The Review: Trapped In The Loop of ‘Exit 8’
Genki Kawamura’s Exit 8 is one of those rare video-game adaptations that doesn’t just survive the transition…
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The Review: A Tender Ode to Home, Heart, and Late-Blooming Love, ‘Calle Málaga’
Calle Málaga is a warm, character-driven drama that feels like a gentle embrace from start to finish.…
The Review: Dianne Whelan’s Epic Quest for Healing in ‘500 Days in the Wild’
Directed by and starring photographer-filmmaker Dianne Whelan, 500 Days in the Wild chronicles Whelan's…
The Review: Warwick Thornton’s ‘Wolfram’
Warwick Thornton returns to the unforgiving heart of Central Australia with Wolfram, a 1930s-set historical…
The Review: Angelina Jolie’s Most Vulnerable Triumph in a Graceful Fashion Week Drama ‘Couture’
In the whirlwind of Paris Fashion Week, Alice Winocour’s Couture dares to reveal the very human threads…
The Review: Taboo ‘I Do’s’ – A24’s ‘The Drama’ Turns a Wedding Week into Razor-Sharp Psychological Mayhem
Kristoffer Borgli’s The Drama is the anti-rom-com we didn’t know we needed—or maybe the one we secretly…
The Review: Rebel Wilson’s Outback Musical Debut ‘The Deb’
Rebel Wilson’s directorial debut The Deb, adapt's the hit Australian stage musical into a raucous teen comedy…
The Review: Cherien Dabis’ Generational Epic ‘All That’s Left of You’
Cherien Dabis has always had a gift for blending the personal with the political, but with All That’s Left of…
The Review: A Voice That Shatters the Silence – “The Voice of Hind Rajab”
I walked into the Luna Leederville in Perth the other night for a sold-out screening of Kaouther Ben Hania’s…
The Review: Ryan Gosling and an Alien Rockstar Turn ‘Project Hail Mary’ into Pure Cinematic Joy
Phil Lord and Christopher Miller have spent years proving they can spin gold from the most unlikely…