featuring @majidjordan @HOODTROPHYBINO @babymoney__ @the_veils @alexhenryfoster @iammelvinriley @marah_irl @boycomma @isadorafigueroa @thisismabes
Toronto-based R&B duo Majid Jordan return today with their new single “See You Again”, out now via OVO Sound – listen HERE.
Following the dreamy pulse of “Cold,” “See You Again” pushes the duo’s latest creative chapter even further. Blending their signature atmospheric R&B with warm, lo-fi textures and richer instrumental arrangements, the track captures the effortless intimacy that first defined Majid Jordan while continuing to evolve their sound. Created between Bahrain and Toronto, the song was co-written and produced alongside Bahraini duo doghounds, with guitar contributions from Jordan’s father, Kenneth Ullman, whose credits also include “DIE TRYING” by Drake, PARTYNEXTDOOR and YEBBA.
The release arrives as momentum continues to build for the duo, with more new music on the horizon and a major global tour this fall. As previously announced, Majid Jordan will join as direct support on the 61-date Bryson Tiller Presents: The Neo Trapsoul Tour which kicks off its U.S. leg on August 27, 2026, in West Valley City, Utah. The tour will make stops at iconic venues including Madison Square Garden in NYC, Red Rocks Amphitheatre in Colorado, Intuit Dome in LA and more before embarking on the UK/EU leg on November 17. The tour will continue on to stops in Paris, London, and Dublin among others before the final leg in Australia which begins January 19, 2027.
HoodTrophy Bino and Baby Money prove why they’re two artists worth keeping on your radar on “Fell 4 It.” The track pairs Baby Money’s cool precision with HoodTrophy Bino’s unmistakable West Coast presence for a record that’s confident, ambitious, and reflects both rappers’ hard-earned perspective.
Driven by sharp writing and understated delivery, the duo’s verses are filled with memorable one-liners and concrete details. The chemistry between the Detroit and Los Angeles rappers feels effortless as they move between money talk, cross-country plays, and reminders that the rules of their environment are non-negotiable. Bars like, “Before I knew my ABCs, I could spell money,” and “Last month I spent a quarter, f* your rent, what’s your mortgage?” feel ripped from real conversations. The music video extends that same energy to the screen, dropping Baby Money and HoodTrophy Bino into a raw block party packed with twerking, smoke, and nonstop motionn – a backyard function that makes you want to pull up and catch the vibe yourself.
In addition to Shordie Shordie’s current tour, Bino will be performing with Wallie the Sensei, Lefty Gunplay and Rio Da Yung OG in June, July and August in Southern California, as well as at the California’s Best Hip Hop Music Festival in Bakersfield in August. He also has an album with HitBoy dropping this fall. Bino’s grind is spilling over into TV, too: he’s part of the star‑studded cast of TREND Network’s new reality series Coming Up Miami, premiering July 1 and spotlighting Miami’s influencers, artists, and entrepreneurs.
Following the critically acclaimed release of ‘Asphodels’ in 2025, The Veils quickly return with a bold and invigorated new album titled ‘Fragile World’, out today on V2 Records.
Arriving just over a year after their last release, ‘Fragile World’ marks a striking shift in tone and energy for the band. Recorded live to tape in New Zealand by Paddy Hill, with production by Tom Healy (Tiny Ruins, The Chills, Folk Bitch Trio), ‘Fragile World’ captures The Veils in an urgent and instinctive mode.
Frontman Finn Andrews says:
“I make each album, generally, as a kind of atonement for the last. Asphodels was so quiet and introspective, I think I just wanted to make something strident and full of life for a goddamn change.”
This can be heard on the first single “Lungs” which has a yearning drive as Andrews sings: “I wish there was somewhere we could go / Somewhere my heart will not succumb / I want to hear it in my voice / I want to feel it in my lungs”.
The opening track “Aurora”, with its very tasteful video, was written as it was being recorded, inspired by a huge geomagnetic storm that raged over New Zealand that day, while a song like “Little White Bird (Fragile World)” outlines the overall theme of the album as if Nina Simone and Arthur Russell are having a little dance. Focus track “My Foolish Heart” contradicts that with a piano-based almost Country/Folk style.
From lonely, fragile ballads via uplifting tracks to the first ever cover to appear on a Veils album (Sinéad O’Connor – “In This Heart”), ‘Fragile World’ is Finn Andrews most diverse work yet.
Alex Henry Foster, the Montreal-based artist and former frontman of the post-rock band Your Favorite Enemies, has released “Springtime,” the first glimpse of new projects on the horizon.
‘2 out October 23rd, is the first of five albums in a broader series, written and recorded in Virginia, Morocco and Canada. The releases represent Foster’s metamorphosis from one life to another, honouring the communities, relationships, and experiences that have helped shape him.
“Springtime,” the first single from ‘The Fragile Beauty (of New Morning Hopes)’, calls upon Foster’s personal tribulations: particularly the moment he died on the table during emergency heart surgery. The minor, dissonant chords set to a surging pulse ignite a sense of urgency that underscores Foster’s lyrics: “Springtime, Springtime / Your grief rises afar.”
Written in a state of reflection at Foster’s home away from home, Tangier, Morocco, the single describes the feeling of being disconnected from the physical body and searching for life among death. The accompanying video was shot in Morocco and features the late Moroccan artist, Najoua El Hitmi, a friend of Foster’s.
“The song echoes the late Palestinian poet and writer Mahmoud Darwish’s references about the metaphoric nature of spring as the juxtaposing struggle between our personal faith in the profound longing for intangible evolution and the collective desire to experience a palpable long-awaited rebirth,” explains Foster.
Foster’s global influences carry through to the song’s production, which incorporates African instruments and Arabic percussion, merging sitar, hammered dulcimer, bongos and congos with fuzzy electric guitars and pounding drums.
At a time when technology is reshaping the music industry, Melvin Riley is bringing the soul back.
The legendary voice behind Ready For The World returns with NO AI, a bold double album celebrating everything that makes music uniquely special: real instruments, real storytelling, and real emotion. Across the expansive project, Riley blends classic R&B roots, pop sensibilities, funk influences, and innovative sonic textures while staying grounded in authenticity.
“This album is about bringing the heart back to music,” says Riley. “Every note, every lyric, every melody comes from a real place.”
From classics like “Oh Sheila,” “Love You Down,” and “Tonight,” to a sound that influenced artists including Usher, Alicia Keys, Chris Brown, Jodeci, and Trey Songz, Riley is issuing a bold declaration: authenticity never goes out of style.
Vancouver-based DJ and producer MARAH unveils her latest single, “Talk To Me,” marking both her debut release on Deadbeats and the first offering from her forthcoming ‘LULA’ EP.
A producer who has steadily built a reputation for refusing easy categorization, MARAH has emerged as one of the most exciting new voices in bass music through a sound that draws equally from dubstep, trap, techno, UK club culture, and underground dance music. “Talk To Me” serves as a clear statement of intent for what comes next.
Rather than relying on predictable festival formulas, MARAH leans into tension and movement, anchored in a relentless 140 BPM, “Talk to Me” is built for momentum. The track’s hypnotic vocal chops and deepened bass feel equally suited for late-night festival sets and massive sound systems, while its strongly harmonic makeup gives it a richness that rewards close listening as much as a dancefloor. The result is a track that showcases both MARAH’s technical precision and her willingness to push beyond genre boundaries.
MARAH shares, “‘Talk to Me,’ the lead single from the EP, is about getting out of your own head, letting yourself enjoy the moment, and pushing beyond your comfort zone. It’s about allowing yourself to fully experience the party, the music, and the freedom that comes with stepping into something unfamiliar. I love this song.”
Southern California’s emo scene has found one of its most exciting new voices in boycomma. Based in Orange County, they cut their teeth throwing house shows during high school before becoming one of the area’s most buzzy word-of-mouth bands. What started in packed backyards and DIY spaces has since propelled boycomma to national attention, with Stereogum naming them a Band To Watch and praising their “wall of sound as massive and powerful as a tidal wave.”
Now boycomma return with “Comme Ci Comme Ça,” a devastating new song that continues to sharpen their sound without losing sight of the urgent vulnerability that got them to this point. It’s a perfect example of what the band does best: massive guitars, emotionally unhinged songwriting, and chaotic live energy. Inspired by a dream vocalist Brad Warriner had where trees grew through his bedroom floor, the result finds boycomma at their most outstanding; complete with a crushing crescendo anchored by a repeated call: “I thought you knew I’d rot for you.“
Latin Grammy-nominated singer-songwriter ISADORA releases her newest single “EASY LOVE”, a sun-soaked anthem that captures the essence of a summer romance by the beach and reflects a simple but powerful message: the right kind of love shouldn’t feel complicated. The track’s tropical rhythms can elevate any room’s energy through the vibrant sound of the steel drums and her signature serene vocals. Listen HERE.
The song was produced by Nico Gonzalez and written alongside Juan David Munoz Aviles “Avi” and continues to showcase ISADORA’s unique ability to transform deeply personal emotions into feel-good storytelling. This marks ISADORA’s first release following her Best New Artist nomination at the 2025 Latin GRAMMY Awards and the release of her album La Isla in November 2025. With “EASY LOVE” ISADORA continues to expand the Caribbean-inspired universe that has become central to her artistic identity, drawing from her roots to evoke the spirit of island life.
Multi-platinum Puerto Rican artist Lunay returns with “Palomino,” an anthem that captures the excitement of finding someone who naturally matches your energy. Arriving just in time for summer, the single blends reggae-inspired influences, tropical rhythms, and Lunay’s signature melodic style, creating the perfect soundtrack for long days by the beach and unforgettable nights with the person who makes everything feel effortless. Listen HERE.
The official video for “Palomino” features the artist Lunay in a setting washed with yellow tones that depict a tropical feeling as summer comes right around the corner. The inspiration for the video is rooted in Lunay’s Caribbean identity, showing beaches, palm trees and the island’s social scene. The narrative follows Lunay and Barbara Ramirez as they engage in a summer fling full of flirtation, dancing and attraction, which complements the song’s relaxed and reggae-infused rhythm.
Emerging from the heart of Southwest Virginia, Matt Jones and The Bobs have woven a tapestry of raw emotion and timeless storytelling since their formation in 2011. The band first came together during their time at Radford University, where Matt Jones (vocals, guitar) and his bandmates—affectionately known as “the Bobs”—took their shared passion for Americana, roots, and classic rock, and transformed it into a sound that resonated with listeners on a deeply personal level. Their debut album, “Brother’s Hymn”, released in 2014 while they were still in college, marked the beginning of their journey into the world of music. With tracks that captured the essence of small-town life, love, loss, and the everyday struggles that come with growing up, the album quickly gained a loyal following for its honest songwriting and gritty performances.
But like many bands that start in their youth, the road ahead was not without its twists and turns. After years of intense dedication to their music, the members of Matt Jones and The Bobs took a step back in 2015, each pursuing individual careers, business ventures, and entrepreneurial pursuits. The band entered a hiatus, but the bonds forged through years of creating music together remained unbreakable. For ten years, the members thrived in their own respective worlds, but the pull of music—the connection to their roots, their storytelling, and their shared experiences—was always there, simmering under the surface.
Fast forward to 2024, and Matt Jones and The Bobs have reunited, bringing their signature sound back to life with renewed energy and purpose. Though they’ve stepped back into the world of music after a decade, their roots in Americana, folk, and southern rock remain as strong as ever. However, this new chapter carries fresh twists—a subtle infusion of 90s influences, a bit of grunge grit, and more expansive instrumentation that complements their established sound. The heart of their music remains, however, unwavering: a commitment to capturing the emotional essence of life, love, heartbreak, and the triumphs and trials that make us human.
The band’s songwriting is nothing short of iconic, blending storytelling with profound vulnerability. Each song is a narrative—a glimpse into the human experience through the lens of Matt Jones’ deeply personal lyrics. From tales of love and heartbreak to reflections on death, struggle, and the perseverance needed to keep going, the music continues to strike a chord with listeners. It’s a sound that feels both familiar and fresh, a nostalgic journey through the ups and downs of life that feels like an old friend whispering in your ear.
The music of Matt Jones and The Bobs isn’t just a collection of songs; it’s an invitation to relive the highs and lows of existence. It’s a sound that will transport you back to moments of personal significance, where the struggles and joys of life feel not only relatable, but necessary for growth. With each note, they invite their audience to embrace their own stories, finding solace in the knowledge that they are not alone in the journey.
Nashville-based artist and creative Carver Jones returns with a soulful new single “WOMAN, MY LADY”, dropping independently 19th June 2026. Fresh off the back of his standout single “BEST FRIEND”, the 23-year-old talent embraces heartfelt romanticism in “WOMAN, MY LADY”, weaving poetic lyricism and soulful melodies in this tender ode to a lover. Produced by Nate Miles (Nell Mescal, Emyrson Flora, Thomas Day) and co-written by Carver Jones, Nate Miles, and Andrew Stoelzing, the track showcases another captivating side of the rising artist. Soaked in honey-sweet romanticism and warm, soulful textures, “WOMAN, MY LADY” seamlessly blends neo-soul, jazz, laid-back R&B, and subtle hip-hop
influences into a sound that feels both timeless and contemporary. Fluid guitar licks glide elegantly beneath Carver’s smooth, expressive vocals, while relaxed rap passages evoke an effortless cool. Deeply romantic and emotionally resonant, the track highlights Carver Jones’ growing artistic versatility and further cements him as one of the most exciting emerging voices to watch right now. Speaking on the track, Carver states: “WOMAN, MY LADY is everything I’d say to someone if I was in love. It’s almost like I’m talking to the girl I haven’t met yet with a hopeful yearning.”
With her new single ‘Ready To Go’, emerging country-pop artist Mabes captures the restless feeling of wanting more from life – more freedom, more connection, and a chance to leave the ordinary behind. Atmospheric and moving, the track builds around Mabes’ bliss vocal performance, allowing the emotion at the centre of the song to do the heavy lifting.
‘Ready To Go’ is available now on your streaming service of choice via APOLLO Distribution.
Taiwanese American pop artist Fedge introduces his debut EP ‘Through It All’, a five-track project informed by emotional vulnerability, healing, and self-discovery. Bright and melodic, the EP blends polished pop production with deeply personal storytelling, offering an intimate introduction to an artist writing from lived experience rather than performance.
‘Through It All’ is available now on your streaming service of choice via APOLLO Distribution.
AMON
“Range”
• San Diego-born rapper Amon drops new single “Range,” a rap-infused R&B/hip-hop track exploring personal transformation, overcoming adversity, and the sacrifices made in pursuit of a better future.
• “Range” adds to a growing catalog rooted in growth and resilience, reflecting Amon’s mission to bring “audible joy” to listeners — built on years of relentless touring, consistent releases, and active short-form content.
• With his musicality always at the forefront and his San Diego roots not far behind, Amon continues building steady momentum as an artist committed to connecting with everyday people pushing through pain and chasing something better.
From its dissonant opening moments, Scarves‘ new album, Strays Forever, feels inhabited.
Produced by Chris Walla (Death Cab For Cutie, Ratboys, Petey USA), its population is made up of lovers, future parents, exhausted workers, strung-out siblings, and hopeless romantics all trying to stay soft when things seem to only be getting worse.
Throughout its glitchy, suburban indie-rock neighborhood, Scarves effortlessly fuse in influences from bands like The Weakerthans and Hop Along to become a sort of human heart suspended in gelatin (still beating). Strays Forever dropsSeptember 18.
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