Guys.
JASON HAAF ARTIST STATEMENT
“Earlier this year I was working at the Strand bookstore and my book, Harsh Cravings, was stacked on the LGBTQ table. It was a Sunday and there was one copy left. By the time I left for the night, I noticed that it was gone. I posted a story on Instagram that we ran out of copies but we’d restock soon. I received a message from Scooter LaForge and he said he bought the last one.
I was flattered that Scooter, a fixture in the art and fashion world, thought to even purchase it. He told me that he was enjoying it and related to much of the material. A few days and messages later, I got a bit of gumption and asked if he’d want to work together. He was open to the idea and we agreed to talk more. I’ve collaborated with artists in the past and I told him that this time, I’m looking for something different. Something more involved. I told him that I don’t want my work to just sit on top of another’s. I want it to go inside. I want a melding, a third eye, a true collaboration where lines are blurred. I questioned if the intensity of that idea would turn him off, but it didn’t, and we made a plan to meet.
There was no preconceived notion of Wasteland, that title, made famous by T.S. Eliot did not yet exist for our project. We began with watercolor paper, ink, and a bamboo pen. I rifled through old journal entries dating back to 2021 and I found passages that still resonated with me. When I transcribed them onto the watercolor paper, I channeled the emotions I felt at the time those words were written. When I handed off the pages to Scooter, the aim was to discover a response. Nothing planned, nothing predetermined. And when he returned the pages, surrounded by his art, it didn’t change the meaning of my words, instead, it added a light and an energy to them, another pulse. Sometimes, I would give a response back, adding paint and pastels to his creation. And sometimes, I would write more words, over his art. This was the kind of collaboration I was looking for.
Months later, I began sorting about 80 art pieces together. What I found is that Wasteland became a place, a being, a location. While indefinitely Queer in nature, it is a place we all go to. What is it to want to get out of our surroundings? What is it to create something new? What is this urge to say, this isn’t enough and I want more? How do we get there? And what if we stayed? In order to create, we need the guidance and the relatability of others. It is where we can unapologetically go inside of our own heads and ultimately travel to someplace new with the help of another.”
SCOOTER LAFORGE ARTIST STATEMENT
“This collaboration started with a jolt of instinct. I was roaming the Strand, hungry for something real—maybe a queer love story, maybe just a voice that felt alive. Then I saw the cover of Jason’s book. It hit me. I opened it, read a few lines, and felt that electric pull you only get when something speaks straight to you. The raw, diary-like honesty hooked me fast.
When I finished the book, I messaged Jason just to say how deeply it landed. I didn’t know who he was, didn’t know his reputation—none of that mattered. I was responding to the object, the words, the feeling in my chest.
He wrote back and asked if I’d paint from his writing. The question felt so right that I said yes instantly. We met in a café, and from the first conversation, something charged passed between us—creative, emotional, hard to name.
The work poured out of me. No forcing, no second-guessing. Just pure response. It felt like opening a vein in the best way.
This project is unlike anything I’ve ever done, and I’m proud of what came out of us. The book feels alive, touched by a real kind of magic—the kind that only shows up when two people meet at exactly the right moment and say yes.”
PRE-ORDER WASTELAND HERE
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