The Review: Soaring in Stillness – ‘H is for Hawk’
H is for Hawk, the film adaptation of Helen Macdonald’s bestselling 2014 memoir, arrives as a visually lush…
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The Review: ‘A Private Life’ – Jodie Foster’s Commanding Presence Can’t Quite Solve This Uneven Mystery
Jodie Foster delivers a masterclass in A Private Life, stepping into the role of Lilian Steiner, a renowned…
The Review: Hathaway & Coel Elevate Lowery’s Symbolic Chamber Piece ‘Mother Mary’
Mother Mary is a dreamy, introspective chamber drama from David Lowery that reunites a globe-conquering pop…
The Review: Agnieszka Holland’s Kaleidoscopic Dive into ‘Franz: Becoming Kafka’
Agnieszka Holland’s Franz: Becoming Kafka is a bold capture of one of literature’s most enigmatic figures…
The Review: ‘Life Could Be a Dream’ Shines A Light On Breaking Free
Australian cinema has a knack for delivering intimate, unflinching dramas, and Jasmin Tarasin’s feature debut…
The Review: ‘Mortal Kombat II’ – Flawless Victory for Fans, Bloody Good Fun for Everyone Else
Simon McQuoid returns to the director’s chair for Mortal Kombat II, the long-awaited sequel to the 2021…
The Review: The Restrained Heartbreak Of ‘Pike River’
Pike River, directed by Robert Sarkies and starring Melanie Lynskey and Robyn Malcolm, is a sobering drama…
The Review: ‘The Devil Wears Prada 2’ – Still Devilishly Delicious After 20 Years
Last night, Luna Leederville was SOLD OUT for the preview screening of The Devil Wears Prada 2. The energy in…
The Review: ‘Amrum’
In the final, fragile months of World War II, a 12-year-old boy named Nanning finds himself on the remote…
The Review: The Tentacled Temptation of ‘Touch Me’
Addison Heimann’s Touch Me feels like a strange dream you didn’t know you wanted—or maybe one you'll regret…