The Review: A Warm, Intimate Hang with Jack Johnson in ‘SURFILMUSIC’
Jack Johnson has always embodied a certain effortless cool—the kind of laid-back vibe that makes his music…
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The Review: Awakening Wonder In Steven Spielberg’s ‘Disclosure Day’
Steven Spielberg’s Disclosure Day is a triumphant return to the extraterrestrial territory that has long…
The Review: ‘Tuner’ Strikes a Perfect Chord
Tuner emerges as a refreshing gem that blends crime thriller with heartfelt romance and character-driven…
The Review: ‘Birthright’ – A Razor-Sharp Black Comedy That Makes Returning Home Hilariously Hellish
Birthright is a wickedly sharp, darkly hilarious gem that had me laughing through my discomfort and nodding…
The Review: The Long-Awaited Return Of He-Man In ‘Masters of the Universe’
The long-awaited live-action Masters of the Universe finally arrives in theaters this week, bringing Prince…
The Review: Gabriele Fabbro’s ‘Trifole’
Gabriele Fabbro’s Trifole is a visually stunning Italian drama that immerses you in the misty, autumnal hills…
The Review: A Soulful Trek Through “The North”
The North, directed by Bart Schrijver, is a quiet hiking drama that feels less like a traditional film and…
The Review: Kane Parsons’ ‘Backrooms’ Nails Liminal Terror
Kane Parsons’ Backrooms, A24’s chilling new psychological horror, transforms the viral internet sensation…
The Review: Mascha Schilinski’s ‘Sound of Falling’
Mascha Schilinski’s Sound of Falling is the ambitious second feature from the German director, which…
The Review: ‘Power Ballad’ Hits Every High Note
Power Ballad hits every note that matters to a music lover like me, delivering a warm, uplifting celebration…