The Review: ‘Tony’ -A Messy, Funny and Surprisingly Tender Taste of Bourdain’s Beginnings
There is something inherently fascinating about watching the early years of someone who would go on to become…
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The Review: ‘The Rivals of Amziah King’ – A Bold Southern Oddity That Can’t Quite Find Its Rhythm
There is something undeniably intriguing about The Rivals of Amziah King. It is the kind of film that refuses…
The Review: All Aboard the Glamazonian Express in “Stop! That! Train!”
I caught Stop! That! Train! at the special premiere screening held and hosted by Luna Palace Cinemas in…
The Review: Eli Roth’s ‘Ice Cream Man’ Melts Under Scrutiny
Eli Roth’s Ice Cream Man rolls into town like the jingle of a summer ice cream truck—bright, inviting, and…
The Review: Roe Moore’s ‘Uncle’
Roe Moore’s short film Uncle is a sharp, understated comedy-drama that finds real emotion in the everyday…
The Review: A Brand New Day for Tom Holland’s Most Mature and Heartfelt Spider-Man Yet
Spider-Man: Brand New Day picks up several years after the events of No Way Home, finding Peter Parker living…
The Review: Anders Thomas Jensen’s ‘The Last Viking’
Anders Thomas Jensen’s The Last Viking arrives combining dark comedy mixed with crime, family dysfunction,…
The Review: ‘Holy Days’ Finds Heart in the Hills of 1970s New Zealand
In the mid-1970s, on New Zealand’s South Island, a grieving Māori boy named Brian (Elijah Tamati) finds…
The Review: Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma’
Jane Schoenbrun continues to prove there are few filmmakers working today with a voice as singular and…
The Review: Reviving a Rebel In “Being Bo Widerberg”
Bo Widerberg remains one of Swedish cinema’s great what-ifs—a passionate, working-class auteur from Malmö who…