The Review: A Magnetic Force Pulls Me Into ‘The Testament of Ann Lee’
As someone who isn't really fond of period films, I approached The Testament of Ann Lee with more skepticism…
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The Review Page 11
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Oct 15, 2026latest story
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The Review: ‘Jimpa’ Serves Charm, But Craves More Bite
Sophie Hyde’s semi-autobiographical Jimpa arrives with noble intentions, weaving a multi-generational…
The Review: ‘Crime 101’ Delivers a Thrilling Ride
Crime 101 is a confident crime thriller that feels like a loving nod to the golden era of heist films while…
The Review: Emerald Fennell’s ‘Wuthering Heights’
Emerald Fennell’s 2026 adaptation of Wuthering Heights reimagines Emily Brontë’s timeless gothic romance as a…
The Review: ‘Fackham Hall’ – Downton Abbey Meets Airplane!
Fackham Hall bursts onto the screen delivering a much-needed revival of the spoof genre that’s been gathering…
The Review: The Chilling Folk Fright of ‘Lord of Misrule’
In rural England, Lord of Misrule draws viewers into a world where ancient traditions clash with modern…
The Review: ‘We Bury the Dead’
I had the privilege of catching We Bury the Dead at an unforgettable screening at Luna Outdoor in Perth,…
The Review: The Quiet Power of ‘The Boy In The Woods’
The Boy in the Woods is a quietly powerful drama that tell's a story of sheer human resilience. Directed by…
The Review: ‘Marty Supreme’ — A Charismatic Masterpiece That Lives On The Pulse of It’s Lead
From its first frame, Marty Supreme commands attention not just as a period sports dramedy but as a cinematic…
The Review: A Melancholy Waltz Into ‘Blue Moon’
Blue Moon by Richard Linklater is a quiet but powerful film that mostly takes place inside a smoky bar called…