• Abbie Callahan’s new single “Simon Says” turns heartbreak into a playful country-folk anthem, blending banjo-driven warmth and lyrical wit with a story every woman knows all too well.
• “‘Simon Says’ started as a really sad diary entry. With time, I was able to look at it more objectively, and to bring some lightness to it, I framed the situationship as a long game of Simon Says.” — Abbie Callahan
• Following the success of her acclaimed debut EP Grossly Aware, Abbie continues to build momentum in the Americana space, solidifying her voice as one defined by emotional depth, melodic instinct, and sharp storytelling – described as “if Kacey Musgraves and Dolly Parton had a Gen Z baby.”
Somewhere In Between shares “Masquerade Ball.” Produced by the duo’s very own Austin Bisnow (John Legend, David Guetta, Big Time Rush) and co-written with Andrew Barr (Mumford & Sons, Gracie Abrams), the track invites listeners to explore self-perception in today’s world. It was released alongside an official visual created by Matt Frazier (Local Natives).
• “‘Masquerade Ball’ is a reflection of modern life – the masks we wear to avoid the truth.” – Somewhere In Between
• The release follows the indie-folk duo’s rising momentum of their single “Lay Your Head On Me” on TikTok (4.9K+ UGC), where a heartfelt hand choreography trend has taken off.
ANA SKY
“Finding Alice”
• Ana Sky releases sultry dark pop track, “Finding Alice” alongside an official visualizer shot by Ron Dadon (Grace VanderWaal, Zendaya, EMELINE). It was co-written with AC Burrell (Lady Gaga, Beyoncé, Jennifer Hudson), who also produced.
• She is currently on Jesse McCartney’s sold-out The Weightless Tour as direct support, which began in September and concludes on November 15th in San Francisco.
• With a silky, soulful voice, Ana Sky entrances listeners with evocative melodies and work that are at once deeply personal, wise, and cathartic – ideal for fans of LÉON, FLETCHER, and Sasha Alex Sloan.
alt-rock band The Barons share their rugged, deeply human debut record Le Château is out now alongside both humorous and vulnerable track, “Bleu Cheese.” The guitar-driven, emotionally-charged album, one that is both raw and refined, proudly introduces the five-piece band as they teeter out on the edge of something greater–pulsing with urgency and restless ambition.
With Le Château, a humorous nod to the band’s broken high school French, the group playfully and gracefully processes the difficulties of human connection in an increasingly digital world, the inevitability of aging and makes peace with change. Over ten tight tracks, the group harnesses their chaos into meaningful messages that strike a balance between light-hearted and serious tones as they effortlessly find their own groove. Produced by Jacob Sommerio (English Oak Recording) over a few weeks in Richmond, Virginia, the group captured the band’s raucous live energy through analog recording.
“Bleu Cheese” captures the joys and complexities of aging. Band leader Peyton Alley (vocals, guitar, keys), explains, “Eating mold has always been weird to me but I love Bleu Cheese. It’s an acquired potent flavor that you either love or hate and think this song is analogous to that. The idea that something aged and moldy can be a delicacy and full of flavor. I think the human experience of getting old can relate in many ways to this.”
Born from a guitar riff, “Spider Song” is a somber, internal reflection piece that explores technology and societal pressures. Creative Executive Lens writes the track is a, “haunting, guitar-driven meditation on technology, disconnection, and the search for meaning in a hyper-digital age. The track’s subdued intensity mirrors the weight of its message—somber but alive, echoing the unease of constant connection.”
Based out of Nashville, Velasco was originally raised in South Carolina, where her passion for music first blossomed out of her background in musical theater. In 2021, Velasco began to release her own original songs, with her breakout single, “Leave Me Wild,” landing her spots on Spotify’s top playlists such as New Music Weekly and Fresh Finds Country. Securing several radio interviews across the U.S., Velasco showcases her distinctive, edgy sound and impassioned vocals. Her single “Call Me” was featured on multiple playlists, with its music video being shown on CMT, marking her place as an emerging force within the industry. Recent singles such as “Paper Boy” and “Name on my Phone” have been championed by notable outlets like CMA, Wide Open Country, Holler, and Ones to Watch. Velasco has performed as an opener for acts like Love and Theft, BRELAND, David Nail, and Tierra Kennedy.
NYC-based singer-songwriter Rachel Grae unveils her latest single, “Run with the River,” out today – a soulful, singalong track that invites listeners to let go of the past and embrace personal growth. This new single will makes its way onto sophomore album “Turned Into Me” slated for early 2026.
“Run with the River is about letting go of your past and finding the strength to move forward,” Rachel explains. “It’s about leaving the old you behind, breaking free from what once held you back, and stepping into the better version of yourself.”
Blending emotional depth with swanky, singalong appeal reminiscent of Adele and Amy Winehouse, “Run with the River” showcases Rachel’s signature vocal power and storytelling finesse. The track offers fans a cathartic, immersive experience that pairs introspection with irresistible melody — a perfect prelude to her forthcoming album, Turned Into Me, slated for early 2026.
In addition to the new single and upcoming album, Rachel just wrapped a successful headline tour across the UK and Europe last month, bringing her unforgettable live show to fans worldwide. Rachel also performed at Lollapalooza in August, joining the festival’s celebrated lineup of artists and reaching an even broader audience of music fans.
With nearly 1.5 million TikTok followers, almost half a billion streams, and a growing list of sold-out shows, Rachel Grae is firmly establishing herself as one of pop’s most promising rising stars. Signed to Hard Working Records in partnership with Virgin Music, the NYC-based artist is celebrated for her unflinching honesty, vocal prowess, and emotionally resonant songwriting.
GRAMMY-award winning and 5 x MOBO nominated London jazz/ hip hop/ electronica duo Blue Lab Beats release their new track “North London Pace” – the first offering from their upcoming 5th studio album out next year.
Coming hot on the heels of their recent London headline show at Jazz Café, “North London Pace” emerges as the distillation of the energy and feeling created during their multiple jam/ improv sessions in London and around the world.
A typically high-grade, lush and explorative work, “North London Pace” starts as a trim and staccato jazz standard, 70s jazz fusion embellished with wild and expressive
synths that recal particularly the styles of Brazilian progressives Banda Black Rio, Tania Maria and Azymuth melt down into a gorgeous hip hop instrumental, the seamless transition and syncopation underlining the years of synergy between members NK-OK and David Mrakpor.
The explosive visuals that come alongside the track, a tribute to Tap dance is key to the underlying Blue Lab ethos of community, expressing other Black creative outlets and the blending of genre at its heart. The mix of tap and live drum machine work courtesy of NK-OK, speaks to their representation of the flourishing of black legacy in visuals and sound.
“Tap dance was another way of expressing political struggles the same way instrumental jazz music expresses its message, so they both work hand-in-hand within Jazz culture” – the musicians note.
BANA, the boundary-pushing pop artist bridging Kurdish heritage with contemporary global sounds, rounds off her milestone year with a brand new single “Ripple Effect”, set to release 14th November 2025.
Hot on the heels of her intoxicating, dance-infused single “Air”, and subsequent remixes from a slew of electronic music’s finest—Meg Ward, Josh Parkinson, Ossie—
rising pop talent BANA returns with another electrifying release, “Ripple Effect”. The new offering pulses with crisp percussion and shimmering synths, providing a sleek, rhythmic backdrop for BANA’s effortlessly smooth vocals. With each release, the Kurdish multi-hyphenate continues to carve her place in the UK pop landscape, blending global influences with the vibrant energy of the contemporary electronic underground, solidifying her reputation as one of pop’s most exciting new voices.
Speaking on “Ripple Effect”, BANA explains: “[Ripple Effect] is probably one of my favourite songs I’ve ever released. It captures the feeling of passing down pain and hurt so accurately. Sometimes when we get hurt by someone or something we spread the pain without even realising that we do… and Ripple Effect simply talks about that.”
Rising gospel artist and famed content creator Ariel Fitz-Patrick proudly releases her long-awaited album, ARIEL, available now on all digital platforms via Motown Gospel / TAMLA Records. The self-titled project delivers a deeply personal collection of songs that reflect Ariel’s evolving journey of faith, self-discovery, and divine purpose — pairing gospel’s timeless message with her fresh, contemporary sound that continues to captivate audiences around the world. STREAM AND DOWNLOAD ARIEL HERE.
UMI, the singer-songwriter whose recent momentum has placed her at the epicenter of alt-R&B’s incoming wave, has kickstarted the holiday season with her new, acoustic rendition of the Christmas carol “This Christmas,” available now. UMI’s spin on the familiar classic comes with its official music video, starring UMI and her friends illuminating the night sky with their holiday spirit.
Stream “This Christmas” here, and watch the music video today.
Ava Franks is an indie pop singer-songwriter based in New York City. She’s obsessed with all things writing, and developed a love for songwriting from an early age. Singing in school musicals and local talent shows, she slowly and surely honed her vocal craft, a staple of her unique sound. The storytelling she’s inspired by stems anywhere from Taylor Swift’s pop hits to Hamilton’s soundtrack, and from James Baldwin novels to animated movies like Soul. In short, she’s motivated to create tangible worlds through her music for the sake of sweet escape.
Her discography began in 2021, when she released “3 Pines,” a ballad about falling in love in the desert. Subsequently, she released “Silhouette,” “Wait For You To Apologize,” “Golden Child,” “Do Or Die,” and, most recently, “I’ve Been Waiting.” She leans towards both classic and contemporary pop production references, like timeless synths and novel vocal layering.
Her latest single, “Every Day” is a lush acoustic guitar-driven embrace featuring Ava Franks’ warm vocals singing luminous melodies. The relatable song narrates that first taste of love. She shares, “It explores the beginning stages of a relationship when you’re feeling all of the uncertainty, hope and mystery that goes along with falling in love. It’s about wanting to see that person all the time and hoping they can read your mind.”
Born and raised in suburban New York, Ava was a competitive swimmer throughout high school and college. She attended Yale, where she was a four-year member of the varsity swim team and majored in English. She’s close to her two younger brothers, Finn and Kelly, and often visits her mom and dad in Irvington, NY, where they live with their two dogs.
When she’s not writing songs or performing, she’s usually finding some way to discover her next favorite food. Currently on the hunt for the best burrito in New York, she’s accepting any and all recommendations.
Chicago songwriter Delaney Bailey continues to preview her new album, Concave, available everywhere January 21, 2026, via AWAL. “Nightshade” arrives today, contemplating the relationship between self-worth and disordered eating over delicate riffs and caressing coos. Bailey reflects on perfection and perception, singing, “Hunger’s not power, Your hands are shaking.”
“‘Nightshade’ is a song about the hardships I’ve been through with eating in my life. Although it’s something that I’ve overcome in recent years and I’ve found the joy in eating again, it is something I have to actively remind myself of. At the age that I was dealing with these things, I didn’t necessarily mind my body. The way I look has honestly never been at the forefront of my mind, but the way my personality, my being, is perceived has always been front and center,” Bailey shares. “When I felt I had done something wrong, when I was nervous, when something made me sad, I would forget to eat. I began to make myself smaller, mentally (and in turn, physically), to be perfect in every situation I was in.”
“As I age, I have to remind myself that thinking way too much about myself is a privilege. Eating good food is a privilege. Self-care is a privilege. Making myself smaller was cowardice. Now is the time to seek out people and places that encourage me to be the biggest and brightest version of myself, and to be that, I had to learn to take care of myself first.”
Brooklyn’s Endearments have announced their signing to Trash Casual. Their first release for their new label is “Cannon,” a kinetic synthpop track that showcases the band’s deft marriage of moody synths and angular indie rock. The song is Endearments’ latest collaboration with producer Abe Seiferth (Nation of Language, Guerilla Toss), whose work on their self-released 2023 EP, It Can Be Like This, lifted the band’s cinematic dream pop to new heights.
AJ Tobey, the founder of Trash Casual, said, “Ever since I first heard Endearments and saw them live a couple years ago, I’ve been fascinated by how they draw an influence from bands I love, but still find a way to set themselves apart from most other bands coming out of NYC right now. I’m stoked to be teaming up with them for this next chapter of theirs.”
On “Cannon,” the chemistry between band members Kevin Marksson (vocals, bass, synths), Anjali Nair (guitar), and Will Haywood Smith (drums) is once again at the forefront, with Nair’s nimble leads wrapping around Marksson’s melancholic tenor and driving bass guitar. All the while, Haywood Smith’s drumming builds over percolating synthesizers to a thundering final chorus, drenched in the emotional lyricism that Endearments is known for — “Is it a war; what’s a war if the war doesn’t pull you in? To ignore or adore, where to end or where to begin?”
Due to popular demand, Multi-Platinum global pop superstar Kesha is kicking the Christmas season off early with today’s multiplatform digital premiere of her fan favorite cover of Lindsey Buckingham’s classic “Holiday Road.” First released last year as a “Spotify Singles Holiday” exclusive to Spotify – where it currently boasts close to 52M worldwide streams and counting – the track is now available at all DSPs and streaming services.
Produced by her frequent collaborator Zhone (“JOYRIDE.,” “DELUSIONAL.,” “BOY CRAZY.”), Kesha’s rendition of “Holiday Road” proved a sensation upon its exclusive 2024 release, peaking at #2 on Billboard’s “Hot Dance/Electronic Songs” chart – the song’s first-ever appearance on the top 10 of a Billboard chart and its first charted version since Buckingham’s original in 1983.
This month will also see another landmark for Kesha’s “Holiday Road,” with its first-ever 7” vinyl release, available November 28 exclusively for Record Store Day Black Friday 2025. Limited to only 1,750 pressings, “Holiday Road” is backed by “A Very Merry Christmas from Kesha,” a previously unreleased version of “Have Yourself A Merry Little Christmas,” originally uploaded to Kesha’s official YouTube channel in 2010.
TYGERMYLK (they/them) reveals the title track ‘Local Girl, Always Tired’ ahead of their upcoming debut album which is due for release this Friday. If you’re in London you can also get tickets to their album launch show on the 19th at St Pancras Old Church HERE
Arriving as a teaser ahead of their sensational upcoming album, ‘Local Girl, Always Tired’ pulls from their experiences of moving back to their hometown during the pandemic. Small towns can mean close knit community and support, but they can also lack diversity and representation.
Being in a town that doesn’t align with who you are can create a wealth of challenges.
Sharing more, Tygermylk explained; ‘Just before the first lockdown, I had a breakdown. I was completely burnt out and had to leave London. I moved back in with my parents. Then the pandemic hit, and I found myself grappling with a covid-induced relapse of the chronic illness (ME/CFS & POTS) I’d been dealing with since my teenage years. I’d been badly bullied when I was younger and never had many friends, and suddenly in 2020 I was back in the same place that had been the source of so much trauma.
Few have stayed true to the roots of Brooklyn, New York while possessing the necessary charisma and talent to transcend its world-renowned identity. However, Lola Brooke has shown herself to be just that, while also making a stand-out case as one of the new heavyweights in a city that might boast the best legacy of Hip-Hop. Though petite in stature, her lyrical presence and personality cast a skyscraper-sized shadow over the game. With quotable lyrics and unforgettable bars, she delivers street-influenced songs with unwavering confidence and an unpredictable cadence that evokes an essence reminiscent of the golden age of Hip Hop as she leans into the future of music with genre-busting fire.
Lola’s love for rap started early; she dropped her first music video to a freestyle titled “2017 Flow” and instantly began to build a buzz in the city. She continued to release numerous songs, each displaying her incredible rapping skills and starlike persona, but her song “Don’t Play With It” started to grab people’s attention. Soon after, she began to perform at events such as Rolling Loud NYC, Break The Internet Fest, and HOT97’s “Who’s Up Next” showcase, as well as a halftime performance for her beloved hometown team, the Brooklyn Nets. During the first half of 2023, Lola embarked on her first nationwide tour with A Boogie wit da Hoodie, signaling her rising super-stardom status felt outside the East Coast. Later that year, she embarked on her first international touring stint, taking center stage on festival stages at WOO HAH! X ROLLING LOUD Festival in Rotterdam, Rolling Loud Portugal, Rolling Loud Germany, Splash Festival in Germany, Wireless Festival in Finsbury Park, London, Openair Festival in Frauenfeld Switzerland, and brought the efforts back to the states with acclaimed performance at Hot 97 Summer Jam, Rolling Loud Miami and Broccoli Festival.
Following the release of his magnetic new single “Grapevine” last week, rising R&B sensation Myles Lloyd unveils the official music video, directed by Toronto-based filmmaker Dan LeMoyne. Shot in grainy black and white, the video captures the song’s cool confidence with a raw, nostalgic edge.
“Grapevine” offers a glimpse into Lloyd’s forthcoming album I’m Still Thinking (out November 21), a deeply introspective project that explores themes of anxiety, love, loss, and the restless mind. It’s a record rooted in honesty, vulnerability, and intentional artistry.
Hailing from Montreal, Myles Lloyd has carved a distinct space in R&B with his blend of emotional depth, pop precision, and timeless soul. His breakout hit “Drive Me Crazy” became a viral sensation, amassing over 21 million streams and earning a co-sign from K-pop powerhouses ENHYPEN, which helped the track chart in South Korea’s Top 200.
At just 27, Lloyd has steadily built his name through acclaimed projects like Goodbye (2019), Forever, Yours (2022), and WHAT MORE CAN I SAY? (2024), along with performances at Lollapalooza Berlin and Sol Blume. Already capturing the attention of tastemakers like Complex, PAPER, Teen Vogue, and Wonderland Magazine, Myles Lloyd is fast emerging as one of R&B’s most promising new voices.
For a band that’s spent the last several decades as the soundtrack to punk’s most iconic moments, The Bouncing Souls return more tapped into their community than ever with “Home for the Holidays,” their new song out November 21. The song arrives just a couple weeks before the NJ heroes head out for the final leg of their co-headlining tour with H2O.
Inspired by the holiday shows that the band hosted from 2007-2016 at historic Asbury Park venue, The Stone Pony, “Home for the Holidays” is a sort of anti-holiday song for all the misfits, weirdos, and anyone seeking their chosen family around this time of year. It leans head-first into the band’s signature melody and heart-on-sleeve melodic punk.
Every year, for a few days after Christmas, The Bouncing Souls threw their own holiday party––”for us, the Freaks, the nerds, and the romantics,” vocalist Greg Attonito explains of the show’s intention. “It became a time and place where a lot of people found a kind of acceptance that they might not have had anywhere else in their lives.”
For Jake Fields, all it took was $70 and a thrift store visit to change the trajectory of his life. While he originally had aspirations to be in professional baseball, the chance decision of buying a cheap electric guitar and amp was all it took for him to dedicate his life to music. What began as a hobby quickly evolved into live gigs at iconic venues such as Los Angeles’ Whisky a Go Go, Hotel Cafe, and The Troubadour—ultimately leading to a full-time career in professional music. After falling deeply in love with songwriting and performing, Jake released his first artfully written solo EP, Someday You’ll Be Mine, before releasing his No One Wants To See The Grand Canyon Alone EP under his new moniker, with songs spanning the themes of love, loss, culture, and family.
Now under the name Fields of Jake, he’s excited to share his upcoming 8-song album, mostly recorded at the studio Lucy’s Meat Market in Los Angeles. For this anticipated pop-rock record, Fields of Jake once again teamed with famed producer Jim McGorman (Goo Goo Dolls, Marc Broussard). Drawing inspiration from legendary songwriters such as Jackson Browne and Paul Simon, Fields of Jake blends storytelling and melody in a style alluding to The Kinks and Dawes. With classic influences and a modern perspective, Fields of Jake is building organic momentum while carving his space in the music world, laying the foundation for his future projects. Visit him online at JakeFieldsMusic.com.
9X JUNO Award winners Arkells release their infectious new track, “What Good?” out now via Universal Music Canada and Virgin Music Group. Full of conviction and drive, “What Good?” marks the introduction to Arkells’ forthcoming new album, due in 2026.
Following two weeks of social teasers, and MLB World Series bumpers, Arkells premiered the song live for a select group of fans in a local Toronto garage rehearsal space a mere 48 hours before release. The tone of the event speaks to the spirit of the song, and the up-close and personal experiences it longs for.
“What Good?” aims to ask the blunt questions on the noise of modern day life: What good is the comment section? What good is rage bait disguised as debate? What good is hustle culture if it only rewards grifters and conmen?
“The song doesn’t pretend to have neat answers – but it points toward where meaning might still be found,” says frontman Max Kerman. “The sun, the moon, the neon glow of your neighborhood bar. Things we can share, things that feel real.”
Scot “Little” Bihlman has revealed his latest single, “There’s No Way Out of Here”, released via V13 Music and is the fourth song in the lead up to his forthcoming album Heavy Head. Originally written and recorded by Ken Baker and later performed by David Gilmour for his 1978 self-titled solo record, Bihlman’s version pays tribute to the Pink Floyd guitarist’s legacy while reframing the song through his own lens of blues grit and southern-rock soul.
The track constructs it’s atmosphere through organ flourishes, layered worn-in harmonies, and pacing that moves like a long drive home. With “There’s No Way Out of Here” Bihlman captures Gilmour’s introspective spirit but adds his own raw edges leaning into the outlaw side of classic rock, but without the extravagance. The result, a song that delivers something leaner, darker and more human. “There’s no way out of here, if you are in you are in for good,” he sings, teetering on the borderline of resignation and acceptance.
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