R&B Pop Singer-Songwriter, Nikitaa, unveils their latest single “Godless,” a compelling anthem of liberation and self-worth. Co-written by Nikitaa, “Godless” captures the journey from vulnerability to empowerment, resonating with those who have broken free from toxic relationships. Produced, mixed, and mastered by Nikitaa themself, “Godless” stays true to its theme of defiance, incorporating choral and orchestral elements to create a powerful pop ballad. With raw honesty, the track celebrates the courage to walk away from manipulation and reclaim personal power.
Nikitaa, an LA-based artist born and raised in India, infuses their music with ethereal
Pop/R&B influences and their South Asian heritage, creating what they call Goddess
Pop – music that emphasizes the fluidity of gender and emotional expression. As a genderfluid demisexual person, who predominantly uses they/them pronouns, Nikitaa is always emphasizing the importance of representation and inclusivity in the music industry. With almost 6 million YouTube views/Spotify streams combined, Nikitaa’s music has captured the attention of listeners instantly. Their third single “Majesty” landed placement on NMF playlists across the world, and their singles through 2020 were released during lockdown with self-directed and produced videos that soared on Spotify and YouTube.
Built around his soulful, worn-in voice and wrapped in tender harmonies, Alex Coley & Afterlove explore the elemental tension between joy and pain; heartache and healing; what was and what will be. Alex Coley is a Nova Scotia-based songwriter and indie-folk musician with an affinity for novelty, big feelings and good questions. Music has always been a compulsion for Alex – his headspace an enduring and immutable arc of melody. It became an obsession after a long drive across the Maritimes with his dad. It was the first time he heard Joni Mitchell’s ‘Both Sides Now’ over the crackly speakers from the back seat of his dad’s red Ford Aerostar. Like all things worth enduring, Alex’s relationship with music has been complex, terrifying and inevitable.
In his debut album The Arc, made possible by a Canada Council grant, Alex’s thoughtful songwriting uses the personal as a portal into the universal. His vulnerable and intimate lyrics will be sure to dredge up feelings you forgot were there – inviting you to gracefully move through melancholy. The deeply emotional, stirring songs offer a clarity you can often only find when you get really quiet; at the end of a long winding road travelled alone. His songs seek to articulate what we lack the vocabulary for, helping us make sense of the things that often don’t.
The album was written in isolation, but came to life in community; it is alive with the people and landscapes that were foundational to its creation. Most of the recording happened in a small studio in rural Nova Scotia during the heat of the summer, nestled amongst an old birch forest, with all six bandmates crammed between an old CRT TV and an Atari game console. Alex and his bandmates, Braden Kammermans (bass), Ted Morris (drums), Connor Robins (lead guitar), Sarah Roberts (harmony), and Dan Richards (keys), each brought their unique sound and perspective to the album. The Arc was produced by bandmate and friend, Braden Kammermans (Sleepy Kicks), who encouraged the disruption of folk cliches by offering a less predictable and more scuzzy sound.
The Arc arrives at the end of this locked-down, fearful era when gazing backward was all we had, serving as a beautiful reminder of the transformative power of introspection. The songs that emerge are both melancholic and hopeful, capturing themes of nostalgia, resilience, heartbreak and unexpected clarity. Alex Coley & Afterlove’s music reminds us that the darkest, windiest days are often the days we feel deeper and love harder.
rising pop singer-songwriter Cristina Hart shares her brand new single ‘Before You’. Hart’s latest offering is a sweet, vulnerable song about finding love when you never thought you could; a kind of love that you didn’t know existed. Uncomplicated, unconditional, beautiful, sincere. The single is available now on your streaming service of choice via APOLLO Distribution.
Listen to ‘Before You’ below:
Speaking on the story behind the making of ‘Before You’, Cristina Hart shares; ‘Growing up with parents that aren’t together is always a bit hard to wrap your head around as a kid. There’s always this secret hope that one day they’ll get back together until one day you realize that that’s never going to happen. I think it’s easy to think you’ve done something wrong to cause this as a child and that can really impact how you view relationships as an adult. I’m so lucky to have found someone that’s shown me what this kind love looks like and I wanted to write this as a little diary entry to show that despite what’s happened in your past, you are deserving of love and, if you find the right person, you can still have and nurture a healthy relationship.’
Today’s release comes off the back of Cristina’s latest single ‘Like My Father’, which was very well received amongst her audience, and found reputable support from the likes of BBC Introducing, Spotify’s New Pop UK and Easy Playlist and had numerous online blogs applauding the level of honesty and openness tied into Hart’s music.
The New Age Magazine – “A radiant and melancholic exploration of paternal abandonment, and the effects this can have on attachments in later life.”
When The Horn Blows – “Cristina Hart bares her heart and soul on her latest single ‘Like My Father’. The track’s gentle melodies that are blended together with Cristina’s lyrical sensibility makes this a powerful opener into the new year for the rising talent.”
With Cristina’s upcoming project ‘Online Therapy’ dropping soon, ‘Before You’ is just a taste of the sentimental pop brilliance that you can expect from the full body of work.
the prolific German dance music duo andhim, who have produced and performed alongside each other for 14 years, release their brilliant revamp of Olive’s iconic 1990s hit “You’re Not Alone.” The new single, which also serves as the duo’s return to Diplo’s Higher Ground label following their 2021 EP and appearance on his self-titled 2022 album, is out now.
Originally released in 1997 as a breakbeat track, andhim molds the beloved hook into a modern dancefloor weapon, masterfully toeing the line between house and techno. The versatile nature of the production makes it ideal for stages large and intimate, and it was even a highlight of Diplo’s remarkable Antarctica set earlier this year.
The release comes in the midst of their current tour through Europe and North America, hitting clubs in Spain, Turkey, Austria, and Switzerland before heading across the Atlantic for Miami Music Week and shows in New York City and Montreal.
Simon Haehnel & Tobias Müller launched their andhim project in 2010. They’ve accumulated a staggering collection of high-profile collaborations and remixes, working alongside artists such as Diplo, RÜFÜS DU SOL, Theophilus London, and more. andhim have held residencies in New York, Los Angeles, London, and Berlin. In 2020, they released their award-winning documentary Miles To Go, a deep dive into the lives of the duo as they toured the West Coast of the US in a camper van, playing small clubs along the way. andhim wrote the score for the film, which won “Best Score” at Swindon Independent Film Fest. The soundtrack, along with most of their other work, was released on andhim’s own label Superfriends, which has also featured artists like Roman Flügel, Acid Pauli, and more.
inspired electronic music extraordinaire Kasbo announces his first new body of work in four years, The Learning of Urgency. The project is Kasbo’s third studio album to date and will arrive via ODESZA’s revered Foreign Family Collective label on June 7. Along with the news comes two brand new singles, “Drift” and “Atlantis,” the latter featuring Shallou and Swedish singer BJOERN.
For Kasbo, The Learning Of Urgency is an extremely important concept. The songwriting orbits around slowing down, as the past few years of his life have been ridden with a sense of acute pressure, manifesting into a subconscious compulsion to constantly achieve and do more. The result nearly cost him his career, as he developed rare, stress-related hearing loss. The natural slowdown of the pandemic put these stressors into perspective, and through addressing them, he was able to get back on track, personally and professionally, and write this new album.
Last year, Kasbo returned triumphantly with a pair of singles (“The Way You Had Me” and “Alive”), marking his first solo original releases in three years since his previous album, The Making of a Paracosm. Now, he’s ready to unveil his most meaningful work to date. Previewing The Learning Of Urgency with two new singles, “Drift” and “Atlantis,” Kasbo himself elaborates on how the aquatic nature of these two tracks ties into the album concept:
“My new album is inspired by the feeling of being submerged in water. Underwater, the world moves slowly, sounds fade, and there’s this feeling of stillness. To me, there was this direct relation to being on a stormy ocean surface, trying desperately to keep your head above water. Whereas the world beneath the surface represented this stillness where you allowed yourself to move at a slower pace and appreciate the beauty of things around you. And sure, as much as you need to move forward and build something in life, you also need to swim up to the surface and take that next breath. I think it’s important not to let that thought consume us and prevent us from appreciating those moments of tranquility underwater.” — Kasbo
The Source “One thing that does not go unnoticed is Khaid’s soulful melodies over Afrobeat rhythms, and his ability to freestyle timeless anthems for audiences all the world to listen and dance to.”
Viper Magazine “Singer-songwriter Khaid is only 18 years old but has made big waves in his home country of Nigeria and beyond, with hits like ‘Jolie’ and ‘With You.”
Rising Nigerian afro-fusion singer and songwriter Khaid is kicking off 2024 with a bang as he is set to release a brand-new single ‘Run Away’ ft Ghanian songstress Gyakie.
‘Run Away’, is a brand-new track ft afro-fusion artist Gyakie which explores a heartfelt story of love. Khaid is telling his love not to run away and how he can give her the world, whilst Gyakie tells the female perspective of this rollercoaster called love.
Diving into themes of love in time for Valentine’s Day, Khaid & Gyakie give us a beautifully written song which they deliver with such passion and full of soulful melodies from both artists you feel like you’re watching a movie.
Gyakie said:
“Thrilled to be a part of this emotional journey with Khaid! ‘Run Away’ is more than just a song; it’s a raw and authentic expression of love’s imperfect journey. Join us as we unravel the complexities of love, redemption, and the enduring power of heartfelt confessions.
Singer-songwriter Cory Wells recently announced his brand new album ‘Harboring The Hurt I’ve Caused’ to be released on 15th March 2024 via Pure Noise Records and now shares a second single, “Natural Disaster”.
Speaking about the album Cory said “I didn’t know if this album was going to come out of me. I have always written from trauma. It can be exhausting, debilitating, and sometimes unhealthy. This record is no different. It can be difficult to admit that the problems in your life may be no one’s fault but your own. The first album was just one side of the story. “Harbouring the Hurt I’ve Caused” is all about the damage that I have done and how it feels to live with my mistakes every day. I realize I’ve been blind, and once I can finally see, the fear that the end is certain, begins to settle in. I believe we all experience this as much as I wish that weren’t true. Take care of the people you love. I hope this record means as much to you as the journey did for me.”
The creation of meaningful art can only occur in moments of despair or triumph; there is no grey area.
iskwē | ᐃᐢᑫᐧᐤ (short for waseskwan iskwew, meaning “blue sky woman”) is an award-winning Indigenous creator whose catalogue drips of a spectrum of emotions and is powered by resilience. Following several seasons of high highs being met with low lows, the Cree Métis artist retreated south to Mexico and inward to her soul to paint a 10-song collection that illustrates the gut-wrenching roller coaster ride that has been her recent life.
nīna, the opus of iskwē’s rebirth, is the Cree translation for “me” and was chosen as the title of her fourth solo album as an ode to the profoundly autobiographical elements. The album is the sonic manifestation of the divine feminine explored through vignettes of love, passion, anger, betrayal, and loss.
To bring her incredible stories to life, iskwē teamed up with 10x Grammy-nominated producer Damian Taylor (Björk, The Killers, Bomba Estereo.) Damian also co-wrote a selection of the songs, including the Top 20 Alt-Rock charting lead single “I Get High” ft. Nina Hagen. The culmination of their sounds resulted in an offering of ethereal eclecticism, reminiscent of the sensuality of late 90s R&B with the most delicious twist of Esthero.
Allow nīna to seduce you as you bathe in the rhythmic beats and feel hints of tropical sea breezes and the electrical current of Mexico City. This album is a realist’s journey through the deep, visceral experience of love.
nīna follows iskwē’s travels back to herself in real-time. The opening track, “A Little Piece,” sets the scene with a look behind the mask of someone lonely and overwhelmed by an extra-marital affair. We get caught up to the seemingly insurmountable crossroads where iskwē currently resides, and thus begins an incredible auditory journey of resilience.
The album then escorts us along the winding path of leaving a marriage to finding oneself in the passionate throes of being against new skin and the incomparable delight of brand-new love. The middle of the album offers your first climax with “The Other Side,” a deliciously insatiable introspective into sex—the intoxicating, back-breaking kind.
The journey then dives quickly into the depths of despair and then up to the heights of triumph with “I Get High,” a whimsically gothic tale of being torn apart by strangers and using every ounce of strength to defend and rebuild. Through the album’s final tracks, we collectively rise from beneath the weight of cumulative tragedies as iskwē bookends the album with the elegance of humble triumph.
“Exhale,” nīna’s final track, offers the retro sensibilities inspired by David Bowie, laced with the unmistakable cadence of Indigenous percussion.
iskwē’s sound is incomparable, and nīna will leave you in awe of her ability to weave together life’s journey with compelling and undeniable artistry. It’s an ode to the journey home to ourselves, the most beautiful odyssey cultivated by imagination and devastatingly beautiful lived experience.
Her 2017 debut album, The Fight Within, was Juno-nominated for Indigenous Album of the Year and garnered her a spot on the Polaris Music Prize Long List. 2019’s acākosīk features the powerful single “Little Star” and took home the Juno Award for Music Video of the Year (2020). In 2021, she released The Stars – a reimagination of her album acākosīk. The independent release featured new arrangements (by Darren Fung) of six songs with iskwē accompanied by a trio of piano, cello, and violin recorded live-off-the-floor at Revolution Recording in Toronto and a dramatic orchestral reimagining of “Night Danger (Lovers Mix)” recorded with the FILMharmonic Orchestra (Prague). In 2022, she released Mother Love with Tom Wilson – a collaborative album reflecting the nature of love and culture as the pair’s individual contributions blended together seamlessly.
Known for her impactful stage presence as she incorporates dance and multimedia to present a completely engulfing and cathartic experience, iskwē has performed hundreds of shows worldwide at iconic locations, including Canada’s Parliament Hill, in New York City at the Met and SummerStage in Central Park, and beyond for the King and Queen of Sweden, Reeperbahn in Germany, and Border Crossing’s Origins Festival in England. She received the Johanna Metcalf Performing Arts Award in 2022 and is an ambassador for the PRS Keychange initiative. iskwē is originally from Treaty 1 and is currently spending her time in Montreal, QC.
M’Grasker are a coven of humanoid meat sacks forged in the Vats of Creation by Dr. Gorp, himself. Their mission: to Rock. However, they are also permitted to Roll. Human terminology might define them as a “band”, however they would be more accurately described as Biological Property of M’Graskorp Unlimited Enterprises and Subsidiaries of the GlanGlan Group.
Much of M’Grasker’s DNA was salvaged from the backstage areas and bathrooms of seedy Toronto music venues and transferred via Scienetic Quantum Hurtlage to the M’Graskorp Labs, located just beyond Space and Time (and slightly to the left).
There, the illustrious Dr. Gorp folded the DNA into his patented bio-muck through perverse osmosis, adding a large scoop of adrenaline and dashes of other substances that can’t be named, much less comprehended.
After releasing their curt 69 track EP “Under the Righteous Sky” in 2022, the band endured a brief transmogrification when canine DNA entered the Vats, resulting in the dog themed follow up “Must Love Doggy” in 2023. In the ensuing battle for control of M’Graskcorp Unlimited Enterprises, the canine iteration of M’Grasker was destroyed, and the loveable lads from Lab 7 were rebirthed in nearly human form from the primordial ooze.
The band is legally obligated to be happy to announce their third offering: “M’Grasker” by M’Grasker. The album is scienetically guaranteed to blow domes in 2024. M’Graskorp’s renowned legal team compelled Jesse Turnbull (Taurus Music) and Dave Monks (of Tokyo Police Club) to engineer and produce the album under threat of barely-lethal force.
Expect several advance transmissions in the form of singles. Set your friggin’ duneslice to creased.
Urban One’s NewsOne.com, a digital content property owned by iONE Digital, is launching a new multimedia series, An American Crisis: Black Child Suicide. The seven-partseries will explore the reasons why Black children are at a higher risk of dying by suicide than their peers, and it will share resources to support those in need. The goal is to raise awareness about the under-reported and under addressed crises Black children are experiencing, as a result of persistent racism and its collateral consequences.
Yesterday NewsOne.com published the introductory article by NewsOne Senior Editor, asha bandele, and anexclusive one-on-one interview with Editor-in-Chief Emerita of ESSENCE and founder and CEO of the National CARES Mentoring Movement, Susan L. Taylor.
“Consciouslyand otherwise,this nation castsBlack children as predators when the truth is that they are thevictims, the targets, of socially imposed and entrenched harms that tell them their lives don’t matter. This seriesis all about disrupting that lie and finding as many ways as possible to demonstrate our love for our babies,” said asha bandele
Overthecourse of March, American Crisis: Black Child Suicide will engage the tragedy as it impacts specific demographics—boys, girls, loss survivors and members of the LBGTQIA+ community and finally, what we know we can do right now to help end Black child suicide.
Headie One releases new track “Socials,” available now at all DSPs HERE. Showcasing the UK Drill pioneer at his finest, with sharp and rapid lyrical flow over smooth melodic beats, “Socials” is produced by Ambezza (Drake, Future, Lil Baby), Julia Lewis (Lil Wayne, Lil Yachty) and Scotty White.
The accompanying video, directed by Oliver Jennings (Skepta, Stormzy) was shot in a number of different locations across London. It features an impressive roll call of cameo appearances including Tiffany Calver, DJ Semtex, Clavish, Big Zuu, Samira Mighty, Chloe Burrows, Nemzzz, and Mimi The Music Blogger, all coming through to support.
Headie has been teasing the visuals over the past few weeks with many fans already duetting with his posts and imitating his moves and fits. Watch the video for “Socials” HERE.
Last night, Headie gave fans an exclusive listen to “Socials” during a live gaming stream at Virgin Media Gamepad, a gaming venue at The O2, where he was joined by famous faces AJ Tracey, DJ Charlie Sloth and Big Zuu.
Headie One is nominated for Best Group at the BRIT Awards 2024 with fellow rapper K-Trap, for their critically acclaimed joint mixtape Strength To Strength, which charted within the top 4 on the UK album charts.
Vancouver musician Devon More shares her new album Sky Is Falling out now on all digital streaming platforms. Listen here.
To mark the occasion, Devon is also releasing a new single ‘Catch That Moon (Song For David)’, a song about a relationship that burned hot and fast.
“They say that opposites attract, and that was true for David and I,’ says Devon. “We were totally enamoured, and wholly incompatible. Our relationship didn’t last, but our deep respect for one another did, despite our vast differences – imagine that? In divisive times like these, ‘You do you. And I’ll be me.’ is a helpful and powerful sentiment. Be like David (and I): respect human biodiversity.”
From Kamloops but currently based in Vancouver, Devon is a singer-songwriter, multi-instrumental musician (guitar, flute, and more), and genre-bending performance artist who combines insightful lyrics and infectious melodies in alternative pop rock songs served with a side of symphony. Centered on themes of wanderlust, revolution, and love, Devon’s story driven songs illuminate universal themes while drawing rich images from her own unique life experience as a globetrotter, polyglot (German, Dutch, English), and Traumatic Brain Injury survivor.
Sky Is Falling is available now on Spotify, Apple Music/iTunes, and other digital retailers and streaming services worldwide. For more information, please visit devonmoremusic.com.
Multi-talented singer, songwriter, and artist Kayla DiVenere shares her new single, “Small Talk,” out today on Sound Factory Records.
Following recent hit singles like “Date Myself” and “Jumping the Gun,” the LA-based artist delivers another punchy alt-pop earworm with her new single, “Small Talk.” Kayla created the song with producer/songwriter Jordan Witzigreuter (The Ready Set) and songwriters Maia Kelly and Zach DeGaetano.
At just 20-years-old, Kayla’s catchy yet introspective lyrics perfectly capture the highs and lows of young adulthood. On “Small Talk,” her honeyed vocals tell the story of a secret crush she has on her brother’s best friend.
“I created ‘Small Talk’ in my longing to have more than a fleeting 5 minute conversation with my crush every time he would come over,” she opens up. “My imagination ran wild and I found myself aching for something like a John Hughes romance movie about a secret love, complete with a boombox outside my window and a mixtape of his favorite songs. After rewatching every romance movie I could find, I decided that instead of torturing myself, I should write this song in an attempt to pour my heart out and make sense of my desire for something more than small talk.”
Your Future Ghost is the new synth pop/rock musical project of Billboard-charting singer/songwriter, musician and actress Kate Voegele and the multifaceted songwriter, producer, composer and actor Michael Grubbs. The duo first met on the set, acting in the popular CW hit TV series One Tree Hill. Striking up a fast friendship and mutual creative respect, the two began collaborating musically over zoom during the pandemic. After months of studio sessions in Austin, Texas, intermingled with lively backyard taco breaks, Your Future Ghost was born. Kate Voegele reveals the catalyst for their creative fusion, “our voices blended in a way that inspired us both to write in this unique hemisphere of a sound neither of us had ever really explored before in our solo projects.” The two soon performed their signature dirty indie synth pop at the internationally recognized Art Basel festival in Miami to an overwhelming response affirming their artistic direction.
Their upcoming album features a collection of joyful, wild and dark pop songs. With a powerful blend of big guitars, thunderous drums, and striking synths, Your Future Ghost has crafted an album inspired by, according to Voegele, “finding the fun, the party, and the refuge in the chaos of a post-apocalyptic world.”
Leading single “We’ve Got Places” is a single all about about that place where you find refuge from whatever noise is going on in the world – whether it’s an actual place, a person, or something else, I think we all have those places where we can escape the chaos and be ourselves,” confides Kate. The track features stunning layered harmonies and lush instrumentation for an enticing listen.
Meanwhile, the explosive indie dance party anthem “PRITTY” merges new wave, punk, and electro-pop, creating an intoxicating blend that explores the allure of infatuation and the lengths we go to tolerate someone’s messy behavior. Kate confides, “The song is about being a little unhinged but also irresistible. You’re self-aware enough to know you’re kind of a mess, but you also not sorry about it because you’re a God damned blast to have around. It’s kind of about just knowing that the weirdest thing about you is probably also the coolest thing about you, and not being afraid to celebrate that even if it makes some people mad or uncomfortable.”
Inspired by community, their experiences in the spotlight, and the freedom of living authentically and unapologetically, Your Future Ghost embodies a captivating paradox. Grubbs shares, “I would like to encourage folks to accept themselves. Which isn’t easy. I’m like this sadboy emo dude and Kate is this singer-songwriter pop star, and together we’remaking this dirty indie album because that’s who we’ve always really been inside.” Their music is poised to make a resounding impact, showcasing the boundless talent and unbridled creativity of Your Future Ghost.
https://www.instagram.com/katevoegele
https://www.instagram.com/yourfutureghost
Liv Miraldi, acclaimed for her viral hits “Wingwoman” and “Same People,” is a songstress renowned for her distinctive style and unapologetically honest approach to her artistry. An LA-based solo artist, Liv Miraldi fuses together fresh folk and indie pop. Most well known for her distinct voice, New York Post has described Miraldi’s vocals as “intoxicatingly creepy.” Miraldi is fierce, passionate, and raw in both her intimate acoustic sets and her beat-driven pop songs.
Born Olivia Miraldi in Lorain, Ohio, she immersed herself in music from a young age. At only 7 years old, she began writing songs and putting her stories on a page. She found her voice in her father’s home studio, where she spent all of her time. She attended Lake Ridge Academy’s School of Fine Arts where she studied vocal performance and in 2012 she was accepted into the Interlochen Songwriting Program.
Miraldi relocated to Nashville in 2013 to pursue her artistry at Belmont University after getting accepted into their songwriting program in the Mike Curb College of Music Business. It was there she met Jonathan Timberlake, brother of Justin Timberlake, and the two knew they could create something amazing together. Under the moniker LIV, their collaborative artistry brought about “Poison in the Blood,” which was featured in Elle, E! Online, Marie Claire, VH1, InStyle and many more.
After touring her solo music throughout France, interning in LA, and falling in love with co-writing in Nashville, Miraldi signed to the late Grammy award winning producer, songwriter, and music exec, busbee. He signed Miraldi to Altadena, his joint venture with Warner Chappell Music. She’s penned songs for artists across many genres including Tinashe, Lauren Spencer Smith, Mod Sun, Marc E. Bassy, Charlotte Sands, Dylan Conrique, WOOSUNG, The Rose, Jenna Raine, Skeez, Salem Ilese, Johnny Orlando, Natalie Jane, GAYLE, Dixie D’Amelio, etc.
After years of crafting songs for others, Miraldi realized she had her own story to share, leading her to rediscover her artistry with a reimagined perspective.
Her previous single, “Denver” received editorial support across all DSPs, including notable Spotify playlists, New Music Friday, Next Gen Singer-Songwriters, and Created by Women. Now, Liv Miraldi is returning with her second single “Friend of the Family”. Arguably, her best storytelling yet, “Friend of the Family,” is a haunting open letter to a parent having an affair, written from the daughter’s point of view.
In her own words, she says, “’Friend of the Family’ was something I was afraid to talk about, so I knew I had to write it. I gave myself the space to feel the full range of my emotions. The song details the complexity of infidelity through the daughter’s point of view. This sad indie bop is an instant tear jerker that is sure to bring the feels.Keep watch as she continues to unfold her narrative in her new project, “2019,” slated to release in early 2024.
YOVA release their guest-studded second release ‘Dreamcatchers’ on all services.
Marking the release, the alternative pop duo of Mark Vernon and Jova Radevska have shared a special rendition of one its featured highlights “Maybe”, with an accompanying video.
WATCH THE “MAYBE” (ACOUSTIC) OFFICIAL VIDEO HERE
A twisted love song knotted with all the enigmas and enchantments that tie us up in the most complex relationships, “Maybe” is the final insight into YOVA’s eagerly anticipated new album.
Combining slinky post-rock guitar licks reminiscent of latter-day Radiohead with swelling string arrangements courtesy of the PJ Harvey-approved maestro Rob Ellis, YOVA describe the track as:
“A burst of chamber-pop featuring Rob Ellis’s beautiful string arrangements, the onde-Martenot, glockenspiel and baritone guitar.”
Tapping into the song’s mysterious, otherworldly qualities, it is accompanied by a fantastical themed official video by directors Thomas James Linton and Philip Reinking. Lost deep in a woodland with supernatural forces at play, it follows the band’s own Jova Radevska as she orientates herself in this strange new environment – with a helping hand or two… Watch it here: https://youtu.be/o1F-LkN8LNM?si=pNTmO32g6vew3glp
Released in Europe last year, “Maybe” has already amassed over 100,000 streams and counting. It will feature alongside the band’s earlier singles “Dream Catchers”, “Hurt Like No Hurt”, “Addictions” and “Feel Your Fear” on YOVA’s ‘Dreamcatchers’ album, which is out tomorrow.
Irish singer-songwriter, come londoner, Tadhg Daly, releases his first single of the year, titled ‘How’s Your Day Been?’, which stunningly combines both raw and organic elements with a blast of electronic energy. ‘How’s Your Day Been?’ is out now via Antifragile Music.
Take a listen to ‘How’s Your Day Been?’ Below:
https://antifragilemusic.ffm.to/a1vxde0
Speaking on the story behind the track, Tadhg shares; “How’s your day been?” Is the first track from an EP that documents the journey of 2 emotionally broken and unavailable people falling in love. It’s a song for anyone that feels like they might be catching feelings for their ‘situationship’ but are too scared to admit it. It’s for anyone that is craving a more meaningful conversation than a token “how’s your day been?” before getting into someone’s bed.”
With emotive lyricism always at the heart of the music he creates, Tadhg Daly finds solace and comfort in sharing his thoughts and feelings with his audience and does so in a poetic, unique way.
‘How’s Your Day Been?’ is the follow up to Tadhg’s EP ‘Not Right For Love’, which was released October 2023, and stunningly showcased his rich, powerful vocals that tenderly lyricised the themes of grief and loss that enveloped the body of work.
Clash Magazine – “Still frighteningly young, the songwriter’s emotional impact goes far beyond his tender years, discussing themes that could only be regarded as universal.”
Wonderland – “Filled with soothing and honeyed vocals the singer effortlessly rides the rich production, serving up a passionate performance.”
Coming up, Tadhg is set to play a headline show at The Lexington, London on the 16th April. Tickets are still available, and can be purchased here. Today’s release comes ahead of Tadhg Daly’s approaching EP, coming later this year, so keep an eye out online for updates and lots more music to come.
in celebration of Women’s History Month, dance music powerhouse LP Giobbi’s nonprofit FEMME HOUSE releases its new 14-track compilation Femme House Vol. 2, in partnership with Insomniac Records.
“I am honored to celebrate Women’s History Month with the release of Volume 2 of the FEMME HOUSE Compilation on Insomniac. Only 2% of producers are female, and this compilation highlights some of my favorite female and gender-expansive producers/artists that are changing the game right now.” — LP Giobbi
Femme House Vol. 2 features all-female and female-identifying artists, including LP Giobbi herself, FEMME HOUSE Chief of Education/synth-pop artist mini bear, dancefloor dominator Mary Droppinz, inclusivity advocate Baby Weight, rising sister house duo Lisbona Sisters, and more. As LP told Billboard, “You can’t be what you can’t see,” which is why FEMME HOUSE has been a top-priority initiative for her since its launch.
Bursting forth from Los Angeles, Kaya Stewart and Max Mercier today make their first release as the edgy pop duo, Kiss Bang, with “Horrors Of Your Hometown.” They also announce that their debut EP of the same title will be available on March 15 via Bay Street Records, the label founded by Dave Stewart of Eurythmics. Taking the winding route to avoid the modern pop formulas and squeaky clean production often associated with their genre at all costs, Kiss Bang makes timeless earworms that could have been written in 1985 or 2050.
After meeting by chance, Stewart and Mercier were immediately drawn to create together. Stewart shares, “From the minute we met we knew that we were musically kindred spirits. I think we both have qualities in our own music that make us so individual and unique, and working together created a sound that neither of us had ever heard before, but felt so true to who we were.”
Mercier elaborates that, “Kiss Bang is the biggest blessing for me as it allows me to create outside of the strict mental confines I set for myself when making music. Kaya’s music taste spans all genres and eras just like mine and she has an incredible ability to extract different sounds out of me. It’s super inspiring.”
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