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The Review

The Review: Richard Roxburgh Shines in ‘The Correspondent’

Image Credit: IF Magazine

The Correspondent, directed by Kriv Stenders and starring Richard Roxburgh, is a gripping biographical thriller that plunges viewers into the harrowing true story of journalist Peter Greste’s wrongful imprisonment in Egypt. The film adapts Greste’s memoir The First Casualty into a tense, emotional narrative about the fragility of press freedom. Roxburgh, known for his commanding performances, delivers a career-defining portrayal of Greste, anchoring the film with a quiet intensity and raw authenticity.

The story begins in Cairo, December 2013, amid the chaotic aftermath of a military coup that ousted President Mohamed Morsi. Greste, a seasoned Al Jazeera correspondent, is on a temporary assignment when he’s abruptly arrested in his hotel room by Egyptian authorities. Accused of terrorism for reporting on the Muslim Brotherhood, he’s thrust into a nightmarish ordeal alongside colleagues Mohamed Fahmy (Julian Maroun) and Baher Mohamed (Rahel Romahn). Stenders sets the tone early with a sense of disorientation, mirroring Greste’s own confusion as armed men raid his room, seizing cash from his safe as fabricated evidence of his alleged crimes.

Roxburgh’s performance is the film’s beating heart, capturing Greste’s patience and understated defiance. Unlike his past roles, Roxburgh opts for a restrained approach, letting subtle shifts in expression—bewilderment, frustration, and flickers of hope—convey the weight of Greste’s 400-day captivity. Stenders’ direction keeps the audience tied to Greste’s perspective, unfolding the narrative almost entirely from his point of view. This tight focus amplifies the claustrophobia of his confinement, from solitary cells to crowded courtrooms where absurd charges are lobbed with no credible evidence.

The Correspondent is a call for press freedom, landing with eerie relevance in 2025 as journalists worldwide continue to face persecution. Archival footage woven into the film blurs the line between dramatization and reality, amplifying its urgency. Stenders, known for “Red Dog,” proves his expertise by helming a very different beast here, trading heartwarming tales for an unflinching drama. His collaboration with Roxburgh yields a synergy that elevates the material, making The Correspondent one of the most compelling Australian films of recent years.

Check out all the available times for The Correspondent showing at Luna Palace Cinemas, Luna Outdoors, and The Windsor here.

Email:neill@outloudculture.com
Socials: @neill_frazer

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