The Review: A Celebration Of The King Of Pop — Why ‘Michael’ Is a Must-See for Fans
The new biopic Michael is exactly what I hoped it would be — a celebration of the life, talent, and magic of…
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The Review Page 9
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Nov 7, 2026latest story
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The Review: The Tentacled Temptation of ‘Touch Me’
Addison Heimann’s Touch Me feels like a strange dream you didn’t know you wanted—or maybe one you'll regret…
The Review: Trapped In The Loop of ‘Exit 8’
Genki Kawamura’s Exit 8 is one of those rare video-game adaptations that doesn’t just survive the transition…
The Review: A Tender Ode to Home, Heart, and Late-Blooming Love, ‘Calle Málaga’
Calle Málaga is a warm, character-driven drama that feels like a gentle embrace from start to finish.…
The Review: Dianne Whelan’s Epic Quest for Healing in ‘500 Days in the Wild’
Directed by and starring photographer-filmmaker Dianne Whelan, 500 Days in the Wild chronicles Whelan's…
The Review: Warwick Thornton’s ‘Wolfram’
Warwick Thornton returns to the unforgiving heart of Central Australia with Wolfram, a 1930s-set historical…
The Review: Angelina Jolie’s Most Vulnerable Triumph in a Graceful Fashion Week Drama ‘Couture’
In the whirlwind of Paris Fashion Week, Alice Winocour’s Couture dares to reveal the very human threads…
The Review: Taboo ‘I Do’s’ – A24’s ‘The Drama’ Turns a Wedding Week into Razor-Sharp Psychological Mayhem
Kristoffer Borgli’s The Drama is the anti-rom-com we didn’t know we needed—or maybe the one we secretly…
The Review: Rebel Wilson’s Outback Musical Debut ‘The Deb’
Rebel Wilson’s directorial debut The Deb, adapt's the hit Australian stage musical into a raucous teen comedy…
The Review: Cherien Dabis’ Generational Epic ‘All That’s Left of You’
Cherien Dabis has always had a gift for blending the personal with the political, but with All That’s Left of…